终点的

Shen Yi has been living in America and Europe for many years. Her works are like a dairy of a traveler, a journey without origin or destination. She uses an old manual camera which gives the photos a lo-fi roughness, clarity and exposure. The untechnical nature of the photos provides them with the realist drama and glamour that Shen Yi craves. These blue scenes record what she has seen and thought. It is like time has been ground down into a fine powder giving us a feeling of its subjective nature.

对于徜徉欧美多年的沈怡来说她的作品有时更像是一个旅行者的日记，好像只有过程而没有起点和终点，她常常随身带一些简易的、旧的甚至自制的相机，作品也常常有着较低的清晰度、较粗的颗粒、失真的色彩、曝光不足以及各种低技术的弊病，但其中却有着沈怡所痴迷的那种戏剧感和魅力，那些偏蓝调子的风景定格了一些她在旅程中的所见和所想，如同把时间碾磨成粉末般有种荒诞的不真实感。

The translators' translation strategies and especially their thinking at various stages are the major concerns of the investigation. The findings are as follows: 1. As soon as the translator uses his visual recognition system to build a linear sentence, the sentence will move down to the translator's FLS and FSS, which functions as sifters. 2. It is important to analyze out "participants","process" and "relations among them" by semantic analyzer. 3. Pragmatic analysis is sometimes conscious and sometimes unconscious. 4. During the synthesis stage, translators tend to retain products synthesized from synthesis stage same in meaning, structure and style as the products analyzed from analyzer, which is the default way. However if he was not satisfied with the tentative products, he would send them back to syntactic analyzer or semantic analyzer to process them again. 5. Relative to synthesis, analysis is supposed to be the starting point.

主要推论如下：1、当译者用视觉辨认系统建立起线性的句子以后，句子就进入了译者的常用词汇存储和常用结构存储中，它们就像一个筛子，句子经过它们之后，在译者的短暂记忆中就剩下与它们没有重叠的生词和新句式结构了，然后这些生词和新句式结构就分别进入译者的词汇搜索机制和句法分析器中了。2、在翻译过程中进行&参与者&，&事件过程&以及&参与者与事件之间的关系&的语义分析，对于得到正确合适的翻译是非常重要的。3、语用分析有时是有意识的有时是无意识的。4、在合成阶段，译者通常都保持合成的结果和分析的结果在意义、形式、风格上一致，这是默认的途径，但是如果译者在合成阶段发现可能得到的结果不通顺或者译者不满意，他则会返回分析阶段，重新进行语用、语义或句法分析。5、分析是起点，合成是终点。

The author would further argue for the theses listed below:(1) Wittgenstein's"phenomenological period"could be regarded as the beginning of his lasting interest in"the philosophy of psychology"into the end of his life, whereas the interest of this kind didn't appear obviously in Tractatus;(2) By interpreting the"atomic propositions"as the simplest description of the data instead of avoiding illustrating what it is as Tractatus did, Wittgenstein's "phenomenological period"does show us an amazing affinity between his own standpoint at that time and that of the Russellian logical atomism, which is surely under the influence of the empiricist tradition;(3) Wittgenstein's critique of his phenomenology, however, revives the celebrated Tractarian dichotomy between"unspeakablity"and"speakablity"in a new context by denying any attempt to employ any linguistic tool to designate or describe the absoluteness of the data which could be only"shown".

本文所试图论证的要点可以被概括为：(1)维氏的&现象学阶段&可以被视为他关于&心理学的哲学&的长期学术兴趣的发端点——这一兴趣一直延续到他生命的终点，却并未体现于其早年作品《逻辑哲学论》之中；(2)通过将&原子命题&解释为对于感觉予料的最简单的描述（而不是像《逻辑哲学论》那样回避对于&原子命题&之所是的正面解说），维氏的&现象学阶段&乃是向我们展现了他该时期的哲学立场与罗素的经验论版本的&逻辑原子主义&之间的令人惊讶的亲缘关系；(3)通过否认任何试图用语言手段来标示或描述予料的企图，并通过对于予料自身的绝对性的展示，维氏对于他自己的&现象学&观念的批判实际上乃是复活了他在《逻辑哲学论》时代就已作出的对于&不可说性&与&可说性&的二分法。

Chrisette Michele - Blame It On Me LRC by lzh ,from jiangxi pingxiang Sometimes you can work it out Sometimes you can't Sometimes you're forced to watch everything fall apart its outta your hands Sometimes leaving is easy Sometimes it aint Sometimes it hurts to know the loving you had was slowly fading away You can say whatever you like As long as we just say goodbye BLAME IT ON ME Say its my fault Say that I left you outside in the cold with a broken heart I really don't care I aint crying no more Say I'm a liar a cheater Say anything that you want As long as it's over I aint a quitter I just aint the type I tried to see you through I tried to make it to the finishing line Oooh you thought it was meant to be yeah I admit so did I Every once in a while you think you figured it out Sometimes your not right You can say whatever you like As long as we just say goodbye BLAME IT ON ME Say its my fault Say that I left you outside in the cold with a broken heart I really don't care I aint crying no more Say I'm a liar a cheater Say anything that you want As long as it's over Yes I love you but I really got to loose you Freedom is where I want to be Yes I'll probably always love you but I'm moving I got to do this for me BLAME IT ON ME Say its my fault Say that I left you outside in the cold with a broken heart I really don't care I aint crying no more Say I'm a liar a cheater Say anything that you want BLAME IT ON ME Say its my fault Say that I left you outside in the cold with a broken heart I really don't care I aint crying no more Say I'm a liar a cheater Say anything that you want As long as it's over

Chrisette Michele -归咎于我有时候，你可以工作了有时候，你不能有时候，你不得不看一切土崩瓦解其失控你的手有时候，离开是很简单有时候，这不是有时候疼知道爱你已慢慢消失你可以说你喜欢什么只要我们刚才说再见归咎于我说了我的错要说的是，我离开你在外面冷的心都碎了我真的不在乎我没有哭没有更多说我是骗子一骗子说什么要只要它的超过俺不是一个懒人我刚才是不是那种我想看到你通过我试图使它的终点线 Oooh您认为这意味着将是我承认，所以我每一次，而你认为你理解了它有时候你不正确的你可以说你喜欢什么只要我们刚才说再见归咎于我说了我的错要说的是，我离开你在外面冷的心都碎了我真的不在乎我没有哭没有更多说我是骗子一骗子说什么要只要它的超过是我爱你，但我真的失去你自由是我想要去的地方是的，我可能会永远爱你，但我动我这样做对我来说归咎于我说了我的错要说的是，我离开你在外面冷的心都碎了我真的不在乎我没有哭没有更多说我是骗子一骗子说什么要归咎于我说了我的错要说的是，我离开你在外面冷的心都碎了我真的不在乎我没有哭没有更多说我是骗子一骗子说什么要只要它的超过

However, as the name（read－only memory）implies, CD disks cannot be written onorchanged in any way.

然而，正如其名字所指出的那样，CD盘不能写，也不能用任何方式改变其内容。

Galvanizes steel pallet is mainly export which suits standard packing of European Union, the North America. galvanizes steel pallet is suitable to heavy rack. Pallet surface can design plate type, corrugated and the gap form, satisfies the different requirements.

镀锌钢托盘多用于出口，替代木托盘，免薰蒸，符合欧盟、北美各国对出口货物包装材料的法令要求；喷涂钢托盘适用于重载上货架之用，托盘表面根据需要制作成平板状、波纹状及间隔形式，满足不同的使用要求。