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练习曲

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There are 9 pieces in the work which to be gifted with peerless passion and colourful tones.

音画练习曲Op.39》是他创作成熟时期的代表作之一,这套共9首练习曲富有无比的激情和多彩的基调。

Etudes-Tableaux Op.39 was one of his most mature work of his composition. There are 9 pieces in the work which to be gifted with peerless passion and colourful tones.

音画练习曲Op.39》是他创作成熟时期的代表作之一,这套共9首练习曲富有无比的激情和多彩的基调。

B F. Liszt: one Etude from Grandes Etudes de Paganini, excluding no 4 and no 5

b李斯特:《帕格尼尼大练习曲》中的一首练习曲,第四号和第五号除外

This article first separately has carried on the analysis from the creation technique to 12 etudes, unifies each etude the individuality and the characterist ...

本文首先从创作手法上分别对十二首练习曲进行了分析,结合每一首练习曲的个性和特点,有所侧重地论证其技术特点与难点。

This article, tracing the advancing step of "Piano Etude", analyzes the development of etude in western piano field as well as its great contribution to piano artistic performance and skills improvement.

本论文以钢琴练习曲的发展轨迹为线索,沿着音乐史的不同发展阶段,从宏观上梳理了西方钢琴艺术中"练习曲"的发展脉络,阐述了其对西方钢琴演奏艺术发展与技术进步的重要贡献。

This article first separately has carried on the analysis from the creation technique to 12 etudes, unifies each etude the individuality and the characteristic, and has the stress to prove its technical characteristic and the difficulty.

本文首先从创作手法上分别对十二首练习曲进行了分析,结合每一首练习曲的个性和特点,有所侧重地论证其技术特点与难点。

Chopins work involves the massive literature styles, etude creation it may be said is in the piano etude history milestone, is the technology and the artistic perfect union, these etudes enormously have affected and the Chopin same time and the after composer.

肖邦的作品涉及大量的体裁,其中练习曲的创作可谓是钢琴练习曲史上的里程碑,是技术与艺术的完美结合,这些练习曲极大地影响了与肖邦同时代及之后的作曲家。

The second part of the paper introduces "the background of Chopin"s creation of piano Etude. Then through the comparison of his and the people of his time or before on Etudes, the paper concludes that Chopins" has broken the traditional meaning on this genre. In the end, the paper analyses how Chopin"s Etudes combine art with technique, through three aspects: synthetical melody and technique, colorful harmony and technique, and singular piano and technique.

第二部分首先简要介绍肖邦钢琴练习曲的创作背景;接着通过肖邦练习曲与他之前和同时代的作曲家的练习曲的比较,说明肖邦的练习曲已突破了这一体裁的传统意义;最后从三个方面:综合的旋律特征和技术的结合、丰富的和声风格和技术的结合、独特的钢琴织体和技术的结合,来阐述肖邦练习曲是艺术性和技术性的有机结合。

The essay takes the research of Czerny's piano tudes , which is comparatively weak in China and abroad , as its object of study . The study begins with the research of the tudes'material , harmony , composition , melody , rhythm , type of tone and sound , through the comparison of a great number of typical examples of music scores , uses the comparison and analysis of different details between different music pieces , expounds thoroughly form music itself , the technical system and artistic features of Czerny's music tudes as well as their connection with music compositions of the school of Viennese classical music .

本论文《车尔尼钢琴练习曲研究——技术系统、艺术特色、与维也纳古典主义钢琴音乐之间的内在联系》把车尔尼钢琴练习曲作为整体研究对象,从材料、和声、织体、旋律、节奏、音型、音响等方面入手,通过大量典型谱例的比较,运用乐曲之间细部对比、分析,从音乐本体出发,详尽地阐述了车尔尼练习曲中的技术系统、艺术成分及其与维也纳古典乐派钢琴作品的关系。

The essay takes the research of Czerny"s pianoétudes, which is comparatively weak in China and abroad, as its object of study. The study begins with the research of theétudes"material, harmony, composition, melody, rhythm, type of tone and sound, through the comparison of a great number of typical examples of music scores, uses the comparison and analysis of different details between different music pieces, expounds thoroughly form music itself, the technical system and artistic features of Czernys musicétudes as well as their connection with music compositions of the school of Viennese classical music.

本论文《车尔尼钢琴练习曲研究——技术系统、艺术特色、与维也纳古典主义钢琴音乐之间的内在联系》把车尔尼钢琴练习曲作为整体研究对象,从材料、和声、织体、旋律、节奏、音型、音响等方面入手,通过大量典型谱例的比较,运用乐曲之间细部对比、分析,从音乐本体出发,详尽地阐述了车尔尼练习曲中的技术系统、艺术成分及其与维也纳古典乐派钢琴作品的关系。

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