纸张

Perforated paper is often used to m ake orna m ents and book m arks.

穿孔纸张通常是用于制造首饰，书签。

Sheets of oxygenic paper aid in maintaining color.

含氧的纸张有助於避免褪色。

Viewers can freely select a card and sign his name on the back of the card and bring it back to the rest of the cards. Then insert another different card into a paperlike transparent plastic card. Hand the plastic card with your thumb and index finger. In the absence of any hand action, the card in the plastic card has slowly changed into the signatured one.

观众可以随便选一张牌，在牌面签名后放回副牌之中，再把另一张不同的牌，插入到如纸张般厚的透明塑胶卡里，塑胶卡以拇指和食指拿着，手在没有任何的动作之下，在塑胶卡里的牌慢慢的转变成刚才观众所选的并签名的牌了。

He pasted these pieces of paper together..

他用浆糊把这些纸张粘在一起。

Perfector: A printing press which print both sides of a sheet of paper in a single pass through the press.

双面印刷机：一次性把纸张的两面同时施印的印刷机。

Based on the prefector's motion mode on the press , the method of twice converted system is used to analyze the moving characteristics of the upper and lower grippers of perfector, and through practical calculation, this method can prove to be applicable to perfector movement research.

从印刷机纸张翻转机构的运动方式出发，利用二次转化系统的方法分析了翻转机构上下牙片的运动特性，并通过实例计算证明了本方法适用于翻转机构的运动研究，对印刷机翻转机构的设计工作具有指导意

Perfector: A print ing press which print both sides of a sheet of paper in a single pass through the press.

双面印刷机：一次性把纸张的两面同时施印的印刷机。

We believe that only in this way can we guarantee that every time the location of the paper are both accurate and consistent, and only planeness a consistent feed in order to ensure that paper paper "" Nano-imprint lithography or the status of the area are the same, so as to overprinter has created a favourable conditions and a high degree of avoids "" and swing angle.

我们觉得只有这样才能包管纸张屡屡定位都既是不确的又是分歧的，而且只有裂缝量分歧的输纸台才不妨包管纸纸出去&压印区&的状况也是分歧的，从而为套印创设了不利条件并很不小水平的制止了&甩角&的弊病。

Business card printing and membership card making pressure, the greater the longer, Nano-imprint lithography, paper and ink rubber blanket the longer exposure to protrudent deformation.

制卡和会员卡制息不张辛愈不小，压印工夫愈不幼，纸张与橡皮布上的油不朱隔绝的工夫愈不幼，剥不缩变形愈不小。

It had the appearance of a picture with its face turned to the wall, of a frame probably showing a daub on the other side, of some pier-glass detached from a wall and lying forgotten there while waiting to be rehung.

桌子旁坐着一个六十来岁的男人，马吕斯望见桌上有鹅翎笔、墨水和纸张，那男子是个瘦小个子，脸色蜡黄，眼睛阴狠，神态尖刁、凶恶而惶惑不安，是个坏透了顶的恶棍。

We have no common name for a mime of Sophron or Xenarchus and a Socratic Conversation; and we should still be without one even if the imitation in the two instances were in trimeters or elegiacs or some other kind of verse--though it is the way with people to tack on 'poet' to the name of a metre, and talk of elegiac-poets and epic-poets, thinking that they call them poets not by reason of the imitative nature of their work, but indiscriminately by reason of the metre they write in.

索夫农 、森那库斯和苏格拉底式的对话采用的模仿没有一个公共的名称；三音步诗、挽歌体或其他类型的诗的模仿也没有——人们把&诗人&这一名词和格律名称结合到一起，称之为挽歌体诗人或者史诗诗人，他们被称为诗人，似乎只是因为遵守格律写作，而非他们作品的模仿本质。

The relationship between communicative competence and grammar teaching should be that of the ends and the means.

交际能力和语法的关系应该是目标与途径的关系。