纵轴

"Each float contains a single pole mercury switch which actuates when the longitudinal axis of the float is horizontal, and de actuates when the liquid level falls 1"" below the activation level."

每个浮控开关包含一个单极水银开关，当浮球的纵轴处于水平位置时，开关打开，当水位低于启动位置1英寸时，开关关闭。

"Each float contains a single pole mercury switch which actuate s when the longitudinal axis of the float is horizontal, and de actuate s when the liquid level falls 1"" below the activation level."

每个浮控开关包含一个单极水银开关，当浮球的纵轴处于水平位置时，开关打开，当水位低于启动位置1英寸时，开关关闭。

Ectodermal skin muscle cells in myofibril generally arranged along the axis of the body, the contraction of the body shorter.

外胚层皮肌细胞的肌原纤维一般沿身体的纵轴排列，收缩时使身体变短。

The invention allows to replace the aforementioned bristles or filaments having nondirectional mechanical properties, i.e. properties that are identical in all directions at an angle to the longitudinal axis, with film strips as the cleaning elements, said strips being produced from a sheet of film by suitable methods of separation.

代替具有不定向(即，在与纵轴相交的所有方向上相同)机械特性的这种硬毛或长丝，本发明提出使用薄膜条(4)作为清洁元件(3)，所述薄膜条是通过成型方法的合适的分离而由一片薄膜制成的。

This article main objective lies in:under the historical opportunity of "Peony Pavilion" which causes the cultural upsurge in the new century as a turning point, we focuses to the discovery and analysis of its artistic rule and art spirit by taking the time historical as ordinate axis primarily. Compared with the abstract fundamental research, this kind of artistic shapes destiny takes us to another thought inspiration.

本文的主要宗旨在于——以《牡丹亭》在新世纪所引起的文化热潮为契机，以时间的历史纵轴为主线，在展现艺术经典形成、发展、成熟、衰落、重生的动态发展过程基础上，着眼于对其艺术规律和艺术精神的发现和剖析。

The experimental result shows that the projected area of wind direction perpendicular will change with the different angles of flat panel and has more influences on air flow-field of ordinate axis.

经实验发现，因集热板角度改变，使得与风向垂直面之导流板投影面积改变，对於纵轴之空气流场影响较大。

The research is done on the base of reorganization of the relevant references, as well as on-the-spot investigation of the typical botanical gardens in Beijing and Suzhou and selects the main bodies of the traditional gardens from different Chinese historical periods, linking them to a line by using the time as the ordinate axis. At the same time, this thesis creatively proposes the culture pattern of our country"s traditional landscape plants is "conservative","inheritance" and "development, by synthesizing the landscape gardening objects to form sides.

研究在相关文献资料的整理以及北京、苏州典型园林实地调查的基础上，以"点"的形式对不同历史时期中国传统园林的造园主体进行选取、以时间为纵轴将其贯穿成"线"、同时综合造园客体的文化选择形成"面"，创造性地提出我国传统园林植物构成的文化模式为"守旧型"、"传承型"和"拓展型"。

Through the results of surveys, this article modeled a generalized phenomenon of a conventional wedding ceremony corresponding to socioeconomic background, and divided the period into four sub-periods. This article took time as the ordinate axis and investigated the wedding ceremony and instruments across history. Based on the conventional wedding model, we tried to observe the veins of change and analysis the cultural significance.

依据调查结果，将传统婚俗的普遍现象整理出一个模式，再将婚俗型态相近者划分为同一时期，同时，配合其社经背景将整个婚俗变迁的过程分为四个时期，全文以时间为纵轴；以婚俗仪式及器物作横向探讨，在传统婚俗模式的基础上，进行四个时期的比较，目的在观察该区婚俗变迁之脉络，并分析其内在文化意涵。

In addition, the magnetic noose tool was used to outline the contour line of inside and outside boundary, and obtain the inside and outside contour line of every layer of the femur. The rabbit femur was scanned by industry CT starting from the upper extreme of the femur, vertical to femoral ordinate axis line (slice space=1 mm).

再用磁性套索工具勾勒各层图像的内、外边界线，得到各层面股骨内、外轮廓曲线，采用CT 扫描机对兔股骨进行扫描，自股骨头上端起，由近端向远端垂直于股骨纵轴行CT 扫描，层间距为1 mm。

Taking the Chinese films development course of time as the longitudinal axle, this essay discuss the characteristics and varieties of the photoplay view and its creation practice of Chinese Films in different age. The discussion focused on the characteristics and development countermeasure of photoplay view and its creation practice of Chinese films in new age by analyzing the classic cases. This essay used such methors like historical materials arrangement, induction and comparison during the discussion. Thus conclusions are drawn as follows: In order to guide the Chinese films towards the world, we must carry forward national films vigorously. So the traditional photoplay views, which pay attention to audiences and meeting the aesthetic habits and appreciating ways, should not be abandoned.

本文运用史料整理、归纳、比较等方法，以时间上的电影发展历程为纵轴，探讨不同时期中国电影影戏观及其创作实践的特点及变化，重点通过经典案例探讨新时期中国电影影戏观创作实践的特点与发展对策，从而得出以下结论：要让中国电影走向世界，必须弘扬民族电影，因而重视观众、适应中国观众审美习惯与欣赏方式的传统影戏观在电影实践中仍不能丢弃。

The split between the two groups can hardly be papered over.

这两个团体间的分歧难以掩饰。

This approach not only encourages a greater number of responses, but minimizes the likelihood of stale groupthink.

这种做法不仅鼓励了更多的反应，而且减少跟风的可能性。