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纳瓦拉

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Her first major appearances were in London singing Isolde and Brunhilde. She sang four seasons at the Royal Opera, Covent Garden, and then appeared in a fabled production of Purcell's Dido and Aeneas at the Mermaid Theater. She returned to the Metropolitan Opera in 1950 and during her final seasons there sang Brunhilde, Isolde, Fidelio, and the title role in Gluck's Alceste, the role of her farewell. In 1949 and 1950, she appeared in Fidelio at the Salzburg Festival, her only appearances there.

一个人要经历漫长达20年的失意而不放弃自己的事业是一件了不起的事情,当时,为了迎合观众的口味弗拉斯达德主要演唱轻歌剧,这类歌剧根本就不符合她的气质和音色,但是,她依然不肯息影舞台,不过,在那段日子里弗拉斯达德并没有刻意学过瓦格纳歌剧,她本人对瓦格纳的兴趣也很不稳定,日后能成为杰出的瓦格纳女高音连弗拉斯达德自己也有些吃惊。

The battle once begun, its very various changes,--the resistance of Hougomont; the tenacity of La Haie-Sainte; the killing of Bauduin; the disabling of Foy; the unexpected wall against which Soye's brigade was shattered; Guilleminot's fatal heedlessness when he had neither petard nor powder sacks; the miring of the batteries; the fifteen unescorted pieces overwhelmed in a hollow way by Uxbridge; the small effect of the bombs falling in the English lines, and there embedding themselves in the rain-soaked soil, and only succeeding in producing volcanoes of mud, so that the canister was turned into a splash; the uselessness of Pire's demonstration on Braine-l'Alleud; all that cavalry, fifteen squadrons, almost exterminated; the right wing of the English badly alarmed, the left wing badly cut into; Ney's strange mistake in massing, instead of echelonning the four divisions of the first corps; men delivered over to grape-shot, arranged in ranks twenty-seven deep and with a frontage of two hundred; the frightful holes made in these masses by the cannon-balls; attacking columns disorganized; the side-battery suddenly unmasked on their flank; Bourgeois, Donzelot, and Durutte compromised; Quiot repulsed; Lieutenant Vieux, that Hercules graduated at the Polytechnic School, wounded at the moment when he was beating in with an axe the door of La Haie-Sainte under the downright fire of the English barricade which barred the angle of the road from Genappe to Brussels; Marcognet's division caught between the infantry and the cavalry, shot down at the very muzzle of the guns amid the grain by Best and Pack, put to the sword by Ponsonby; his battery of seven pieces spiked; the Prince of Saxe-Weimar holding and guarding, in spite of the Comte d'Erlon, both Frischemont and Smohain; the flag of the 105th taken, the flag of the 45th captured; that black Prussian hussar stopped by runners of the flying column of three hundred light cavalry on the scout between Wavre and Plancenoit; the alarming things that had been said by prisoners; Grouchy's delay; fifteen hundred men killed in the orchard of Hougomont in less than an hour; eighteen hundred men overthrown in a still shorter time about La Haie-Sainte,--all these stormy incidents passing like the clouds of battle before Napoleon, had hardly troubled his gaze and had not overshadowed that face of imperial certainty.

交锋以后,战争的非常复杂惊险的变化,乌古蒙的阻力,圣拉埃的顽抗,博丹的阵亡,富瓦战斗能力的丧失,使索亚旅部受到创伤的那道意外的墙,无弹无药的吉埃米诺的那种见死不退的顽强,炮队的陷入泥淖,被阿克斯布里吉击溃在一条凹路里的那十五尊无人护卫的炮,炸弹落入英军防线效果不大,土被雨水浸透了,炸弹陷入,只能喷出一些泥土,以致开花弹全变成了烂泥泡,比雷在布兰拉勒出击无功,十五营骑兵几乎全部覆没,英军右翼应战的镇静,左翼防守的周密,内伊不把第一军的四师人散开,反把他们聚拢的那种奇怪的误会,每排二百人,前后连接二十七排,许多那样的队形齐头并进去和开花弹对抗,炮弹对那些密集队伍的骇人的射击,失去连络的先锋队,从侧面进攻的炮队突然受到拦腰的袭击,布尔热瓦、东泽洛和迪吕特被围困,吉奥被击退,来自综合工科学校的大力士维安中尉,冒着英军防守热纳普到布鲁塞尔那条路转角处的炮火,在抡起板斧去砍圣拉埃大门时受了伤,马科涅师被困在步兵和骑兵的夹击中,在麦田里受到了贝司特和派克的劈面射击和庞森比的砍斫,他炮队的七尊炮的火眼全被钉塞,戴尔隆伯爵夺不下萨克森-魏玛亲王防守的弗里谢蒙和斯莫安,第一○五联队的军旗被夺,第四十五联队的军旗被夺,那个普鲁士黑轻骑军士被三百名在瓦弗和普朗尚努瓦一带策应的狙击队所获,那俘虏所说的种种悚听的危言,格鲁希的迟迟不来,一下便倒在圣拉埃周围的那一千八百人,比在乌古蒙果园中不到一个钟头便被杀尽的那一千五百人死得更快,凡此种种迅雷疾风似的意外,有如阵阵战云,在拿破仑的眼前掠过,几乎不曾扰乱他的视线,他那副极度自信的龙颜,绝不因这些变幻而稍露忧色。

Ironically, the last time Madagascar saw protests like this was when Mr Ravalomanana, then the capital's mayor, called on the Malagasy people to back "democracy", after a disputed presidential election.

颇具讽刺意味的是,上次类似的示威事件是拉瓦罗马纳纳当塔那那利佛市长时(拉乔利纳现在是该市市长)号召马达加斯加人支持"民主",那次示威发生在一场有争议的总统选举之后。

In two performances of Die Walküre, audiences in the War Memorial Opera House heard Flagstad as Brünnhilde and Lotte Lehmann as Sieglinde, with Fritz Reiner conducting, Lauritz Melchior as Siegmund, Emanuel List as Hunding, and Friedrich Schorr as Wotan.

于是乎在歌剧《女武神》的第二幕演出中,在旧金山著名的战争纪念剧院里,观众们听到了前所未有的巨大威武却又美妙无比的声音之艺术,其中就有我们的顶级瓦格纳女高音弗拉格丝塔特小姐所饰演的拿手好戏——主角"布伦希尔德"以及另一位超级瓦格纳女高音劳特莱曼小姐所饰演的"齐格琳德"一角,在匈牙利著名指挥大师弗朗兹莱纳的杰出指挥棒下,还有名伶大师的加盟呢:那就是歌唱大师劳瑞兹梅尔乔所饰演的"齐格蒙德",埃曼努尔里斯特所饰演的"洪丁"以及大师弗里德里希肖尔所饰演的"沃坦":这样那令人叹为观止的舞台表现和戏剧效果是不是活灵活现的呈现在你眼前了呢?

Although he makes his livelihood by singing opera, Alvarez is committed to the music of zarzuela, and after performances in June of Sharpless in Butterfly at the Gran Teatre de Liceu in Barcelona, he will devote himself to Luisa Fernanda (a work championed by Placido Domingo) at the Peralada Festival in the province of Girona in Catalonia.

阿尔瓦莱兹的事业是歌剧,同时,他也在为西班牙传统喜歌剧萨苏埃拉做自己的贡献。6月,在巴塞罗纳里西奥大剧院演出《蝴蝶夫人》中的夏普莱斯之后,阿尔瓦莱兹在加泰卢尼亚赫罗纳省普瑞拉达举办的"西班牙城堡国际音乐节"上献演了传统剧目《露易莎菲尔南达》,他还得到了多明戈的大力支持。

First preliminary round (28 teams): Sk Tirana, Ranger's Fc, Pyunik Yerevan, Khazar Lenkoran, Bate Borisov, Fk Sarajevo (Bosnia-Herzegovina), Apoel Nicosia, Dinamo Zagabria, Levadia Tallinn, The New Saints, Olimpi Rustavi, Hb Torshavn, Tampere United, Derry City, Linfield Belfast, Fh Hafnarfjardar, Fk Astana, Dudelange, Fk Ventspils, Fbk Kaunas, Pobeda Prilep, Marsaxlokk, Sheriff Tiraspol, Zeta Golubovci, Murata, Msk Zilina, Nk Domzale, If Elfsborg.

进入第1轮预选赛的球队(28支):SK地拉那,流浪者,埃里温皮乌尼克,哈扎尔伦科兰,巴特博里索夫,FK萨拉热窝,尼科西亚阿普尔,萨格勒布迪纳摩,塔林莱瓦迪亚,新圣徒,鲁斯塔维奥林匹克,HB托尔斯港,坦佩雷联,德里城,林菲尔德,哈夫纳尔夫约杜尔,FK阿斯塔纳,杜德朗格,FK文茨皮尔斯,FBK考纳斯,波贝达普里勒普,马尔萨什洛克,谢里夫蒂拉斯波尔,泽塔格鲁博夫奇,穆拉塔,MSK斯利纳,NK多姆扎莱,IF埃尔夫斯堡瑞典

In two performances of Die Walküre, audiences in the War Memorial Opera House heard Flagstad as Brünnhilde and Lotte Lehmann as Sieglinde, with Fritz Reiner conducting, Lauritz Melchior as Siegmund, Emanuel List as Hunding, and Friedrich Schorr as Wotan.

于是乎在歌剧《女武神》的第二幕演出中,在旧金山著名的战争纪念剧院里,观众们听到了前所未有的巨大威武却又美妙无比的声音之艺术,其中就有我们的顶级瓦格纳女高音弗拉格丝塔特小姐所饰演的拿手好戏——主角&布伦希尔德&以及另一位超级瓦格纳女高音劳特莱曼小姐所饰演的&齐格琳德&一角,在匈牙利著名指挥大师弗朗兹莱纳的杰出指挥棒下,还有名伶大师的加盟呢:那就是歌唱大师劳瑞兹梅尔乔所饰演的&齐格蒙德&,埃曼努尔里斯特所饰演的&洪丁&以及大师弗里德里希肖尔所饰演的&沃坦&:这样那令人叹为观止的舞台表现和戏剧效果是不是活灵活现的呈现在你眼前了呢?

In addition I have used the unpublished diaries of Fedor von Bock,Erhard Milch,Erich von Manstein,Wilhelm Leeb,Erwin Lahousen,and Eduard Wagner-whose widow allowed me to copy some two thousand pages of his private letters.Christa Schroeder,one of Hitler's private secretaries,made available exclusively to me her important contemporary papers.Julius Schaub's family let me copy all his manuscripts about his twenty years as Hitler's senior aide,as did Wilhelm Bruckner's son.

另外,我还使用了从未出版的费多尔·冯·博克,埃哈德·米尔希,埃里希·冯·曼施坦因,威廉·李伯,埃尔温·拉霍乌森和爱德华·瓦格纳日记——瓦格纳的遗孀允许我复制了两千页的他的私人信件;希特勒的私人秘书之一克丽斯塔·施罗德给了我一份独家的她当年的重要文件;尤里乌斯·肖布的家庭则让我复制他当年身为希特勒高级副官的二十年内所有的原稿;威廉·布鲁克纳的儿子也这么做了。

On the recommendation of Ella Gulbranson, a Norwegian singer who had appeared at the Bayreuth Festival, Winifred Wagner invited Flagstad to audition for the Festival.

于是在埃尔拉古尔布兰森——时常献演于拜鲁伊特这年年为纪念瓦格纳及歌剧演出的音乐胜地的挪威著名歌唱家的强力举荐下,剧院音乐节负责人,与德意志歌剧大帝理查德瓦格纳有着极为亲密血缘关系的威尼弗瑞德瓦格纳便应邀了弗拉格丝塔特小姐为节日的演出进行试听。

I cannot imagine where I am-in Mathura or Navadvip.

我不能想像自己在哪里――是马图拉还是纳瓦兑帕。

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The basic concept of FOP can be summarized as to further optimize effective prescription according to the standard of curative effects and with the aid of modern science and technology and theories of traditional Chinese medicine.

其基本内涵可概括为:以确有疗效的中药复方为研究对象,以现代科学技术和传统中医药理论为技术支持,以该复方所治病证的药效响应为评价标准,以优化重组疗效更优的新复方为研究目的。

Ever since our world has been a world, native forests have been indiscriminately exploited by man.

自从我们的世界一直是世界原生森林被任意剥削人。

I don't… don't know. He's unconscious.

我不……我不知道他休克了。