纳尔瓦

I suppose it's owned by her son, now, Percival Toone.

我不确定……我想她儿子拥有这矿，现在，珀西瓦尔·托纳。

Ledesma (1616); Francisco Suárez*(1617); Du Perron, a converted Calvinist, cardinal (1618); Bellarmine*(1621); St. Francis de Sales*(1622); Hieronymus Medices (1622); Lessius*(1623); Becanus*(1624); Malvenda (1628); Thomas de Lemos (1629); Alvarez; Laymann*(1635); Joann. Wiggers*, doctor of Louvain (1639); Gravina (1643); John of St. Thomas (1644); Serra (1647); Ripalda*, SJ (1648); Sylvius, doctor of Douai (1649); Petavius*(1652); Goar (1625); Steph.

莱德斯马（ 1616年）；弗朗西斯科苏亚雷斯*（ 1617 ）；杜门阶，一个转换加尔文主义，枢机主教（ 1618年）；贝拉明*（ 1621 ）；圣弗朗西斯的销售*（ 1622 ）；海欧纳莫斯Medices （ 1622 ）； Lessius *（ 1623 ）； Becanus *（ 1624 ）； Malvenda （ 1628 ）；托马斯莱莫斯（ 1629 ）；阿尔瓦雷斯； Laymann *（ 1635 ）；脱掉。

The Uto-Aztecan language spoken by the Pima people.

一种皮玛人民说的纳瓦特尔语。

According to this sect, Radha and Krishna are only two bubbles of the lekh.

依照这个教派所说，罗陀和克里希纳只是阿加瓦尔的两个泡沫。

But it isn't simple to "Return to the acients". According to his technique of traditional music, he was actually Brahms-Lohannes's follower. Melting the semitone and harmonic in his work each quoin, he inherited Wagner's harmonic style.

对传统音乐手法的使用，使得雷格尔不折不扣地成为勃拉姆斯的追随者；将半音化的和声语言融化在其作品的每一个角落，又使其不遗余力的成为瓦格纳和声风格的继承者。

But the ralationship of Semper and Wagner involves much more than symbols.

但森佩尔和瓦格纳之间的关系所包含的内容远不止是符号。

In Wagner's later work, two of Semper's ideas have considerable influence: the theory of cladding and the theory of chang in materials or vestigial forms.

在瓦格纳的后期作品中，森佩尔的两种思想被反复考虑：覆层理论和材料置换理论。

It is not by accident that Wagner selected one artifact from each of Semper's four categories of artifacts: textiles, ceramics, metalwork, and the stereometry.

瓦格纳一一选取了森佩尔的四类人工制品——编制物、陶瓷、金属制品、以及坚固的仪——这并非偶然。

Popular history particularly credits the Moroccan Sultan Ahmed Al Mansour Ad-Dahbi's conquest in 1591 of part of the Songhai Empire, in particular Timbuktu, with bringing large numbers of captives and slaves back across the Sahara to form the Gnawa.

通俗历史，特别是信贷摩洛哥苏丹艾哈迈德曼苏尔广告水库的征服，在1591年对桑海帝国的一部分，特别是廷巴克图，并把俘虏和奴隶穿越撒哈拉沙漠回大量形成纳瓦。

Mr. Liu Guozheng early years with the German system of highly reputable Guoqin William Hu·×study, emigrated to the United States in 1958 after he studied at Julliard School of Music·×study, the sixties with the twenty-first century×HU Li-Edwards and Simon·many Sakhong Friends of Niger and teacher, has the opportunity to guqin especially Italian Stradivari Stratfordevery detail, such as conduct in-depth analysis, which mastered the identification, repairexperience. 1965 57 Street, 140 in New York opened the violin studio, the history of the United States to become the first Chinese production of a violin and bow, and identification of home.

刘国正先生早年随极具名望的德裔制琴家威廉胡芬雷特学习，1958年移居美国后，在朱丽叶音乐学院师从路易帕辛格学习，二十世纪六十年代与伦勃特胡力兹和塞蒙费尔迪纳多萨空尼亦师亦友，有机会对意大利古琴尤其是斯特拉底瓦里等名琴的每一细节进行深入的剖析，由此掌握了鉴定、修复名琴的丰富经验。1965年在纽约五十七街140号开设小提琴工作室，成为美国有史以来第一位华人提琴和琴弓的制作家、鉴定家。

The basic concept of FOP can be summarized as to further optimize effective prescription according to the standard of curative effects and with the aid of modern science and technology and theories of traditional Chinese medicine.

其基本内涵可概括为：以确有疗效的中药复方为研究对象，以现代科学技术和传统中医药理论为技术支持，以该复方所治病证的药效响应为评价标准，以优化重组疗效更优的新复方为研究目的。

Ever since our world has been a world, native forests have been indiscriminately exploited by man.

自从我们的世界一直是世界原生森林被任意剥削人。