纯量积

In this equation,* is a scalar multiplication, x is a vector cross product, and .

在方程式中，"*"代表纯量乘法，"x"是矢量的叉积，而"。"

Regarding (6) type, when tradition Time variable t is two spatial vectors (+ psi 1i) and (- psi 2j) Crossed products v also is not 0, it (x1, x2, x3) differs 90 compared to on speed with the three-dimensional space in the space by the pure imaginary number attribute, I=e^I pi, therefore it Number space has in the physical property with the dot product constitution the difference, because Crossed products psi 1i (X psi 2j extremely small visible it is equal to zero under the conventional speed, but is very big in the object movement speed time, Crossed products psi 1i (X psi 2j in the physical quantity and for the quantum mechanics in may not to the easy quantity, its space and the conventional space is different, the performance is intrinsic or the interior space If the definition vector (+ psi 1i) and (- psi 2j) the dot product constitutes the three-dimensional space (x1, x2, x3) is exterior space, but the three-dimensional space which (+ psi 1i) and (- psi 2j) Crossed products constitutes by the vector is the internal space, contrasts its component

对于⑥式，传统时间量t为两个空间矢量(+ψ1i)与(-ψ2j)的叉积比上速度v且不为0，其与三维空间(x1，x2，x3)在空间上相差90度以纯虚数表征，I=e^Iπ，故其与点积构成的实空间有物理性质上的不同，因为在常规速率下叉积ψ1i(Xψ2j非常小可视其等于零，而在物体运动速率很大时，叉积ψ1i(Xψ2j之中物理量与则为量子力学中的不可对易量，其空间与常规空间不同，表现为一个内在或内部性空间。若定义矢量(+ψ1i)与(-ψ2j)点积所构成的三维空间(x1，x2，x3)为外部空间，而由矢量(+ψ1i)与(-ψ2j)叉积而构成的三维空间为内部空间，对比其分量

For this reason the inner product is called also the scalar product .

为此，内积也叫做纯量积。

We have no common name for a mime of Sophron or Xenarchus and a Socratic Conversation; and we should still be without one even if the imitation in the two instances were in trimeters or elegiacs or some other kind of verse--though it is the way with people to tack on 'poet' to the name of a metre, and talk of elegiac-poets and epic-poets, thinking that they call them poets not by reason of the imitative nature of their work, but indiscriminately by reason of the metre they write in.

索夫农 、森那库斯和苏格拉底式的对话采用的模仿没有一个公共的名称；三音步诗、挽歌体或其他类型的诗的模仿也没有——人们把&诗人&这一名词和格律名称结合到一起，称之为挽歌体诗人或者史诗诗人，他们被称为诗人，似乎只是因为遵守格律写作，而非他们作品的模仿本质。

The relationship between communicative competence and grammar teaching should be that of the ends and the means.

交际能力和语法的关系应该是目标与途径的关系。