约木 - 网络例句 - 英语人，englisher

TG curve of cured PWF were same with that of cured PF during the range of 30 to 291℃.Both were thermal stable and had no weight loss before 200℃and they began to loss weightwith increasing temperature. The temperatures of thermal decomposability of cured PWF andPF were 291℃and 296℃, respectively.

8液化木基树脂和纯酚醛树脂的热重曲线在30～291℃完全相同，两者在200℃以前几乎没有发生失重现象，比较稳定，当温度超过200℃后，两者皆有轻微的失重，液化木基树脂的热降解温度约291℃，纯酚醛树脂的热降解温度约296℃。

Suzuki claims that the new unit will propel the front-drive SX4 from 0-62mph in 12.2sec and on to a top speed of 109mph, while returning 53.3mpg on the combined cycle, and producing 139g/km of CO2 emissions.

铃木宣称搭载柴油引擎的前轮驱动版SX4 0-62英里加速时间为12.2秒，最高时速为109英里（约合175公里），而综合油耗约为53.3英里/加仑（百公里油耗约合5.3升），每公里二氧化碳排放量为139克。

Lord Lucan's desk was made about 200 years ago from rosewood and tulipwood. It has a built-in leather blotter surrounded by a marquetry pattern of leaves and flowers.

鲁肯勋爵的书桌制作于约200年前，用料是蔷薇木和郁金香木，桌面嵌有一张皮制吸墨纸，四周镶嵌着精细的花叶图案。

With singular attention to detail, the new Eric Johnson Stratocaster RW features a two-piece alder body finished in thin-skin nitrocellulose lacquer, a quartersawn maple neck with bound round-laminated 12-radius rosewood fretboard, a three-ply parchment pickguard, pickups voiced by Johnson himself, staggered vintage-style tuners, a custom tremolo block, and four brand-new finish options, three of which (Lucerne Aqua Firemist, Tropical Turquoise and Medium Palomino Metallic) are exclusive to this model.

对细节独到的关注，新的签名琴的特点是琴体由两片赤杨木组成并由硝化纤维清漆粘和；琴颈为quartersawn枫木，与12英寸半径的桃花芯木指板粘和组成；外带3层羊皮纸的匹克护板；拾音器由埃里克约翰逊亲自参与设计制作；直排复古型卷线器；以及订制级颤音摇把；4款全新的颜色选择，其中3个（网页上有：深蓝色，浅蓝色和金棕色）都是这一款琴独有的。

His major works and commissions include: ' Three Temperaments , for Big Choir ' (1986), ' Counterpoint of Times , for woodwind septet ' (1989), ' Wild Children , for mixed Chamber Ensemble ' (1993), ' Overture , for solo Chinese bass drum and Chinese winds and percussion band ' (1994), ' Intonation , for chamber orchestra ' (1990-1994), ' Flavour of Bashu , for two violins, piano and percussion ' (1995), ' Pole , for solo Chinese Yun-luo, Chinese pai-gu and Chinese bass drum with six percussionists ' (1996),commissioned by Japan Asian Percussion Ensemble, ' Symphonic Prelude --- Bashu Capriccio' (1996), 'The Song Without Words , for solo percussion ' (1997), commissioned by the Ministry of Culture of Japan, Japanese Contemporary Music Association, and Japanese Embassy in China,'Illusions of the Symphonic Stage of Tang Dynast y , for orchestra of Tang Dynasty, percussion, voices and a big choir '(1999), commissioned by Japanese No Music Guanshiliu Green Spring Association, Chinese Music Research Center in Japan, Japanese Asian Percussion Ensemble and Japanese-Chinese Cultural Exchange Association,'The Prospect of Colored Desert , for violin, cello, sheng, pipa and percussion '(2000),commissioned by Yo-Yo Ma, Silk Road Project Inc. of the U.S., Sony Record,'Three Movements of Autumn , for small Chinese instruments ensembl e'(2000) and ' Sound Games , for 5 Chinese Percussion Instruments Players ' (2000-01), commissioned by La Cité de la Musique, Paris "2000 Chinese Classical Music Series", ' Fusion I , for Mixed Chamber Ensemble ' (2002), commissioned by Holland New Ensemble and Atlas Ensemble, ' Fusion II , Concerto for Solo Chinese Percussion and Orch.' (2002), commissioned by Japanese–Chinese Committee of Friendship and Public Music Performance, and ' Fusion III , for Irish flute, accordion, bodhran, Chinese sheng, zheng, Percussion and 13 Strings with Chamber Choir.' (2003-04), commissioned by China-Ireland Exchange Program, ' The Three Images from Washing Painting , for chamber ensemble of 17 players '(2005) commissioned by the New Juilliard Ensemble for the special concert of the Juilliard Centennial and sponsored by Asian Cultural Council and the Guggenheim Partnership and 'The Butterfly Dream', new 7 scenes Opera inspired by KUN QU' (2007) commissioned by the Contemporary Legend Theatre, Taiwan etc.

主要作品及委约包括：《三种气质，无伴奏合唱》(1986)、《时间的对位，木管七重奏》（1989）、《野娃子，混合室内乐队与童声》(1993)、《对话，男声独唱，女高音，童声合唱团，混声合唱团与混合乐队》(1993-94)、《序鼓，独奏中国大鼓、排鼓、云锣与中国民间吹打乐队》（1994）、《吟，室内交响乐》（1990-1994）、《蜀韵，两支小提琴、钢琴与打击乐》（1995）、《极，独奏中国云锣、大鼓、排鼓与六位打击乐演奏家》（1996）、《巴蜀随想，交响序曲》（1996）、《无词歌，打击乐独奏》（1997）（日本国文化厅、日本现代音乐协会、日本国驻中国领事馆等联合委约）、《梦的交响舞台，唐代乐队，打击乐，人声与合唱团》（1999）（日本能乐观世流绿泉会、日本中国音乐勉强会、日本亚洲打击乐团、日中文化交流协会等联合委约）、《舞蹈组曲，大型管弦乐队》(1999)、《漠墨图，小提琴、大提琴、笙、琵琶与打击乐》（2000）（马友友、美国丝绸之路文化发展公司、日本Sony唱片等联合委约）、《秋三阕，9位中国乐器演奏家》（2000）、《响趣，5位中国打击乐器演奏家》（2000）（法国巴黎音乐城"2000中国古典音乐系列音乐会"委约）、《融I ，混合室内乐团》（2002）（荷兰 New Ensemble， Atlas Ensemble联合委约）、《融II ，打击乐协奏曲》（2002）（日本日中友好音乐公演委员会委约）、《融III ，爱尔兰笛子、手风琴、巴朗鼓，中国笙、筝，打击乐，13件弦乐器以及室内合唱团》（2003-04）（爱尔兰国家文化委员会、爱中2004文化交流年组委会委约）、《水墨画意三则，为17位演奏家的室内乐团》（2005）（美国朱丽亚音乐学院新室内乐团委约，美国亚洲文化基金会和美国古根海姆基金支助）及《梦蝶，七场新昆剧》（2007）等。

Culms 2–5 m, 5–12 mm in diam.; internodes terete, 20–32 cm, pith spongy; nodes weakly prominent, sheath base persistent, corky, glaucous, pilose; intranode ca. 9 mm. Culm sheaths persistent or late deciduous, brown, shorter than internodes, fragile, densely setose; auricles falcate; oral setae ca. 5 mm; ligule arcuate, ca. 2 mm; blade triangularly ovate-lanceolate, abaxially slightly hairy at base.

秆2-5米，5-12毫米直径；节间圆柱状，20-32厘米，木髓海绵状；节身体虚弱突出，宿存的鞘基部，木栓质，有白霜，； intranode约晚落叶的9毫米竿箨宿存或，棕色，节间，脆的短于，密被刚毛；叶耳镰刀形；口头的刚毛约5毫米；弧曲的叶舌，约2毫米；叶片三角形卵状披针形，背面的稍有毛在基部。

A Zelkova (chest radius about 60cm) was blown down with rocks in the middle of one road.

一棵胸径约60cm的风倒榉木随土石崩落在路上，在抢修的过程中，部落居民将榉木移在路旁。

The results showed that in acetone and ethanol, solubilities of 3, 28-di-O-glutaryl-betulin were 33.52 and 22.65 times of those of betulin respectively; In water, solubility of 3, 28-di-O-glutaryl-betulin was 0.0021 g (100 mL water), and in PBS, solubility of 3, 28-di-O-glutary-betulin was 0.0015 g (100 mL PBS), the hydrophilicity of 3, 28-di-O-glutaryl-betulin was significantly increase.

结果表明，在丙酮和无水乙醇中，桦木酐戊二酸酯的溶解度是桦木醇的33.52和22.65倍；在水中，桦木醇戊二酸酯的溶解度为0.0021g（100mL水）；在PBS中，桦木醇戊二酸酯的溶解度约为0.0015g(100mL PBS)，目标产物的亲水性有了显著的改善。

Shell Plating, Fender 船壳板,护弦木 Shell plating to be of welded construction with longitudinal framing in upper and lower range for about 60 % of the ship's length and transverse framing in between.

船壳板为焊接式结构，并且在上部和下部的范围内带有纵向结构(范围约为60%的船长)，并在这些结构布置有横向的构件，同时在船体前部和船体后部布置有横向构件。

His major works and commissions include: ' Three Temperaments , for Big Choir ' (1986), ' Counterpoint of Times , for woodwind septet ' (1989), ' Wild Children , for mixed Chamber Ensemble ' (1993), ' Overture , for solo Chinese bass drum and Chinese winds and percussion band ' (1994), ' Intonation , for chamber orchestra ' (1990-1994), ' Flavour of Bashu , for two violins, piano and percussion ' (1995), ' Pole , for solo Chinese Yun-luo, Chinese pai-gu and Chinese bass drum with six percussionists ' (1996),commissioned by Japan Asian Percussion Ensemble, ' Symphonic Prelude --- Bashu Capriccio' (1996), 'The Song Without Words , for solo percussion ' (1997), commissioned by the Ministry of Culture of Japan, Japanese Contemporary Music Association, and Japanese Embassy in China,'Illusions of the Symphonic Stage of Tang Dynast y , for orchestra of Tang Dynasty, percussion, voices and a big choir '(1999), commissioned by Japanese No Music Guanshiliu Green Spring Association, Chinese Music Research Center in Japan, Japanese Asian Percussion Ensemble and Japanese-Chinese Cultural Exchange Association,'The Prospect of Colored Desert , for violin, cello, sheng, pipa and percussion '(2000),commissioned by Yo-Yo Ma, Silk Road Project Inc. of the U.S., Sony Record,'Three Movements of Autumn , for small Chinese instruments ensembl e'(2000) and ' Sound Games , for 5 Chinese Percussion Instruments Players ' (2000-01), commissioned by La Cité de la Musique, Paris "2000 Chinese Classical Music Series", ' Fusion I , for Mixed Chamber Ensemble ' (2002), commissioned by Holland New Ensemble and Atlas Ensemble, ' Fusion II , Concerto for Solo Chinese Percussion and Orch.' (2002), commissioned by Japanese–Chinese Committee of Friendship and Public Music Performance, and ' Fusion III , for Irish flute, accordion, bodhran, Chinese sheng, zheng, Percussion and 13 Strings with Chamber Choir.' (2003-04), commissioned by China-Ireland Exchange Program, ' The Three Images from Washing Painting , for chamber ensemble of 17 players '(2005) commissioned by the New Juilliard Ensemble for the special concert of the Juilliard Centennial and sponsored by Asian Cultural Council and the Guggenheim Partnership and 'The Butterfly Dream', new 7 scenes Opera inspired by KUN QU' (2007) commissioned by the Contemporary Legend Theatre, Taiwan etc.

主要作品及委约包括：《三种气质，无伴奏合唱》(1986)、《时间的对位，木管七重奏》（1989）、《野娃子，混合室内乐队与童声》(1993)、《对话，男声独唱，女高音，童声合唱团，混声合唱团与混合乐队》(1993-94)、《序鼓，独奏中国大鼓、排鼓、云锣与中国民间吹打乐队》（1994）、《吟，室内交响乐》（1990-1994）、《蜀韵，两支小提琴、钢琴与打击乐》（1995）、《极，独奏中国云锣、大鼓、排鼓与六位打击乐演奏家》（1996）、《巴蜀随想，交响序曲》（1996）、《无词歌，打击乐独奏》（1997）（日本国文化厅、日本现代音乐协会、日本国驻中国领事馆等联合委约）、《梦的交响舞台，唐代乐队，打击乐，人声与合唱团》（1999）（日本能乐观世流绿泉会、日本中国音乐勉强会、日本亚洲打击乐团、日中文化交流协会等联合委约）、《舞蹈组曲，大型管弦乐队》(1999)、《漠墨图，小提琴、大提琴、笙、琵琶与打击乐》（2000）（马友友、美国丝绸之路文化发展公司、日本Sony唱片等联合委约）、《秋三阕，9位中国乐器演奏家》（2000）、《响趣，5位中国打击乐器演奏家》（2000）（法国巴黎音乐城&2000中国古典音乐系列音乐会&委约）、《融I ，混合室内乐团》（2002）（荷兰 New Ensemble， Atlas Ensemble联合委约）、《融II ，打击乐协奏曲》（2002）（日本日中友好音乐公演委员会委约）、《融III ，爱尔兰笛子、手风琴、巴朗鼓，中国笙、筝，打击乐，13件弦乐器以及室内合唱团》（2003-04）（爱尔兰国家文化委员会、爱中2004文化交流年组委会委约）、《水墨画意三则，为17位演奏家的室内乐团》（2005）（美国朱丽亚音乐学院新室内乐团委约，美国亚洲文化基金会和美国古根海姆基金支助）及《梦蝶，七场新昆剧》（2007）等。