紫红色

Rising both the winter cold wind, sun or head of the summer, there are always those born in the purple of the stalls sell, contacts customers, especially business is booming.

无论是寒风骤起的严冬，还是烈日当头的盛夏，总有那紫红色的呱呱在摊点出售，食客往来不断，生意格外红火。

Second, the three bridge deck is smudge of color is purple-red and red bridge and sisters.

第二，三桥面是黑灰的颜色是紫红色和红色的桥梁和姐妹。

Take first reddish or purplish tinge as end point, read buret, and add 1 2 drops to confirm.

刚出现微红或紫红色即为终点，读取滴定管，再滴加 1－2滴进行确认。

We'll go with the burgundy.

对。我们就选紫红色的。

Ross: Okay, I have nothing in an evening shoe in the burgundy.

罗斯：好吧，我找不到紫红色的晚鞋。

I have nothing in an evening shoe in the burgundy.

我找不到紫红色的晚鞋

Ross : Okay, I have nothing in an evening shoe in the burgundy.

好了，我没找到紫红色的晚装鞋。

The colour, which is in places as transparent as watercolour, is absorbed by the thick burlap cloth.

无疑画中的影像是虚构的，所画的内容是关于一个铁匠的传说，他拥有温柔的眼睛，虽然没有真正用锤子来制作铁器，却能像画家一般创作出不同的形状；他似是戴有光环的灵魂，站在紫红色的地上，被炉火包围着。

There were white cotton draperies and violet hangings, held by cords of crimson byssus from silver rings on marble pillars. Gold and silver couches were on the pavement, which was of porphyry, marble, mother-of-pearl, and colored stones.

庭院各处装饰着白色和紫红色的壁毡，系着纯白色和朱红色的彩带，悬在白大理石柱的银环上；在碧玉、白玉、珍珠和宝石铺砌的地面上，陈设了金银的床榻。

Palais'.''''.'de'.'' Justice, as had been proclaimed with blare of trumpets on the preceding day in all the streets by Monsieur the Provost's men, arrayed in tabards of violet camlet with great white crosses on the breast.

府尹大人的差役，穿着华丽的紫红色驼毛布衬甲衣，胸前缀着两个白色大十字，头一天晚上就在十字街头吹着喇叭，高声吆喝过了。

We have no common name for a mime of Sophron or Xenarchus and a Socratic Conversation; and we should still be without one even if the imitation in the two instances were in trimeters or elegiacs or some other kind of verse--though it is the way with people to tack on 'poet' to the name of a metre, and talk of elegiac-poets and epic-poets, thinking that they call them poets not by reason of the imitative nature of their work, but indiscriminately by reason of the metre they write in.

索夫农 、森那库斯和苏格拉底式的对话采用的模仿没有一个公共的名称；三音步诗、挽歌体或其他类型的诗的模仿也没有——人们把&诗人&这一名词和格律名称结合到一起，称之为挽歌体诗人或者史诗诗人，他们被称为诗人，似乎只是因为遵守格律写作，而非他们作品的模仿本质。

The relationship between communicative competence and grammar teaching should be that of the ends and the means.

交际能力和语法的关系应该是目标与途径的关系。