紫红色

Bulb tunic fibrous or subreticulate at base; perianth dark purple, purple-red, or pale red.

鳞茎皮纤维状的或近网状在基部；花被深紫色，紫红色，或者淡红。

Rich deep purple color of wine.

富紫红色颜色深的葡萄酒。

Purple sparkling wine is full of vitality and plump body.

闪耀的紫红色，酒体充满活力而丰腴。

Purple red colour. Elegant expression of fresh red fruit, mainly raspberry, strawberry and red prune jam mixed with soft tones of vanilla and caramel. Friendly and soft on the palate, with good volume and medium structure.

产品描述：本款酒为紫红色，优美地表现出新鲜的红色水果的特征，主要有覆盆子、草莓和红色西梅干果酱的香气，并伴有香草和太妃糖柔顺的风格，口感柔和细腻，中等酒体。

Deep violet-red wine, with ripe berry and spicy aromas.

此酒呈深紫红色，散发出成熟浆果和香料的芳香。

Tepals 4, white, yellow, pink , red-purple ,blue, violet-blue, or purple –violet .

低垂的铃状花朵，花径：4-10cm，4个萼片，花有白色、黄色、粉色、紫红色、蓝色、紫蓝色或者是紫罗兰色。

Rook Bartley was standing alongside the chopped machine, twisting the handlebar throttle with her right hand while her left ponytailed her long strawberry-blond hair.

露可·巴特利站在这个损坏的机器旁边，右手扭着把手上的油门，左手正在把她紫红色的头发编成马尾辫。

Leaves 3 or 4 per ultimate branch; sheath straw-colored, glabrous; auricles and oral setae absent; ligule purple-red, ca. 2 mm; pseudopetiole ca. 2 mm; blade elliptic-lanceolate, 4–20 × 2–2.9 cm, secondary veins 4–8-paired, base cuneate, margin serrulate, apex acuminate.

每末级的分枝留下3或4；鞘稻草色，无毛；叶耳和口头的刚毛无；叶舌紫红色，约2毫米；假梗约2毫米；叶片椭圆状披针形， 4-20 * 2-2.9 厘米，次脉4-8配对，基部楔形，边缘有细锯齿，先端渐尖。

An eastern Asian vine having compound leaves and clusters of reddish-purple flowers. It is grown for fodder, forage, and root starch.

野葛一种产于东亚的野藤，长有复合叶，并开有紫红色花的花簇，它被培植用来作饲料、草料和根茎淀粉

This wine has a very attractive red-violet color with blue tones.

极具吸引力的紫红色蕴含着蓝色色调。

We have no common name for a mime of Sophron or Xenarchus and a Socratic Conversation; and we should still be without one even if the imitation in the two instances were in trimeters or elegiacs or some other kind of verse--though it is the way with people to tack on 'poet' to the name of a metre, and talk of elegiac-poets and epic-poets, thinking that they call them poets not by reason of the imitative nature of their work, but indiscriminately by reason of the metre they write in.

索夫农 、森那库斯和苏格拉底式的对话采用的模仿没有一个公共的名称；三音步诗、挽歌体或其他类型的诗的模仿也没有——人们把&诗人&这一名词和格律名称结合到一起，称之为挽歌体诗人或者史诗诗人，他们被称为诗人，似乎只是因为遵守格律写作，而非他们作品的模仿本质。

The relationship between communicative competence and grammar teaching should be that of the ends and the means.

交际能力和语法的关系应该是目标与途径的关系。