紫红的

Plumage wild cabbage calls foliaceous peony, peony dish again, because its leaf is lubricious rich and proper limits for speech or action is changeful, foliaceous form also is endless and identical, foliaceous brim has the different color such as amaranthine, green, red, pink, face of blade has weak yellow, green wait for color, whole plant shapeliness resembles peony, so plumage wild cabbage also is called by people land " of " leaf peony, and because its Xie Sefeng is rich changeful.

羽衣甘蓝又叫叶牡丹。牡丹菜，因为它的叶色分寸丰富而且多变，叶形也是不尽相同的，叶的边缘有紫红。绿。红。粉等不同的颜色，叶面则有淡黄。绿等颜色，整个植株外形似乎牡丹，所以羽衣甘蓝也被人们地称为"叶牡丹"，而且因为它的叶色丰富多变。

Gowned in shades of mauve and teal, and bedecked with a king's ransom worth of jewels, her sumptuous cloak is a Wisper-edged wonder of olive, ebony and metallic bronze brocade.

她穿着紫红和凫蓝色的长裙，裙上装饰着价值不菲的珠宝，她的奢华的斗篷是橄榄色黑色和金属青铜色的织锦缎。

Optical control of the primary step of photoisomerization of the retinal molecule in bacteriorhodopsin from the all-trans to the 13-cis state was demonstrated under weak field conditions (where only 1 of 300 retinal molecules absorbs a photon during the excitation cycle) that are relevant to understanding biological processes.

在弱场条件下（整个兴奋周期中，300个视黄醛分子中只有一个吸收光子），细菌视紫红质中视黄醛分子的从全反式到13－顺式状态的光致异构化的最初阶段的光学控制被阐明，这与生物学过程的理解有关。

This is a unique creation on the conception of seeking matched environment and characters. In tone, the whole painting takes brown as the keynote.

在色调上，全画是以棕褐色为基调的，圣母身上的深青与天使披风上的紫红、金黄和银灰色构成对比；耶稣与约翰的肌肤，与约翰的金黄色鬈发构成对比。

It seems I already walk to the end of it. Looking back the way I walked through, it's a journey from white to pray, from hope to desperate, from self-giving to self-center.

回顾我走过来的路，是一段由紫红到灰白的历程；一段由希望到失望、绝望的历程；一段思想长河起于无私的源头而终以自我为归宿的历程。

Dark, stimulating and vintage shades inspired by succulent red fruits – cranberries, raspberries, loganberries and burgundy grapes – intertwined with rich spices – paprika, chilli and saffron – and claret wines present a palette of fine and seductive glamour.

深色、诱人的葡萄色泽，灵感来源于多汁的红色的果实—蔓越橘、覆盆子、罗甘莓和勃艮地葡萄，与色泽红艳的调料—灯笼椒、红辣椒和藏红花交织在一起，以及干红葡萄酒的暗紫红色泽调和出精美、诱人的魅惑。

We have no common name for a mime of Sophron or Xenarchus and a Socratic Conversation; and we should still be without one even if the imitation in the two instances were in trimeters or elegiacs or some other kind of verse--though it is the way with people to tack on 'poet' to the name of a metre, and talk of elegiac-poets and epic-poets, thinking that they call them poets not by reason of the imitative nature of their work, but indiscriminately by reason of the metre they write in.

索夫农 、森那库斯和苏格拉底式的对话采用的模仿没有一个公共的名称；三音步诗、挽歌体或其他类型的诗的模仿也没有——人们把&诗人&这一名词和格律名称结合到一起，称之为挽歌体诗人或者史诗诗人，他们被称为诗人，似乎只是因为遵守格律写作，而非他们作品的模仿本质。

The relationship between communicative competence and grammar teaching should be that of the ends and the means.

交际能力和语法的关系应该是目标与途径的关系。