紫红的

Page is a fan of slightly shimmery shades of cobalt blue, leaf green and violet for eyes and orange and fuchsia for lips.

Page 喜欢艳蓝色的微亮阴影，叶绿色和紫色的眼影以及橙色和紫红的唇彩。

Streaks of orange, fuchsia, and lavender sleep on the frozen horizon.

橙黄的、紫红的、淡紫的条纹卧于冰封的地平线。

They range from purplish red to orangey red.

它们的范围从紫红的桔红色。

Imagine , the cherries, that purplish red so sexy . How can flee from my mouth?

想象一下，那紫红的樱桃是性感的尤物，怎么能从我的口中逃掉呢？！

Imagine , the cherries, that purplish red cherries, so sexy . How can get away from my mouth?

想象一下，那紫红的樱桃是性感的尤物，怎么能从我的口中逃掉呢？！

Vitamin A deficiency interferes with the production of rhodopsin in the eye and this in turn results in the night blindness and xerophthalmia – excessive drying of the cornea.

维生素A缺乏症干扰生产紫红的眼睛，而这又反过来导致了夜盲，干眼症-过度干燥的角膜。

The second chamber was purple in its ornaments and tapestries, and here the panes were purple.

策二间屋子的装饰和帷幔都是紫红的，窗玻璃也照样是紫红的。

The Eogene in Jiyang depression developed various of lacustrine shale, mudstoneand shaly carbonate rock, such as black shale, laminar shale riched in organic matter,calcite laminar shale, calcite shale, mud shale , laminar carbonate rock, and calcareous,silty, dolomitic, carbonaceous mudstone with the colour varied from gray-black topurple-red.

济阳坳陷古近系发育多种湖相泥岩、页岩和泥灰岩，包括黑页岩、富有机质纹层页岩、钙质纹层页岩、灰色钙质页岩、灰色页岩、纹层状泥灰岩以及从灰黑到紫红的各种颜色的钙质、云质、碳质和粉砂质泥岩。

Yuan Wang layers patch of Merlin, lush, green and purple plum fruits set off in between leaves and Fan Zhi.

远望那片梅林层层叠叠、郁郁葱葱、绿意盎然，紫红的梅果掩映在繁枝密叶间。

The steely sky turns dove gray, and in the moonlight (back in February, often so brutal), tree shadows finger the meadow.

冷冰冰的天空变成了略带紫红的浅灰色，月光下，树影子抚摸着草地。

We have no common name for a mime of Sophron or Xenarchus and a Socratic Conversation; and we should still be without one even if the imitation in the two instances were in trimeters or elegiacs or some other kind of verse--though it is the way with people to tack on 'poet' to the name of a metre, and talk of elegiac-poets and epic-poets, thinking that they call them poets not by reason of the imitative nature of their work, but indiscriminately by reason of the metre they write in.

索夫农 、森那库斯和苏格拉底式的对话采用的模仿没有一个公共的名称；三音步诗、挽歌体或其他类型的诗的模仿也没有——人们把&诗人&这一名词和格律名称结合到一起，称之为挽歌体诗人或者史诗诗人，他们被称为诗人，似乎只是因为遵守格律写作，而非他们作品的模仿本质。

The relationship between communicative competence and grammar teaching should be that of the ends and the means.

交际能力和语法的关系应该是目标与途径的关系。