紫禁城
- 与 紫禁城 相关的网络例句 [注：此内容来源于网络，仅供参考]
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Chapter 4 is an esthetic analysis of form in Forbidden City.
第四章为紫禁城的形式美分析。
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This is the first time I have visited the Forbidden City.
这是我第一次参观紫禁城。
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Can you tell me how to get to the Forbidden city?
你能告诉我到紫禁城怎么走？
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The Forbidden City is one of the world's greatest works of architecture.
紫禁城是世界上最伟大的建筑之一。
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How do I get to the Forbidden City?
我怎样才能到紫禁城呢？
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Yes. We are in the Forbidden City now.
是的。我们已经在紫禁城里了。
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And how do I get to the Forbidden City?
我怎样才能到紫禁城呢？
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Chapter 3 is an analysis of Forbidden City in culture.
第三章为紫禁城的文化分析。
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At the centre of Beijing is the Forbidden City.
在北京的中心是紫禁城。
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Chapter 2 is Forbidden City and mode of capital city in China.
第二章为紫禁城与中国文化的京城模式。
- 推荐网络例句
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We have no common name for a mime of Sophron or Xenarchus and a Socratic Conversation; and we should still be without one even if the imitation in the two instances were in trimeters or elegiacs or some other kind of verse--though it is the way with people to tack on 'poet' to the name of a metre, and talk of elegiac-poets and epic-poets, thinking that they call them poets not by reason of the imitative nature of their work, but indiscriminately by reason of the metre they write in.
索夫农 、森那库斯和苏格拉底式的对话采用的模仿没有一个公共的名称；三音步诗、挽歌体或其他类型的诗的模仿也没有——人们把&诗人&这一名词和格律名称结合到一起，称之为挽歌体诗人或者史诗诗人，他们被称为诗人，似乎只是因为遵守格律写作，而非他们作品的模仿本质。
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The relationship between communicative competence and grammar teaching should be that of the ends and the means.
交际能力和语法的关系应该是目标与途径的关系。
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This is not paper type of business,it's people business,with such huge money involved.
这不是纸上谈兵式的交易，这是人与人的业务，而且涉及金额巨大。