紧张地

Humor is the great reliever of tension, the counterbalance to the dash and roar of our fastpaced industrialized life with its whirring machines, traffic snarls and frayed tempers.

幽默能很好地消除紧张，调节我们繁忙的工业化生活的快节奏。这种工业化的生活中，机器飞转，车辆轰鸣，人心浮躁。

Make tight, slow circles with the steering turned fully , first one way and then the other.

使紧张，缓慢界与督导变成完全，一是地，然后另。

Whether roaming the cattle-lands of Texas, exploring the art of the "gentle grifter", or investigating the tensions of class and wealth in turn of the century New York, O. Henry had an inimitable hand for isolating some element of society and describing it with an incredible economy and grace of language.

无论流浪牛-地政德克萨斯、艺术探索的"温柔grifter"调查阶级、紧张或财富之交，纽约澳亨利有独特订单孤立部份，竟将它与社会、经济不得了恩典的语言。

Big return, to hackle your hair can relax you head, make you feel clear and make you be more energetic to work.

大回报：梳理头皮可清除你头部的紧张感，让头脑有清醒感，更好地投入工作。

At last, with an effort, he began to speak in a halting, nervous way

最后，经过一番努力，他终于心情紧张结结巴巴地说。

They are very nervous, and head away fast when a human approaches.

他们非常紧张，和头之远快速地当一个人类的方法。

He hid the stress in his voice well, but I could hear it.

他很好地隐藏着他声音里的紧张感，但我还是听出来了。

Geek in the pink Well let the geek in the pink take a stab at it If you like the way I'm thinkin' baby wink at it I may be skinny at times but I'm fat fulla rhymes Pass me the mic and I'm a grab at it well isn't it delicious crazy way that I'm kissin' Cause baby listen to this don't wanna miss it while it's hittin' Sometimes you gotta fit in to get in But don't ever quit cause soon I'm gonna let you in but see I don't care what you might think about me You'll get by without me if you want I could be the one to take you home Baby we could rock the night alone If we never get down it wouldn't be a let down But sugar don't forget what you already know I could be the one to turn you out We could be the talk across the town Don't judge it by the color, confuse it for another You might regret what you let slip away Like the geek in the pink pink pink Like the geek in the pink yeah Well this relationship fodder don't mean to bother nobody But Cupid's automatic musta fired multiple shots at her Because she fall in love too often that's whats the matter At least I talk about it keep a pattern of flattery and She was starin' through the doorframe and eyeing me down like already a bad boyfriend Well she can get her toys outta the drawer then Cause I ain't comin' home I don't need that attention, see I don't care what she might think about me she'll get by without me if she want I could be the one to take her home Baby we could rock the night alone If we never get down it wouldn't be a let down But sugar don't forget what you already know I could be the one to turn you out We could be the talk across the town Don't judge it by the color, confuse it for another You might regret what you let slip away Hey baby look at me go From zero to hero You better take it from a geek like me I can save you from unoriginal dum-dums Who wouldn't care if you com...plete him or not So what I've got a short attention span A coke in my hand Because I'd rather have the afternoon, relax and understand My hip hop and flip-flops well it don't stop with the light rock A shot to mock you kinda puts me in the tight spot The hype is nothing more than hoo-ha so I'm Developing a language and I'm callin' it my own So take a peek into the speaker and you'll see what I mean That on the other side the grass is greener I don't care what you might think about me You'll get by without me if you want I could be the one to take you home Baby we could rock the night alone If we never get down it wouldn't be a let down But sugar don't forget what you already know I could be the one to turn you out We could be the talk across the town Don't judge it by the color, confuse it for another You might regret what you let slip away

怪胎的粉红色那么让怪胎的粉红色就在它刺伤如果你喜欢的方式我thinkin '婴儿在这眨眼我可能有时瘦，但我胖fulla韵我的通行证麦克风和我是一个抓住它以及是不是疯了美味的方式，我基辛'原因婴儿收听此不想错过它，而它的hittin '有时候，你总得适应进入但是，不要任何时候都很快退出事业我一定让你看到的，但我不在乎你们可能认为我你会得到的没有我如果你想我可以是一个带您回家宝贝我们可以岩夜间单独如果我们永远不会下跌不会是一个放下但是，糖不要忘记你已经知道我可以是一个把你我们可以谈论整个镇不要判断它的颜色，它混淆另一你可能会感到遗憾的是你让溜走像怪胎的粉红粉红粉红像怪胎在粉红色的是那么这种关系的饲料并不意味着没有人打扰但丘比特的自动穆斯塔发射多种拍摄她因为她爱上往往是什么问题至少我谈论这件事保持一贯奉承和她starin '通过门框和关注我已经想了一个坏男友那么她可以让她的玩具outta然后抽屉原因我不是comin家里我不需要注意，见我不在乎什么，她可能认为我她会没有我的，如果她想我可以是一个带她回家宝贝我们可以岩夜间单独如果我们永远不会下跌不会是一个放下但是，糖不要忘记你已经知道我可以是一个把你我们可以谈论整个镇不要判断它的颜色，它混淆另一你可能会感到遗憾的是你让溜走喂婴儿看我走从零到英雄您是否可以更好地从一个像我这样的怪胎我可以为您节省来自非独创的达姆， dums 谁不会关心你的COM 。。。他完全或不所以我有一个短期注意跨度焦炭在我的手因为我宁愿有下午，放松和理解我的嘻哈和触发器以及它不停止与轻摇滚一杆嘲笑你有点儿让我在紧张的现场宣传只不过是豪哈所以我开发的一种语言，我callin '但我自己因此，需要看到的发言，你会明白我的意思这在另一边的草绿色我不在乎你们可能认为我你会得到的没有我如果你想我可以是一个带您回家宝贝我们可以岩夜间单独如果我们永远不会下跌不会是一个放下但是，糖不要忘记你已经知道我可以是一个把你我们可以谈论整个镇不要判断它的颜色，它混淆另一你可能会感到遗憾的是你让溜走

Some paper, the Pall Mall Gazette I think, describing the dress-rehearsal of one of my plays, spoke of you as following me about like my shadow: the memory of our friendship is the shadow that walks with me here: that seems never to leave me: that wakes me up at night to tell me the same story over and over till its wearisome iteration makes all sleep abandon me till dawn[34a]: at dawn it begins again: it follows me into the prison-yard and makes me talk to myself as I tramp round: each detail that accompanied each dreadful moment I am forced to recall: there is nothing that happened in those ill-starred years that I cannot recreate in that chamber of the brain which is set apart for grief or for despair: every strained note of your voice, every twitch and gesture of your nervous hands, every bitter word, every poisonous phrase[34b] comes back to me: I remember the street or river down which we passed, the wall or woodland that surrounded us, at what figure on the dial stood the hands of the clock, which way went the wings of the wind, the shape and colour of the moon.

有份报纸，我想是《泼尔穆尔报》吧，报道了我一出戏的彩排，说你像影子似的跟随着我：对你我友谊的回忆，就是在这里随我左右的影子，像是永不分离似的——深夜里唤我醒来，一遍又一遍地说着同一个故事，直磨得人睡意全无，醒到天明[34a]；天明时分又开始了，跟着我到牢房外的院子里，害得我一边步履沉重地走着一边喃喃自语——我被迫回想着每一个痛苦时刻的每一点细节，在那些个倒霉的年头里发生的事，没有哪一件我不能在那留给悲伤和绝望的脑室里再造重演：你每一点不自然的话音，每一个紧张兮兮的手势，每一句冷言恶语[34b]，都涌上了心头；我记着我们到过的街道和河流，四周的墙壁和树林，时钟的针正指着哪一点，风正吹向哪一面，月色月影又是什么模样。

However, the presentation of hacking wood is still pastoral, an aesthetic roughness. In contrast, the tone in 'Myth' is not illusively aesthetic at all, nor a mere praise of primitive vital force – in its core, labor is transfigure into a state of intensity, alienation and craziness in modern society; the inner anxiety and conflicts of the modern man is mimically represented, so labor becomes a punishment

然而，影片中对劈柴的表现仍然是牧歌式的，是唯美化的粗犷，相比之下，《神话》的调子绝不是幻美的成分，也不是原始活力的单纯赞歌——在它的核心调性上，劳动被引入了现代社会紧张、异化和疯狂的状态，现代人内心深处的焦虑与冲突感被人与石头的关系尽可能地摹拟与演示出来，劳动，因而成为了苦刑。

Breath, muscle contraction of the buttocks; arch body, as far as possible to hold his head, right leg straight towards the ceiling (peg-leg knee in order to avoid muscle tension).

呼气，收缩臀部肌肉；拱起身体，尽量抬起头来，右腿伸直朝向天花板（膝微屈，以避免肌肉紧张）。

The cost of moving grain food products was unchanged from May, but year over year are up 8%.

粮食产品的运输费用与5月份相比没有变化，但却比去年同期高8％。