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索斯特

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There is hardly any one on earth who is not acquainted with those singular spots, the Glaciere, the Cunette, the hideous wall of Grenelle all speckled with balls, Mont-Parnasse, the Fosse-aux-Loups, Aubiers on the bank of the Marne, Mont-Souris, the Tombe-Issoire, the Pierre-Plate de Chatillon, where there is an old, exhausted quarry which no longer serves any purpose except to raise mushrooms, and which is closed, on a level with the ground, by a trap-door of rotten planks.

世上几乎没有人不认识下面这些奇怪的地方:冰窖、古内特、格勒内尔那道弹痕累累怪难看的墙、巴纳斯山、豺狼坑、马恩河畔的奥比埃镇、蒙苏里、伊索瓦尔坟,还有石料采尽后用来养菌、地上还有一道朽了的活板门的沙迪翁磐石。

There is hardly any one on earth who is not acquainted with those singular spots, the Glaciere, the Cunette, the hideous wall of Grenelle all speckled with balls, Mont-Parnasse, the Fosse-aux-Loups, Aubiers on the bank of the Marne, Mont-Souris, the Tombe-Issoire, the Pierre-Plate de Chatillon, where there is an old, exhausted quarry which no longer serves any purpose except to raise mushrooms, which is closed, on a level with the ground, by a trap-door of rotten planks.

世上几乎没有人不认识下面8ttt8这些奇怪的地方:冰窖、古内特、格勒内尔那道弹痕累累怪难看的墙、巴纳斯山、豺狼坑、马恩河畔的奥比埃镇、蒙苏里、伊索瓦尔坟,还有石料采尽后用来养菌、地上还有一道朽了的活板门的沙迪翁磐石。

His first poetic collections Manasi (l890), Chitra (1895) and Sonar Tari (1895) used colloquial Bengali instead of the usual archaic literary form.

他的第一部诗集《玛娜斯》(1890年)、《吉特拉》(1895年)和《索娜。塔利》(1895年)采用孟加拉口语写作,代替了以往的古体诗形式。

INSTANCE, THAT IT WAS A POSTHUMOUS PRODUCTION OF THE DANAID TETRALOGY WHICH

证明,比如说,《乞援衰女》是作者藉以击败索福克勒斯的《达那特四部曲》的一部死

Nce,that it was a posthumous production of the Danaid tetralogy which bes

证明,比如说,《乞援衰女》是作者藉以击败索福克勒斯的《达那特四部曲》的一部死

Danaid tetralogy which bested Sophocles,and throwing the date once

比如说,《乞援衰女》是作者藉以击败索福克勒斯的《达那特四部曲》的一部死后出版之

While the new doctrine seems almost certainly correct,the one papyrus fragment raises the specter that another may be unearthed,showing,for instance,that it was a posthumous production of the Danaid tetralogy which bested Sophocles,and throwing the date once more into utter confusion.

com 则变成了&原始&的剧作)之后以及在轴残片却唤起了一种幽灵似的疑虑,即另一块残片有可能 www.ssBBww.cOm 再度被挖掘出来,并证明,比如说,《乞援衰女》是作者藉以击败索福克勒斯的《达那特四部曲》的一部死后出版之作,从而将创作年代再度置于极度的混乱之中。

As rock interface are crossed, the elastic characteristics encounteredgenerally change abruptly, which causes part of the energy to be reflected back to the surface, where it is recorded by seismic instruments. 83、 While the new doctrine seems almost certainly correct,the one papyrus fragment raises the specter that another may be unearthed,showing,for instance,that it was a posthumous production of the Danaid tetralogy which bested Sophocles,and throwing the date once more into utter confusion.

数据资料已被统计出来,或被重新统计出来,以便证明在文体学这方面,《乞援衰女》实际上确实在《波斯人》和《七雄攻忒拜》(后两者现在则变成了&原始&的剧作)之后以及在轴残片却唤起了一种幽灵似的疑虑,即另一块残片有可能再度被挖掘出来,并证明,比如说,《乞援衰女》是作者藉以击败索福克勒斯的《达那特四部曲》的一部死后出版之作,从而将创作年代再度置于极度的混乱之中。

As rock interface are crossed, the elastic characteristics encountered generally change abruptly, which causes part of the energy to be reflected back to the surface, where it is recorded by seismic instruments. 83, While the new the doctrine seems almost certainly correct,the one papyrus fragment raises the specter that another may be unearthed, showing, instance, for that it was a posthumous production of Danaid tetralogy which bested Sophocles,and throwing the date once more into utter confusion.

数据资料已被统计出来,或被重新统计出来,以便证明在文体学这方面,《乞援衰女》实际上确实在《波斯人》《七雄攻忒拜》和(后两者现在则变成了&原始&的剧作)之后以及在轴残片却唤起了一种幽灵似的疑虑,即另一块残片有可能再度被挖掘出来,并证明,比如说,《乞援衰女》是作者藉以击败索福克勒斯的《达那特四部曲》的一部死后出版之作,从而将创作年代再度置于极度的混乱之中。

While the new doctrine seems almost certainly correct,the one papyrus fragment raises the specter that another may be unearthed,showing,for instance,that it was a posthumous production of t...59.While the new doctrine seems almost certainly correct,the one papyrus fragment raises the specter that another may be unearthed,showing,for instance,that it was a posthumous production of the Danaid tetralogy which bested Sophocles,and throwing the date once more into utter confusion.

数据资料已被统计出来,或被重新统计出来,以便证明在文体学这方面,《乞援衰女》实际上确实在《波斯人》和《七雄攻忒拜》(后两者现在则变成了&原始&的剧作)之后以及在轴残片却唤起了一种幽灵似的疑虑,即另一块残片有可能再度被挖掘出来,并证明,比如说,《乞援衰女》是作者藉以击败索福克勒斯的《达那特四部曲》的一部死后出版之作,从而将创作年代再度置于极度的混乱之中。

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