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索尔特斯

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The most esteemed among the vocal mothers were Mother Sainte-Honorine; the treasurer, Mother Sainte-Gertrude, the chief mistress of the novices; Mother-Saint-Ange, the assistant mistress; Mother Annonciation, the sacristan; Mother Saint-Augustin, the nurse, the ssbbww.com one in the convent who was malicious; then Mother Sainte-Mechtilde, very young with a beautiful voice; Mother des Anges, who had been in the convent of the Filles-Dieu, in the convent du Tresor, between Gisors Magny; Mother Saint-Joseph, Mother Sainte-Adelaide (Mademoiselle d'Auverney), Mother Misericorde (Mademoiselle de Cifuentes, who could not resist austerities), Mother Compassion (Mademoiselle de la Miltiere, received at the age of sixty in defiance of the rule, very wealthy); Mother Providence, Mother Presentation, who was prioress in 1847; finally, Mother Sainte-Celigne (sister of the sculptor Ceracchi), who went mad; Mother Sainte-Chantal, who went mad.

在那些"参议"中最受重视的是圣奥诺雷嬷嬷,司库;圣热尔特律德嬷嬷,初学生们的第一导师;圣安琪嬷嬷,第二导师;领报嬷嬷,司衣;圣奥古斯丁嬷嬷,护士,她是全院中唯一的恶人;还有圣梅克蒂尔德嬷嬷,极年轻,嗓音美妙;安琪嬷嬷,她曾在圣女修院和吉索尔与马尼间的宝藏修院里待过;圣约瑟嬷嬷;圣阿德拉依德嬷嬷;慈悲嬷嬷(西弗安特小姐,她受不了刻苦的生活);温情嬷嬷(米尔齐埃小姐,六十岁破例特许入院,极有钱);神德嬷嬷;入庙嬷嬷,一八四七年当院长;最后,圣赛利尼嬷嬷,后来疯了;圣尚达尔嬷嬷,也疯了。

The most esteemed among the vocal mothers were Mother Sainte-Honorine; the treasurer, Mother Sainte-Gertrude, the chief mistress of the novices; Mother-Saint-Ange, the assistant mistress; Mother Annonciation, the sacristan; Mother Saint-Augustin, the nurse, the only one in the convent who was malicious; then Mother Sainte-Mechtilde, very young and with a beautiful voice; Mother des Anges, who had been in the convent of the Filles-Dieu, and in the convent du Tresor, between Gisors and Magny; Mother Saint-Joseph, Mother Sainte-Adelaide (Mademoiselle d'Auverney), Mother Misericorde (Mademoiselle de Cifuentes, who could not resist austerities), Mother Compassion (Mademoiselle de la Miltiere, received at the age of sixty in defiance of the rule, and very wealthy); Mother Providence, Mother Presentation, who was prioress in 1847; and finally, Mother Sainte-Celigne (sister of the sculptor Ceracchi), who went mad; Mother Sainte-Chantal, who went mad.

在那些"参议"中最受重视的是圣奥诺雷嬷嬷,司库;圣热尔特律德嬷嬷,初学生们的第一导师;圣安琪嬷嬷,第二导师;领报嬷嬷,司衣;圣奥古斯丁嬷嬷,护士,她是全院中唯一的恶人;还有圣梅克蒂尔德嬷嬷,极年轻,嗓音美妙;安琪嬷嬷,她曾在圣女修院和吉索尔与马尼间的宝藏修院里待过;圣约瑟嬷嬷;圣阿德拉依德嬷嬷;慈悲嬷嬷(西弗安特小姐,她受不了刻苦的生活);温情嬷嬷(米尔齐埃小姐,六十岁破例特许入院,极有钱);神德嬷嬷;入庙嬷嬷,一八四七年当院长;最后,圣赛利尼嬷嬷,后来疯了;圣尚达尔嬷嬷,也疯了。

Was born in Leipzig, the Leipzig University .1831 harmony and counterpoint .1833 Wurzburg, he became head of theater and opera chorus,"demons." In 1842 his opera "Leith Qi" in the performance a big success, this served as the command .1849 Dresden Royal Opera House, joined in May failed to escape the riots caused by Zurich refuge .1854 began brewing four years, in conjunction opera "Nibelung root Ring "and complete the opera" Tristan und Isolde,"the creation of .1860 years, returning in 1864 to be King Ludwig of Bavaria invited to Munich perform" Tristan und Isolde." In 1876 to build on thanks to the Opera .1877 Pruitt began work,"Parsifal," 182 years to complete because of illness drag .183 years, died of a heart attack in Venice.

生于莱比锡。1831年莱比锡大学学习和声与对位。1833年任维尔茨堡剧院合唱团团长并创作歌剧《妖魔》。1842年其歌剧《利思齐》演出大获成功,为此荣任德累斯顿皇家歌剧院指挥。1849年参加五月暴动失败逃致苏黎世避难。1854年起开始酝酿四联歌剧《尼伯龙根的指环》并完成歌剧《特里斯坦与伊索尔德》的创作。1860年回国,1864年应巴伐利亚国王路德维希之邀去慕尼黑演出《特里斯坦与伊索尔德》。1876年于拜鲁伊特筹建歌剧院。1877年开始创作《帕西法尔》,因病拖至182年完成。183年因心脏病逝世于威尼斯。

Along with Weitzman, Lilley and Chaurushiya, other contributors to this work were Sebastien Landry and Junghae Suh from the Salk Institute's Laboratory of Genetics (JS is now at Rice University, Houston); Stephanie Panier and Daniel Durocher from the Samuel Lunenfeld Research Institute, Mount Sinai Hospital in Toronto, Canada; Chris Boutell and Roger D. Everett at the University of Glasgow, UK; and Grant S. Stewart at Birmingham University, UK.

随着韦茨曼,李洁明和Chaurushiya,对这项工作的其他捐助者是来自索尔克研究所的基因实验室(JS塞巴斯蒂安兰德里和Junghae绪是赖斯大学,休斯敦现在);斯蒂芬妮帕尼埃和丹尼尔迪罗谢从SamuelLunenfeld研究所,山西奈山医院在加拿大的多伦多,克里斯Boutell和罗杰D埃弗雷特在格拉斯哥大学,英国和美国斯图尔特格兰特伯明翰大学,英国。

The team was composed by Pereira, Carrete, Arias, Tendillo, Botubot, Solsona, Bonhof, Subirats, Saura, Kempes and Pablo.

瓦伦西亚的首发阵容由佩雷拉、卡雷特、阿里亚斯、特恩迪奥、博图沃特、索尔索纳、邦霍夫、苏维拉茨、萨乌拉、肯佩斯和巴勃罗组成。

First preliminary round (28 teams): Sk Tirana, Ranger's Fc, Pyunik Yerevan, Khazar Lenkoran, Bate Borisov, Fk Sarajevo (Bosnia-Herzegovina), Apoel Nicosia, Dinamo Zagabria, Levadia Tallinn, The New Saints, Olimpi Rustavi, Hb Torshavn, Tampere United, Derry City, Linfield Belfast, Fh Hafnarfjardar, Fk Astana, Dudelange, Fk Ventspils, Fbk Kaunas, Pobeda Prilep, Marsaxlokk, Sheriff Tiraspol, Zeta Golubovci, Murata, Msk Zilina, Nk Domzale, If Elfsborg.

进入第1轮预选赛的球队(28支):SK地拉那,流浪者,埃里温皮乌尼克,哈扎尔伦科兰,巴特博里索夫,FK萨拉热窝,尼科西亚阿普尔,萨格勒布迪纳摩,塔林莱瓦迪亚,新圣徒,鲁斯塔维奥林匹克,HB托尔斯港,坦佩雷联,德里城,林菲尔德,哈夫纳尔夫约杜尔,FK阿斯塔纳,杜德朗格,FK文茨皮尔斯,FBK考纳斯,波贝达普里勒普,马尔萨什洛克,谢里夫蒂拉斯波尔,泽塔格鲁博夫奇,穆拉塔,MSK斯利纳,NK多姆扎莱,IF埃尔夫斯堡瑞典

Schuster only had eight field players available for today's session -Raúl, Balboa, Torres, Higuaín, Marcelo, Salgado, Soldado, and Diarra-, two keepers -Dudek and Codina-, and three injured men -Guti, Pepe, and Cannavaro-.

今天,舒斯特尔手中只有8名非门将位置的球员:劳尔、巴尔博亚、托雷斯、伊瓜因、马塞罗、萨尔加多、索尔达多和迪亚拉,以及两位门将:杜德克和柯迪纳,还有3名受伤球员:古蒂、佩佩和卡纳瓦罗。

Haven / Antwerp / to West; Valencia /its Asia / Adriatic; cadiz /, Palermo /¨ri,/ Livorno /, where¨// Baltimore East; Thessaloniki / Beirut,/ Alexandria / Limassol, Antalya,/ Trabzon /,/ racke Weng edge of the Black Sea; Constanza /, Varna /, Odessa /, Novorossiisk±, Poti / Burgas

哈芬/安特卫普/地西;瓦伦西亚/拉丝佩其亚/亚得里亚海;加的斯/、巴勒莫/里杰卡、/里窝那/、里杰卡/、普罗彻/巴尔地东;赛萨洛尼基/贝鲁特、/亚力山大、/利马索尔安塔利亚、/特拉布宗/沃格斯、/拉克力翁黑海;康斯坦萨/、瓦尔纳/、敖德萨/、诺沃西比尔斯科、波季/、布尔加斯

Igor Sposobin ? book " the harmony Guide", Paul Hindemith ? book "A Concise Course of traditional and acoustic",Rimsky Korsakov ? book "Practical Guide and acoustic",Percy ? The Stankevicius book and acoustic, Theodore Dubois ? a "theory and practice and acoustic Guide", Walter ?

伊·斯波索宾等人合著的《和声学教程》、保罗·兴德米特著《传统和声学简明教程》、里姆斯基·科萨科夫著《和声学实用教程》、柏西·该丘斯著《和声学》、泰奥多尔·杜布瓦著《理论与实践和声学教程》、瓦尔特·辟斯顿著《辟斯顿和声学》这六本和声教科书,是多年来沿用至今的六本较好的和声教材。

As one of the established pianist in Russia, Mr. Egorov has performed all over the world in all major music concert halls. He has given master classes in Korea, Taiwan, Italy, Sweden, The Netherlands, and has published over 100 recordings worldwide. His repertoires including solo performance, chamber music, and orchestral concertos, consisting works of Bach, Chopin, Hayden, Mozart, Beethoven, Schubert, Schumann, Mendelssohn, Handel, Brahms, Mussorgsky, Rachmaninoff, Skriabin, Prokofiev.

Pavel Egorov 作为俄罗斯当代最优秀的钢琴演奏家,他的演奏会遍及整个欧洲,以及加拿大、美国、中国、日本,其中多数举行在世界上最优秀的音乐厅当中,他应邀到韩国、台湾、意大利、瑞士、荷兰举行过大师班讲座,在全世界范围内出版超过100张 CD ,所演奏曲目囊括了独奏、室内乐以及交响乐协奏,包含了巴赫、海顿、莫扎特、贝多芬、舒伯特、肖邦、舒曼、门得尔松、亨得尔、勃拉姆斯、穆索尔斯基、柴科夫斯基、拉赫玛尼诺夫、斯克里亚宾、普罗科菲耶夫等几乎所有时代最优秀作曲家的作品。

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