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Bacon has been a major ruthless spreader of the Twentieth Century, giving visible form to monsters, to the anxieties, the monstrousness and disturbances not only of an entire era, but also of all humanity and amplifying the power to defile the mind, the infectivity through painting.

那时候人们普遍认为培根并不经常作素描画,即使偶有创作他也会随即将他们销毁。这样的观点其实并不完全正确。因为这些素描作品看起来仅是培根艺术世界的一小部分,如同培根艺术批评家David Sylvester为它们所下的定义:冰山一角。

Drawing is a way of training basic moulding skills and the base of all moulding arts.

素描是培养造型基本功的一种手段,是一切造型艺术的基础。

Cahill gives us an imaginative sketch of a moon cult of ancient Assyria, complete with nubile maids, sacrificial offerings and erotic ceremonial pairings to honor the goddess of fertility.

卡希尔为我们提供了一个古代亚述,与性感的女佣,祭祀供品和色情仪式配对完成月球邪教想象力素描履行生育女神。

With twenty large paintings and a number of sketches, the museum will present an overview of Rodgers' unique oeuvre as it has developed over the past ten years.

随着20大画和素描的数目,博物馆将提出的罗杰斯独特的全部作品的概述,因为它在过去10年的发展。

Perhaps, people may ask the question frankly: Are oil painting and water color painting considered sketches?

也许,跟我一样心直口快的人会问?那油画、水彩算不算素描

You may have seen the profiles/vase optical illusion.

你可能见过的素描/花瓶的错觉。

In view of the modern society where fine arts have been isolated, and in examination of the precious value of the inheritance of culture, the researcher hopes to pursue the meaning of beauty and pass on the sources of culture through the studies of the sketch, color and composition of "Orphism."

作者有感於美术在现代社会中的剥离并且反思文化的传承的宝贵价值,因此想透过研究「奥菲主义」的素描、色彩、构图来追寻美的意义及承载文化的根源。

In another word, the status does not exist that a painter should learn from nature "purely" without any "prejudice" and paint realistically by facing an object to paint out what he or she has perceived. To obtain such capability, painting learners or students shall use their eyes (teachers ask students in the painting class "where are your eyes and your perceptions") to observe objects and things at the beginning of study and then paint the models faithfully by means of "facade-subdivision"(or "preferring to square not round" as described by Xu Beihong, or decomposing the object into many petty facades as described in the line drawing textbook by P.P. Chistjakov so as to turn around the object bit by bit).

也就是说,不存在这样一种状态,画家为了画出自己的感觉,他们应该"纯洁"地不带"偏见"地去向自然学习,去面对物体直截了当地写生,而为了获得这种能力,在学习绘画的初始阶段,就必须训练学生们用自己的眼睛(在绘画课室里,老师总是质问学生,你的眼睛在哪里,你的感觉在哪里)去观察对象,然后用一种"分面"的方法(也就是徐悲鸿所说的"宁方勿圆",或者按照据说是契斯恰科夫的素描教程的要求把对象分解成许多小面,以便使物体能够一点一点地转过去的方法)把眼前的模特如实地画下来。

When the same Papuan was, in Hume's phrase,"still in his cradle," he would have gooed at a full-face sketch of his chief.5

实际上,所有这些发现所展现出来的是我们认知能力的禀赋局限,当这同一个Papuan"仍然在摇篮里"时,他会对他的首领的整脸素描亲昵。

He learnt lithographyand produced Sketches of Scenery in Perthshire which was published as an album of views.

据悉,他在佩思是一个发表意见的专辑制作的风lithographyand素描

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在对危险的南部地区访问时,他斥责什叶派民兵领导人对中央集权的挑衅行为。

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