精髓的

Treating the humanism spirit as the thread, this paper concludes the intension and extension of the humanism spirit by comparing the soul of humanism spirit in the China and foreign countries, and then explains them from three parts: the true, the selflessness and the beauty. First, the content of writings expounds the essence of human nature, human rights and humanism that are the intensions of humanism spirit. Second, the purpose of writings reflects intensively the special and active method of constructing the author's morality by analyzing the connection of humanism and religion in thewritings of Bajin, and obvious religious sensibilities of Bajin. Third, from the viewpoint of artistic style, we can get the conclusion that the buskin style of Bajin's writings has close relations with humanism spirit by the method of inducing the buskin style of his writings.

全文以"人文精神"为根基和线索，首先通过梳理和比较中西人文精神传统及精髓，确定了巴金作品人文精神的内涵和外延，然后以此为统领，从真、善、美三个方面展开论述：从巴金作品的内容上看，它对人性、人权、人道作出的真理性阐释，恰恰就构成其"人文精神"的具体内涵；从创作意图看，通过分析巴金作品人文与宗教的相互关系及其流露的鲜明的宗教情感，从而突显出其特别的、积极的理想道德建构方式；最后从艺术风格看，通过归纳其作品的悲剧范式，亦得出了巴金的悲剧风格与人文精神旨向密切统一的关系。

Design is human"s pondering outcome, it is a kind of conceivableness, proposition too.by actualizing,reaching the terminated aim of satisfying human"s demand .design is influenced by cluture and expresses clu-ture.design conveys ideology ,and architecture carries design.cluture is the distillation of a civilizaiton,and architecture is a kind of the material form of cluture .so design cant be disvorced from societal culture background ,the two parts is so consanguineous.the article is try to use this measure,hunting the cluture background of the aulic archi- Tecture of qing dynasty, seek the path of distinguishing display of qing dynasy and ming dynasy.point out the relationship of design and archi-tecture of different time.

设计在文化的影响下体现出文化的特征；设计通过建筑的形式传达思想，建筑成为了设计的载体；文化是一个文明社会的精髓，而建筑正是文化的一种物化的形式。因此，设计是不能脱离社会文化大背景而独立存在，它们两者之间是密不可分的关系。而本课题正是通过研究清朝宫廷的建筑来探求设计背后的文化背景，为寻求明清陈设的差别找到出路，并指出不同时期设计与文化的关系。以便给以后的研究廓清思路，理顺线索。

From the important status of the hue in the woodprint to the effects caused to the tableau by the subjective thoughts of the artists, then to the study of the hue in the balanced impact on the tableau and the use of hue in the traditional woodprint, and last to the analysis of the difference between the hue of the woodprint and the hue of the other paintings, all these are for our better use of these elements of the hue language, and to enable us not to completely lose it which has been part essence of the traditional culture because of our confusion.

从色彩在木版画中的重要地位，到艺术家主观色调对画面的作用，再到研究色彩在画面中的平衡关系和传统木版画中的色彩运用，最后到分析木版画色彩和其它绘画色彩的区别，这一切都是为了我们在今天的木版画创作中能更好的运用这些语言元素；使这些作为传统文化精髓中的一份子，不因我们这一代人的迷茫而遗失殆尽；也希望我们这一代人在利欲薰心的社会转型期，能够从历史的根源性上挖掘深层次的本原，而不被潮流所左右。

Based on the study and inheritance of the domestic and overseas achievement in the related field, this thesis makes research into the theory and application: On theory, this thesis puts forward the concepts of Engineering Cost, Engineering Cost Management and Engineering Cost Estimation, analyzes the relation between them; And it introduces the factors which influence the engineering cost estimation, then puts forward the study of the methods; It particularizes the common methods of estimating the engineering cost, introduces the principle, the operation and the application condition, and analyzes the advantages and disadvantages of each method; By introducing the mention, the principle, the reasoning process and the comparison with the traditional reasoning mechanisms, it makes out the essence of this method, and views it as a whole.

本文在研究、继承已有国内外研究成果的基础上，在理论和应用方面都进行了研究：理论方面，提出了工程造价、工程造价管理、工程造价估算的概念，分析之间的相互关联；介绍工程造价估算的影响因素，提出对编制方法的探讨；列举出目前常用的工程造价估算方法，介绍各种方法的原理、使用方法及应用条件，分析各自的优缺点；通过介绍基于案例推理的提出、基本原理、推理过程和与传统推理机制的比较，剖析该方法的精髓，对其有了整体把握。应用方面，基于对研究对象的深刻理解，分析了工程造价估算问题和基于案例推理二者结合的必要性和可行性；建立了基于案例推理的工程造价估算系统，综合运用模糊数学、灰色理论、运筹学等知识，构造了系统算法；并运用上述理论和方法进行了实例分析，实现了基于案例推理的工程造价估算问题的初步研究，使得运用基于案例推理方法解决工程造价估算问题的设想得到了肯定。

This paper mainly includes two parts The first part falls into three main sections. First, it analyses the formative causes of the Chinese traditional house interior display art through five aspects, including the structure and forms of Chinese traditional architecture, the productive mode of Chinese traditional society, Chinese traditional philosophy, the idea of ethics and grading and custom of Chinese traditional society. Second, it briefly introduces the history of Chinese traditional house interior display art's development. Finally, it focuses on the analysis of Chinese traditional house interior display art's design ideas and concludes that its design ideas embodies the five sides as follows: respect for nature and imitate artfully nature, practical-oriented and function incorporated into form, images of space of what the theory and practice forms, balanced natural pattern of the display, artifacts with the thoughts and respect for poetic imagery. Another part of the article further researches on the application of Chinese traditional house interior display ideas to the contemporary home display, and leads to the author's view, that is that each era should has its own character when it inherits the traditional culture. What's more, the contemporary Chinese-style home display design not only have to take over the spirit of the tradition but also have to give full consideration of the contemporary aesthetic concepts, principles and methods. In the 21st century, humanistic care is greatly proponed in the interior design. The interior display art should develop towards the ecological, personalized and comfortable direction and the cultural dimensions. It should absorb the traditional cultural elements to decorate contemporary living space. In order to upgrade the simple and primary "appearance likeness" to a higher level of "spirit likeness", it must effectively grasp the poetic imagery of space, which can reach the artistic effect of "both appearance and spirits".

本文的重点内容有两部分：一部分是从中国传统建筑的结构形式、中国传统社会的生产方式、中国传统的哲学观念、中国传统的伦理等级观念、中国传统社会的风俗习惯等五个方面简单分析了中国传统民居室内陈设艺术形成的原因；简要介绍了中国传统民居室内陈设艺术的发展过程；着重对中国传统民居室内陈设艺术设计理念的具体内涵进行了深入的分析，总结出其设计理念集中体现在五个方面，即崇尚自然与巧法造化、实用为本与文质彬彬、虚实相生的空间意象、均衡自然的陈设格局、器以载道与以境为尚；另一部分是对中国传统民居室内陈设设计理念在当代居室陈设设计中的应用作了较深层次的探讨，并提出了自己的见解，即每个时代对传统文化的继承都应该呈现出自己的特色，当代中式风格的居室陈设设计既要秉承传统民居室内陈设艺术的设计精髓，又要充分考虑当代审美观念、原则和方法的融入。21世纪，室内设计大力提倡人文关怀，具体到室内陈设艺术设计上，应该向生态化、个性化、舒适化和文化层面发展；吸收传统文化元素装饰当代居室空间，要有效地把握空间意境，使当代中式风格的居室陈设设计从简单、初级的&形似&上升到较高层次的&神似&，进而追求&形神兼备&的艺术效果。

The first is Qin culture's value in the market economy, from the perspective of modem mining, the essence of the inherent humanity, addressing its deep flaws and reshape its modem value, The second is Qin cultural circle and coordinated regional economic development, Qin cultural circles and the big-Guanzhong mark sphere has the inherent linds, Qin culture research should be based on reality, from the perpective of cultural capital build a solid foundation for culture; The third is Qin culture's industrialization, which has an advantage in location and resource advantages; The fourth is inter-regional cultural cooperation's issues, Qin cultural studies should be carried out in the wide-area, multi-perspective of a comprehensive study; The fifth is to introduce the new paradigm issues. such as cultural capital, social capital and human resources.

一是秦文化在市场经济中的价值挖掘与重塑问题，应从现代性角度挖掘秦文化的内在人文精髓，正视其深层中的秦文化圈与区域经济视域下的大关中经济圈具有内在契合性；秦文化的相关研究应该立足于大关中经济圈的现实，从文化资本角度为大关中经济的腾飞打造坚实的文化根基；三是秦文化自身的产业化问题，秦文化圈具有文化产业的区位优势和资源优势，应从经济与文化交叉的角度深入作域文化产业发展模式问题；四是区域间跨文化经济交流合作问题，秦文化研究应在跨省际、跨区域的横向文化交流合作中对其内在关系进行宽领域、多视角的全面研究；五是在研究中引人新范式问题，应有效借鉴文化资本、社会资本、人力资源、企业文化与企业家精神等一些新的分析范式，推动相关研究的深人拓展。

Finally, China's prosperity in the world's attention, concern the Beijing Olympics, concerned about the rise of the Orient yellow people of this moment, Lee was in the green holographic ear therapy training schools have begun a new chapter in her, the magic of the Chinese Auricular therapy broadcast from here to China China every inch of land, 1.3 billion Chinese people's strong physique; Yuanshen the essence of Chinese medicine Guoxue from here into a passion for life, peace-loving country!

终于，在全世界关注盛世中国，关注北京奥运，关注东方崛起的黄种人的这一时刻，李为中全息绿色耳疗法培训学校也开始了她新的篇章，神奇的中华耳穴疗法将从这里播向华夏神州的每一寸土地，强健十三亿炎黄子孙的体魄；渊深的中医国学精髓将从这里走进每一个热爱生命，爱好和平的国度！

On the other hand, the more important thing is because the urban housing is a kind of heterogeneity products.

另一方面，更重要的是由于城市住房是一种异质性产品。

Climate histogram is the fall that collects place measure calm value, cent serves as cross axle for a few equal interval, the area that the frequency that the value appears according to place is accumulated and becomes will be determined inside each interval, discharge the graph that rise with post, also be called histogram.

气候直方图是将所收集的降水量测定值，分为几个相等的区间作为横轴，并将各区间内所测定值依所出现的次数累积而成的面积，用柱子排起来的图形，也叫做柱状图。