精髓的

In his study of historical dialecticism during his late years,Engels insisted onnothing but Marxist On...

恩格斯在晚期关于历史辩证法的研究中，所坚持的正是马克思主叉关于社会存在的本体论思想；恩格斯所提出的关于历史辩证法精髓的思想，深刻地阐明了马克思主义关于自然观与历史观相统一的观点，解决了在人与自然、主体与客体之间的古老对立，为唯物史观做出了卓越的贡献。

In the early stage of Christianity, the patricians inherited the essence of Greek philosophy accompanied with the methodology of it, and reconciled it with the theology of Christianity, thus the trandition of Greek philosophy found its carrier in Christian theology, at the same time, it provided methodology for the development of dogmatics.

基督教早期的教父在吸收希腊哲学精髓的同时完成古希腊哲学和基督教神学的对接，从而把希腊哲学中的方法论引入基督教的神学中，使古希腊哲学的传承有了实际的载体，同时古希腊哲学也为教义学不断的发展提供了必不可少的方法论。

She encourages students to listen with deep reverence to the inner teacher to respond from that core of truth to blissfully harmonise their movements to reflect the 840000+ species of life that exist in the world as to stay ecstatically wide awake to the Flow that is the magic of their lives.

她鼓励学员怀着深厚的崇敬聆听内心的老师，回应来自真谛精髓的声音，同时喜悦地协调自己的动作以反映生存在世界上的 840000 多个物种，进而全身心感受自己生命中的奇迹-流。

In 1930ies, in which the political atmosphere was dense and intense, he elucidated Marxist literary and art theory from practice, emphasizing the identical relation of the essence in literature and art, politics, and life, advocating subjective activity of creation mainbody, and insisting on the method of literary or art criticism in practical significance.

在政治气氛浓烈的 30年代，他从实践出发阐发马克思主义文艺理论，强调文艺、政治和生活的本质同一关系，主张创作主体的主观能动性，坚持实践意义的文艺批评方法，见出他对马克思主义文艺理论精髓的领会与创造性发挥，以及追求真理的勇气。

The internal esthetical implication and claim took a new look. And Chinese Esthetics also laid a stable structural foundation for the theoretical establishment and development with new mode of thinking and valuable structure by the introjection of "Pratipad","Esthetics" and "Visdotblw".

通过中观般若体系，美学之内在的价值蕴涵与诉求，呈现出熔铸两种文化精髓的崭新面貌；同时，通过体系构成的"中道"、"观照"与"境界"吻合，中国美学也得以新的思维方式和价值结构，为此后自身的理论建构与发展奠定了坚实的范型基础。

In addition, such new concepts in the Scientific Outlook on Development as integrated planning, overall balance and dynamic development are the results of sublation and innovation of the essence of traditional Chinese culture.

中国传统文化的精神特质主要是以民为本的人文传统，中庸协和及天人合一，这些正是科学发展观的传统文化渊源；而科学发展观提出的统筹兼顾、综合平衡、动态发展的全新理念，则是对中国传统文化精髓的扬弃与创新。

In college, Leehom finally settled on a major in Music Composition; he wrote the musical "The Bite That Burns" for his final thesis. Now that he is in the major league, Leehom's ideals remained surprisingly untarnished. He has often been quoted saying he wants to create his own sound, a sound that is neither Western or Asian, yet combines the best essence from both worlds.

大学的时候，力宏最后总算是决定主修音乐创作，他的毕业论文就是一出音乐剧《The Bite That Burns》，现在力宏已是主流歌手，但他的理想却不曾改变，他常挂在嘴边说他想创造自己的声音，一种既非西方或亚洲，但却可以同时具有两边精髓的声音。

On the one side, Bakhtin borrows resources from the mythological world, and permutes"Dionysus"with the"Carnival"by way of"displacement"in discourse, and at last, develops Nietzsche's Dionysian spirit into his unique carnival spirit; on the other side, Bakhtin apparently leads a different way from Nietzsche ranging from interpreting contexts to religious attitudes and spiritual orientations in the following souls of the Dionysiac Theory. He eventually transforms Nietzsche's aesthetically artistic ideal of"Traum und Rausch"("Dream and Drunk") into a religious spiritual demand of"leading two lives", and fulfills"a transcendental journey from the God to the man".

尼采的酒神理论和巴赫金的狂欢理论之间，存在着无比亲密的&对话关系&：一方面巴赫金从神话世界中索取理论资源，通过话语的置换，用&狂欢&取代了&酒神&，将尼采倡导的酒神精神发展成自己独特的狂欢精神；另一方面巴赫金又在遵循酒神理论精髓的同时，在阐释语境、宗教态度、精神所指上，与尼采存在明显的不同，并最终将尼采&梦与醉&的审美艺术理想转换为走向&两种生活&的宗教精神诉求，实现了一种&从神到人的超越之路&。

On the one side, Bakhtin borrows resources from the mythological world, and permutes"Dionysus"with the"Carnival"by way of"displacement"in discourse, and at last, develops Nietzsche's Dionysian spirit into his unique carnival spirit; on the other side, Bakhtin apparently leads a different way from Nietzsche ranging from interpreting contexts to religious attitudes and spiritual orientations in the following souls of the Dionysiac Theory. He eventually transforms Nietzsche's aesthetically artistic ideal of"Traum und Rausch"("Dream and Drunk") into a religious spiritual demand of"leading two lives", and fulfills"a transcendental journey from the God to the man".

尼采的酒神理论和巴赫金(来源：A4eBC论文网www.abclunwen.com)的狂欢理论之间，存在着无比亲密的&对话关系&：一方面巴赫金从神话世界中索取理论资源，通过话语的置换，用&狂欢&取代了&酒神&，将尼采倡导的酒神精神发展成自己独特的狂欢精神；另一方面巴赫金又在遵循酒神理论精髓的同时，在阐释语境、宗教态度、精神所指上，与尼采存在明显的不同，并最终将尼采&梦与醉&的审美艺术理想转换为走向&两种生活&的宗教精神诉求，实现了一种&从神到人的超越之路&。

Cooper"s frontier romances, Hawthorne"s romances, Stowe"s domestic novels, and Melville"s sea romances fully displayed their understanding of the spirit of the romantic dialectic concept in inheriting tradition and giving play to their talents. Whether its Cooper"s art of redundancy and reduction, or Hawthorn"s art of the real and the subjective, or Stowe"s art of sentimentalizing, or Melville"s art of flux, they all exhibited individual features and the artistic features of their age sharply.

个性化创作赋予美国小说真正的艺术价值，库柏的边疆小说、霍桑的罗曼司、斯陀夫人的家庭小说、麦尔维尔的航海小说充分体现了美国小说家在继承传统和发挥个人才能时对浪漫主义辩证法精髓的领悟，他们的小说艺术无论是加与减，还是虚与实，是煽情还是流动，都体现了鲜明的个人特征和时代共性。

On the other hand, the more important thing is because the urban housing is a kind of heterogeneity products.

另一方面，更重要的是由于城市住房是一种异质性产品。

Climate histogram is the fall that collects place measure calm value, cent serves as cross axle for a few equal interval, the area that the frequency that the value appears according to place is accumulated and becomes will be determined inside each interval, discharge the graph that rise with post, also be called histogram.

气候直方图是将所收集的降水量测定值，分为几个相等的区间作为横轴，并将各区间内所测定值依所出现的次数累积而成的面积，用柱子排起来的图形，也叫做柱状图。