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精神性

与 精神性 相关的网络例句 [注:此内容来源于网络,仅供参考]

His forms include two aspects. One is the formal originality. He deeply looks down the set of academic rules of oil painting. The dead and unspiritual language of oil painting only belongs to history and cannot describe today's life which asks for new expressive ways.

他的形式包括两个方面,一个是形式的独创性,他在骨子里是瞧不起那套学院派的油画规则,那种无生命无精神性的油画语言只是属于历史,无法表现今天的生活,今天的需要新的表达方式。

This still abstract determination which constitutes the 'matter in hand' itself is at first only spiritual essence, and its consciousness a formal knowing of it, which busies itself with all kinds of content of the essence.

这种仍然是抽象的、却构成着事情自身的规定,才是精神性的本质,而关于精神本质的意识,则是关于精神本质的一种形式知识,尽管这种形式知识,也到处接触到精神本质的各种内容。

Renjian's works represent a spiritual tendency, a search in the abstract and the concretized, for relationship between the cultural origins. It is no longer an improvement purely on the means or the pattern, but rather, a peaceful intervention into the contemporary cultural context. Although it still adopts traditional cultural symbols, an improvement in the spiritual realm is achieved by delivering a visual effect that is both open and tranquil in his art works.

任剑的作品体现的是一种精神倾向,在抽象与具象间寻找文化渊源的关系,而不再是一个纯粹形式上或者样式上的完善,而以很平静的方式介入了当代文化的语境,虽然借助了传统的文化符号,却提升到了一个精神的目的,作品的精神性是靠作品本身的空旷和静宁的视觉效果来感悟。

Humans initially got to know the material or experiential noumena and later developed the ontological knowledge with spiritual and transcendental nature.

人类最先看到的是物质性或经验性本体,然后上升为精神性和先验性的本体认识。

In terms of modem times product design traits: information, series, commodity and ecology, the paper analyzes the culture of product design, including material, mental, nationality, epoch and nature.

依据现代产品设计信息化、系列化、商品化、生态化的发展特征,从产品设计的物质性、精神性、民族性、时代性和自然性五部分探讨产品设计的文化性。

Early in 1995, in his "Desire" series where red and blue lines come in strong contrast with each other, Ma Yiping instinctively used his personal experience to drop a hint of the transcendence of life. From 1996 to 2001, his "Images" series established the development direction of his art, owing to its artistic expression_r_r of overloaded psychological priori images. In his works before or after 2003, dream-like symbolic images presented perplexed feeling of human beings about the universe and the physical world. In his "images" series in 2006, uncertain images stood on black cube-shaped objects and ambiguous edges pointed to various uncertain directions with the accompaniment of silver light and shadow. At this point, the intuitive perception of the essence of nature made his artistic style gradually take shape. In his later "fetish" series, in which he gradually became mature in spiritual and symbolic expression_r_rs, Ma Yiping fully grasped the eternal sense of the spiritual world.

在早期,1995年的《欲望》马一平用对比强烈的红色、蓝色层层涂盖、本能地运用自身感受以暗示的手法表达对生命的超越。1996-2001年以物象为主题的系列作品对超载心理先验物象的表达方式确定了他艺术作品的发展方向,2003年前后的作品中,梦一般的暗示性物体程现了生命本体对宇宙物理世界的茫然,在2006年的《物象》系列中,黑色的方体上不确定的物状、模糊的边缘在泛着银色光影的衬托下,泛生着各种不确定的指向感,此时对本质直观的感知性的把握使作品艺术风格基本形成,到后来的《神物》已经充分地把握了精神世界里的永恒感,画面中所能达到的精神性和神密暗示意义的表现手法已近成熟。

Therefore, in this thesis the first part combes the female prose's development in the 20th century, analyses its breakthrough and inherit to the former female prose ;The second part mostly investigates the female prose's abundant experiences personally,the imperfection experiences personally, mystery experiences personally and the experiences personally to the spirit, which comes from tne angle of the " experiences personally", by the help of the western philosophic standpoint and combinative concrete text The third part regards five female writers-Zhang liqin, Zhao Mei , Hu Xiaomeng, Xiao Min and Ma Li-as the represents, saying with the viewpoints of expression and language, emphasizing to analyze the female prose's sentiment language and their respective language styles .

本论文第一部分首先梳理了二十世纪女性散文的发展脉络,分析了新时期女性散文对以往女性散文的突破与继承;第二部分从&体验&的角度,借助西方生命哲学的观点,结合具体的文本,重点考察新时期女性散文的丰富性体验、缺失性体验、神秘性体验和精神性体验;第三部分以张立勤、赵玫、胡晓梦、筱敏、马莉五位作家的作品为代表,从语言和言说的角度,着重分析了新时期女性散文的抒情话语,以及她们各异其趣的语言风格。

So, it is the most important goal to meet the needs of the consumers' pursuit in the housings culture and spirit.

因此,满足消费者对居住建筑的文化精神性的追求也成为当前住宅设计的首要目的。

Such diseases as Cardiopathy, bronchiectasis, asthma, malignancy, chronic nephritis, uraemia, blood diseases, and diseases of incretion and metabolic network, rheumatic diseases, chronic hepatitis and so on neither fall into the category of infectious diseases endangering public health, nor belong to

心脏病、支气管扩张、哮喘、恶性肿瘤、慢性肾炎、尿毒症、血液病、内分泌及代谢系统疾病、风湿性疾病、慢性肝炎等疾病,既不属于危害公共健康的传染性疾病,也不属于影响到患者认知的智力能力的精神性疾病。

Nowadays, cardio/cerebrovascular diseases, cancer, diabetes, mental diseases, traumata and the diseases caused by environmental pollution have markedly increased, while the current medicine always has little effect on such diseases.

现在,心、脑血管病、癌症、糖尿病、精神性疾病、意外伤残及污染性的慢性病明显增加,而目前的医学对这些疾病常无良策。

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