精神上

Furthermore, abnormal morphology, shrinkage and reduced density of dendritic spines and defects in LTP were observed in brains of the patients suffering from mental retardation and neurodegenerative diseases; many mutant genes found from these patients encode component proteins of signal transduction for neuronal plasticity. These studies on synaptic plasticity would certainly promote making the effective prevention and treatment procedures for mental and neurodegenerative diseases.

此外，在精神迟滞性疾病和神经退行性疾病患者脑内记录到异常的LTP，并发现神经元的树突棘数量减少，形态上产生畸变或萎缩，同时发现，产生突变的基因大多编码调节突触可塑性的信号通路蛋白，故突触可塑性研究也将促进精神和神经疾病的预防和治疗。

The "Nike We the People Graphic" draws inspiration from a number of cultural elements and design influences to create a bold aesthetic specific to the USA. The graphic, created by Design Director Mark Smith, leverages Nike's Aerographics technology. With Aerographics, Nike designers are able to incorporate mesh directly into a garment without any extra materials or added weight.

Zoom Lebron VI鞋面采用Mark Smith所设计的Nike We the People Graphic，整体设计灵感源自於『原始图腾』的力与美，展现出如刺青效果的大胆张力及视觉美学，而此图腾亦蕴含了许多美国精神的象徵物，如：代表美国50州的星星和条纹、国家货币图形、美国本土老鹰和翅膀、总统印信上老鹰栖息的橄榄枝、鹰爪延伸出的箭、独立宣言签署日、古文明发展史重要的凯尔特族刺青、奥运圣火的自由精神象徵、篮球造型…。。

The third part reveals the Dionysian revival in Joyce's narration with the assistance of Bahktin's carnivalesque theory and Dionysus'antagonism to Apollonian hegemony is translated into the modern version of liberating strength to spiritual freedom and the courage to confront any horror.

第三部分借助巴赫金的狂欢文学理论，揭示酒神精神在乔伊斯叙述手法上的复兴；酒神对日神霸权的反抗演变成现代文本中对精神自由的追求和反抗强权的勇气。

Later on very satisfied with my job, Ran has promised Faced with the matter can not shirk, I think Rafah water, and I had last night package that now No rest, helpless eldest rhetoric, Granville forced lured Lee, I Bush said, reluctantly agreed to set a lever that a packet of us, on the evening of her wedding night under eldest, theoretically then leader of the midnight when the bigger, mental breakdown, it can not continue, then it by three days and three nights without sleep and still wearing a pair of bandbox legends of the dynamic dual flash Superman small Mexican appearances on the then leader sleep rest, even to continue.

后来酒劲下去，然已骑虎难下答应的事没法推脱，就想着拉我下水，而我昨夜已包过，至此还没休息，无奈老大花言巧语，威诱利逼，我盛情难却，勉强同意，定下杠杠说我俩包一台，上半夜归老大上，然后老大理论上将在午夜的时候体力不支，精神崩溃，无法为继，然后就由可以三天三夜不睡觉而且依旧精神饱满神采奕奕传说中的动感小超人偶闪墨登场，然后老大就睡觉休息，偶来继续。

That is, I point out the corresponding relations between nationalism and careerism in Japanese moral education and collectivism and instrumental activism in Japanese esprit of modernization in order to make clear the actions of Japanese moral education on its modernization.

在总结日本道德教育的基本特点基础上，分析了日本道德教育与日本现代化精神结构之间的关系，即指出了日本道德教育中的国家主义与立身出世主义两条主线与日本现代化精神结构的中同族型集团主义与手段能动主义之间的对应关系，以明确日本道德教育对日本现代化的作用。

Tehir kunfu novels both are combination of errantry and humanity, tradition and modem, with different emphasis In spiritual connotation ,Jinyong seeks harmonious individualgroup relation,and animadverts hopelessly worldly disputation when processing history;Gulong canonizes individual life and makes up a utopian society with enthusiasm In images modeling,Jinyong's dramatis personae mature during frustrations and experiences ,and leam aboutChinese ...

在精神内涵上，金庸寻求个群关系的统一，在历史加工中表达对世俗纷争的批判和无奈，古龙强调个体生命意识，靠激情建构理想中的社会；在人物形象上，金庸笔下的人物在磨砺中成长，体现出中国传统的中庸之道，古龙笔下的人物一出场便是高手，他们寻求的是理解；在创作形式上，两者情节结构上的缜密架构与散文化取向、文体上的近视传统与聚焦西方、语言风格上的古雅典丽与飞扬灵动均形成鲜明对比。

In music structure, through the contract of the musical form structure of this work and the typical classical concerto musical form structure, it summarized the inheritance of classicism concerto structure and the personalized innovation of national style of this work, and emerged Chopin"s inheritance in concerto creation and his innovative spirit in this area. In melody, by centering the elaboration on the vocal and colorful melody, it fully displayed Chopin"s unique artistic style and distinct romanticized characteristic in melody creation. In rhythm, with the analysis of the third music movement"s rhythm, we could learn the rhythm of mazurka which penetrated the entire music movement and which had typical Poland national characteristics, the national characteristics of the work, and the primary form of characteristic rhythm. Furthermore, it revealed the national essence and the origin material in Chopin"s works. At last, in harmony, from the aspects of linearity and the sound thought of semitone, the counter-function harmony proceeding in breaking traditions, the harmony technique in function-extended, the charm in detuned chord, the blending of sound rhythm and music situation, it analyzed and summarized the distinct romanticism in harmony arranging in the work.

音乐结构上，通过作品曲式结构与古典协奏曲典型曲式结构的对比，总结作品对古典主义协奏曲结构的沿袭和民族风格的个性化创新，展现了肖邦在协奏曲创作的继承和创新精神；旋律上，主要围绕作品旋律的歌唱性和色彩性进行论述，充分展现肖邦在旋律创作上独特的艺术风格和鲜明的浪漫主义特征；节奏上，通过对第三乐章的节奏分析，展现了贯穿整个乐章的具有典型波兰民族特色的玛祖卡节奏，阐述作品的民族特色，并追溯特征节奏的原形，进一步揭示肖邦创作的民族本质和素材来源；和声上，从半音化的线性和声思维、突破传统的反功能和声进行、功能延伸式的和声手法、音阶化的转调模进手法、离调和弦的色彩魅力等几个方面入手，分析和总结了作品在和声运用上新颖、鲜明的浪漫主义特色。

As for men and women, Donne showed his complicated feelings of contempt and admiration, cynicism and idealism towards women; as for reason and absurdity, they can be found coexisted in Donnes love poetry; between the relationships of body and soul, Donne expressed his addiction to sensuous body love and longing for spiritual love; as for the attitude toward living and death, Donne regarded living as the beginning of death, and death as the beginning of the eternal life, another circumstances of living.

在男人与女人的关系问题上，多恩显示出对女性既蔑视又崇拜、既嘲讽又赞美的复杂情感；在理性与荒谬这一对矛盾上，多恩的爱情诗显示出理性与荒谬并存的现象；在灵魂与肉体的关系问题上，多恩显示出既沉迷于感官上的肉体之爱又向往灵魂上的精神之爱；在对待生与死的态度上，多恩把生存看作是死亡的开始，而死亡是获得永生的开始，是生存的另一种状态。

Attempting to resolve this separation people have gone to philosophical extremes. Behaviourists have claimed that 'mind' does not exist; only the body and the habits it develops are real. At the other end, many mystics have experience the body as an illusion created by our limited understanding.

为了试图解决这种对立，一些人走上了哲学上的极端：行为学家们声称「精神」是不存在，只有肉体和发展出的习性是真实；但是，不少神秘主义者却又有肉体由精神产生的幻想。

The 'arrival' of Sisyphus means that he has to employ 'pathetic fallacy' to personify the stone as signifying man's desire and mental burden – the stone lying at the roadside has been changed and elevated to a symbolic level, which incorporates the myth with heroic spirit and becomes the objective equivalent to that of desire, anxiety, and pressure. In essence, the physical features are drowned and from between to express the natural physical features or the ideas, he chooses the latter. This means that there is disjoint between what originally moved him and what he would like to express, but he is acutely aware of it – the 'danger of illustration'. We can see that these series of paintings are finally presented to us, the physical features of the objects still remains and are expressed to some extent. Among them some directly depict the stones in their own part about their pleats and points, desolateness and heaviness; at the meantime, nobody appears in the pictures.

西西弗斯的&到来&，意味着他不得不采用感情误置的方式，将石头进行拟人化的处理，用以指称人的欲望和精神负担——那块路边的石头已经不复它本来的面目，它被提升到一个象征的位置上，与神话和英雄的精神题旨迅速结合在一起，成为人性之中欲望、焦虑、压力等情感的客观对应物，从本质上来说，物自身的特性被淹没了，在表现物的自然特性和表现理念这两者之间，他选择了后者，这意味着，在感动他的最初事实与他要表现的事实之间就有了一种脱节，但他敏感地意识到了这种脱节，这种&图解的危险&，我们可以看到，当这组画最终呈现在我们面前的时候，物的自然特性得到了很大程度的挽留和表现，其中有一些画作直接描绘了岩石本身，它本身的褶皱和棱角、苍凉和沉重，同时，并没有人出现在这样的画面上。

She gently rebuff ed him, but agreed that they could be friends

她婉言拒绝了，但同意作为朋友相处。

If in the penal farm, you were sure to be criticized.

要是在劳改农场，你等着挨绳子吧！