精疲力尽

On the first day they biked to exhaustion and ate a low-carb meal to deplete glycogen stores.

在第一天他们骑了自行车对精疲力尽并且吃低碳膳食耗尽糖朊商店。

This can be a very depleting and confusing time when you do not know exactly what you want or you do not feel strong, capable, or effective.

今天这真是让人精疲力尽又混乱迷惑的一天，你不知道自己到底想要什么，或者觉得自己无力、无能或无用。

I noticed that he looked exhausted, but I put it down to the fact that he had been hurrying.

我注意到他精疲力尽的样子，但我认为这是因为他一直太紧张了。

But in fact that most people are tired out by the high pressure given by the modern society.

但实际上大多数的人在现代社会的强大的压力下感觉精疲力尽。

I was just, you know, picturing you working out, and...

我只是想象你精疲力尽的模样还有

Thus has rhythm been reduced to cadence, metre, and keeping time, and so quietened down and emptied of its impertinence.

因此，节奏已经被降为一种调子，一种量尺，因为莽撞无礼而收敛、而精疲力尽。

The person who takes a cab home on the grounds that they've slogged their guts out all day and are quite shattered, and then pretends it was a ride to a business meeting, is someone I'd be quite happy to employ.

有些人拼死拼活干了一天精疲力尽，因此打车回家，然后谎称是去参加商务会谈，我倒是很乐意聘用这些人。

When his nerves were in rags after hours of questioning, even this appeal could reduce him to snivelling tears

在经过好几小时的拷问而精疲力尽之后，甚至听到这样的软话，他也会泪涕交加。

So I'm staying home and vegging this weekend.

有时候人们甚至等不到周末就想彻底地放松一下自己，因为一天工作下来确实令人精疲力尽了。

But now it is different; I have lost all that bound me to life, death smiles and invites me to repose; I die after my own manner, I die exhausted and broken-spirited, as I fall asleep when I have paced three thousand times round my cell.

但现在不同了。我已经失去了使我为之留恋的生命中的一切，死神在向我微笑，邀我去长眠。我是自愿去死的。我是精疲力尽而死的。就好象在那几天晚上，我绕着这个地牢来回走了三千遍以后带着绝望和仇怒睡去一样。

We have no common name for a mime of Sophron or Xenarchus and a Socratic Conversation; and we should still be without one even if the imitation in the two instances were in trimeters or elegiacs or some other kind of verse--though it is the way with people to tack on 'poet' to the name of a metre, and talk of elegiac-poets and epic-poets, thinking that they call them poets not by reason of the imitative nature of their work, but indiscriminately by reason of the metre they write in.

索夫农 、森那库斯和苏格拉底式的对话采用的模仿没有一个公共的名称；三音步诗、挽歌体或其他类型的诗的模仿也没有——人们把&诗人&这一名词和格律名称结合到一起，称之为挽歌体诗人或者史诗诗人，他们被称为诗人，似乎只是因为遵守格律写作，而非他们作品的模仿本质。

The relationship between communicative competence and grammar teaching should be that of the ends and the means.

交际能力和语法的关系应该是目标与途径的关系。