粗野的

He was always a Negro prodigy who played barbarously and wonderfully.

他始终是一个黑人的奇才，这种奇才弹奏起来粗野而惊人。

It was of no avail that the pavements of Paris were there on every side, the classic and splendid hotels of the Rue de Varennes a couple of paces away, the dome of the Invalides close at hand, the Chamber of Deputies not far off; the carriages of the Rue de Bourgogne and of the Rue Saint-Dominique rumbled luxuriously, in vain, in the vicinity, in vain did the yellow, brown, white, and red omnibuses cross each other's course at the neighboring cross-roads; the Rue Plumet was the desert; and the death of the former proprietors, the revolution which had passed over it, the crumbling away of ancient fortunes, absence, forgetfulness, forty years of abandonment and widowhood, had sufficed to restore to this privileged spot ferns, mulleins, hemlock, yarrow, tall weeds, great crimped plants, with large leaves of pale green cloth, lizards, beetles, uneasy and rapid insects; to cause to spring forth from the depths of the earth and to reappear between those four walls a certain indescribable and savage grandeur; and for nature, which disconcerts the petty arrangements of man, and which sheds herself always thoroughly where she diffuses herself at all, in the ant as well as in the eagle, to blossom out in a petty little Parisian garden with as much rude force and majesty as in a virgin forest of the New World.

巴黎的铺石路白白在那一带围绕，华伦街上的那些典雅富丽的府第相隔才两步路，残废军人院的圆顶近在咫尺，众议院也不远，勃艮第街上和圣多米尼克街上的那些软兜轿车白白地在那一带炫耀豪华，驶来驶去，黄色的、褐色的、白色的、红色的公共马车也都白白地在那附近的十字路口交织奔驰，卜吕梅街却但是冷清清的；旧时财主们的死亡，一次已成过去的革命，古代豪门望族的崩溃、迁徒、遗忘，四十年的抛弃和寡居，已足使这个享受过特权的地段重新生满了羊齿、锦葵、霸王鞭、蓍草、长茅草，还有那种叶子宽大、颜色灰绿、斑驳的高大植物，蜥蜴、蜣螂、种种仓皇急窜的昆虫，使那种无可言喻的蛮荒粗野的壮观从土壤深处滋长起来，再次展现在那四道围墙里，使自然界棗阻扰着人类渺小心机的、随时随地在蚂蚁身上或雄鹰身上都肆意孳息的自然界，在巴黎的一个陋劣的小小园子里，如同在新大陆的处女林中那样，既犷悍又庄严地炫耀着自己。

It was of no avail that the pavements of Paris were there on every side, the classic splendid hotels of the Rue de Varennes a couple of paces away, the dome of the Invalides close at hand, the Chamber of Deputies not far off; the carriages of the Rue de Bourgogne of the Rue Saint-Dominique rumbled luxuriously, in vain, in the vicinity, in vain did the yellow, brown, white, red omnibuses cross each other's course at the neighboring cross-roads; the Rue Plumet was the desert; the death of the former proprietors, the revolution which had passed over it, the crumbling away of ancient fortunes, absence, forgetfulness, forty years of abandonment widowhood, had sufficed to restore to this privileged spot ferns, mulleins, hemlock, yarrow, tall weeds, great crimped plants, with large leaves of pale green cloth, lizards, beetles, uneasy rapid insects; to cause to spring forth from the depths of the earth to reappear between those four walls a certain indescribable savage grandeur; for nature, which disconcerts the petty arrangements of man, which sheds herself always thoroughly where she diffuses herself at all, in the ant as well as in the eagle, to blossom out in a petty little Parisian garden with as dddtt.com rude force majesty as in a virgin forest of the New World.

巴黎的铺石路白白在那一带围绕，华伦街上的那些典雅富丽的府第相隔才两步路，残废军人院的圆顶近在咫尺，众议院也不远，勃艮第街上和圣多米尼克街上的那些软兜轿车白白地在那一带炫耀豪华，驶来驶去，黄色的、褐色的、白色的、红色的公共马车也都白白地在那附近的十字路***织奔驰，卜吕梅街却但是 dddTt 冷清清的；旧时财主们的死亡，一次已成过去的革命，古代豪门望族的崩溃、迁徒、遗忘，四十年的抛弃和寡居，已足使这个 www.8 ttt8。 com 享受过特权的地段重新生满了羊齿、锦葵、霸王鞭、蓍草、长茅草，还有那种叶子宽大、颜色灰绿、斑驳的高大植物，蜥蜴、蜣螂、种种仓皇急窜的昆虫，使那种无可言喻的蛮荒粗野的壮观从土壤深处滋长起来，再次展现在 dd dtt。 com 那四道围墙里，使自然界棗阻扰着人类渺小心机的、随时随地在蚂蚁身上或雄鹰身上都肆意孳息的自然界，在巴黎的一个陋劣的小小园子里，如同在新大陆的处女林中那样，既犷悍又庄严地炫耀着自己。

If a man asks something graceless and wicked ,don't tell him;if someone tell you such graceless and wicked thing,don't ask him;if someone talks such things,don't listen to him;and if someone is bellicose,don't querrel with him.

问粗野恶劣之事的人，就不要告诉他；告诉你粗野恶劣之事的人，就不要去问他；谈论粗野恶劣之事的人，就不要去听他；有争强好胜脾气的人，就不要和他争辩。

In his Culture and Anarchy , Matthew Arnold writes,"The great men of culture are those who have had a passion for diffusing, for making prevail, for carrying from one end of society to the other, the best knowledge, the best ideas of their time; who have laboured to divest knowledge of all that was harsh, uncouth, difficult, abstract, professional, exclusive; to humanise it, to make it efficient outside the clique of the cultivated and learned, yet still remaining the best knowledge and thought of the time, and a true source, therefore, of sweetness and light."

马修·阿诺德在《文化和无政府状态》一书中这样描述："伟大的文化人是这样一些人，他们具有一种激情，要将他们时代最好的知识、最好的思想从社会的一端传播和搬运到社会的另一端，使之流行不衰；他们殚精竭虑，要为知识去除一切粗糙的、粗野的、难解的、抽象的、专业的和孤傲的成分，要把它人性化，使它在绅士和学者的圈子之外，也见成效，与此同时，又保留了时代最好的知识和思想，因而成为甜美和光明的真正源泉。"

The artists are big fans of Jean Luc Godard's films, which are regarded as something flighty, feigned and flatulent. Behind the face of pretense, however, the director seriously lashed the so-called classical culture of the time. Now, these two local newspapers robbers, like self-taught guerilla soldiers, turn their eyes from the city news pages to imitate their stories and produced them into Wuhan folk postcards, putting them beside the newspapers and letting us read and compare for ourselves.

艺术家本人很是喜爱戈达尔的电影，&轻浮，做作，空虚&，但在假装、狡诘的背面则是郑重地、一本正经地对文化经典的挞伐――而这两个劫匪似的卡宾枪手从报纸本埠新闻版调转眼神，将这些粗野的武汉市井故事剪辑成一联串的明信片，然后摆到我们搁着报纸的桌边，让我们做一番有意思的对比。

A concerted feature of the series work lies in its homochromy and irregular frame. Homochromy represents dark night and irregular frame might be a suggestion of despondence. Anomalous, sloppy and anxious brushwork forms the rim of the painting.

作品统一的特征是单色与不规则的边框，前者是黑夜的表现，后者可能是&溃&的暗示，不规则的、粗野的、焦虑的笔触构成画的边界。

With them were Strife and Riot, and fell Fate who was dragging three men after her, one with a fresh wound, and the other unwounded, while the third was dead, and she was dragging him along by his heel: and her robe was bedrabbled in men's blood.

争斗和混战介入拼搏的人群，还有致命的死亡，她时而抓住一个刚刚受伤的活人，时而逮着一个不曾受伤的精壮，时而又拎起一具尸体，抓住死者的腿脚，在粗野的残杀中――衣服的肩背上浸染着凡人的血浆，猩红一片。

In the ongoing new creations during the year of boar, the people in the photographs, as new inflictors who actually are victims revenging upon their perpetrators, have finally opened their eyes in front of the artists' cameras. Their eyes are similarly dispassionate and even sorrowful, for it is humans' resistant nature that has driven them to revenge, to requite like for like.

2007年系列的新作品，作为对施害人的施害进行反动的新的施害者们终于在艺术家的镜头里睁开了眼睛，虽然依然是平淡甚至悲伤的，虽然这些反制的意识常常出自一种粗野的反抗本能――以暴制恶。

It was of no avail that the pavements of Paris were there on every side, the classic and splendid hotels of the Rue de Varennes a couple of paces away, the dome of the Invalides close at hand, the Chamber of Deputies not far off; the carriages of the Rue de Bourgogne and of the Rue Saint-Dominique rumbled luxuriously, in vain, in the vicinity, in vain did the yellow, brown, white, and red omnibuses cross each other's course at the neighboring cross-roads; the Rue Plumet was the desert; and the death of the former proprietors, the revolution which had passed over it, the crumbling away of ancient fortunes, absence, forgetfulness, forty years of abandonment and widowhood, had sufficed to restore to this privileged spot ferns, mulleins, hemlock, yarrow, tall weeds, great crimped plants, with large leaves of pale green cloth, lizards, beetles, uneasy and rapid insects; to cause to spring forth from the depths of the earth and to reappear between those four walls a certain indescribable and savage grandeur; and for nature, which disconcerts the petty arrangements of man, and which sheds herself always thoroughly where she diffuses herself at all, in the ant as well as in the eagle, to blossom out in a petty little Parisian garden with as much rude force and majesty as in a virgin forest of the New World.

巴黎的铺石路白白在那一带围绕，华伦街上的那些典雅富丽的府第相隔才两步路，残废军人院的圆顶近在咫尺，众议院也不远，勃艮第街上和圣多米尼克街上的那些软兜轿车白白地在那一带炫耀豪华，驶来驶去，黄色的、褐色的、白色的、红色的公共马车也都白白地在那附近的十字路口交织奔驰，卜吕梅街却但是冷清清的；旧时财主们的死亡，一次已成过去的革命，古代豪门望族的崩溃、迁徒、遗忘，四十年的抛弃和寡居，已足使这个享受过特权的地段重新生满了羊齿、锦葵、霸王鞭、蓍草、长茅草，还有那种叶子宽大、颜色灰绿、斑驳的高大植物，蜥蜴、蜣螂、种种仓皇急窜的昆虫，使那种无可言喻的蛮荒粗野的壮观从土壤深处滋长起来，再次展现在那四道围墙里，使自然界？？阻扰着人类渺小心机的、随时随地在蚂蚁身上或雄鹰身上都肆意孳息的自然界，在巴黎的一个陋劣的小小园子里，如同在新大陆的处女林中那样，既犷悍又庄严地炫耀着自己。

However, as the name（read－only memory）implies, CD disks cannot be written onorchanged in any way.

然而，正如其名字所指出的那样，CD盘不能写，也不能用任何方式改变其内容。

Galvanizes steel pallet is mainly export which suits standard packing of European Union, the North America. galvanizes steel pallet is suitable to heavy rack. Pallet surface can design plate type, corrugated and the gap form, satisfies the different requirements.

镀锌钢托盘多用于出口，替代木托盘，免薰蒸，符合欧盟、北美各国对出口货物包装材料的法令要求；喷涂钢托盘适用于重载上货架之用，托盘表面根据需要制作成平板状、波纹状及间隔形式，满足不同的使用要求。