粗壮

Forelegs heavy-boned and straight as viewed from front.

从前面观察，前肢骨骼非常粗壮，且笔直。

The old man whom he had followed was standing at the bar, having some kind of altercation with the barman, a large, stout, hook-nosed young man with enormous forearm s

他跟着进来的那个老头儿站在柜台前，同酒保好像发生了争吵，那个酒保是个体格魁梧的年轻人，长着鹰钩鼻，胳膊粗壮。

The old man whom he had followed was standing at the bar, having some kind of altercation with the barman, a large, stout, hook-nosed young man with enormous forearms

他跟着进来的那个老头儿站在柜台前，同酒保好像发生了争吵，那个酒保是个体格魁梧的年轻人，长着鹰钩鼻，胳膊粗壮。

In 2000's "big momma's house" martin lawrenc had his "largest "role ever,as an FBI agent who is a master of disguise, to trap a brutal bank robber, lawrence went deep,deep undercover-impersonating a corpulent septuagenarian known as big momma.now,lawrence is back as the boldest,biggest, and baddest momma ever,in the other of all comedies;big momma's house 2.this time, lawrence transforms himself in big momma to avert a national ecurity disaster .but saving the country is the least of big momma's problems,as he takes on his ultimate challenge-being nannny/housekeeper to the suspect's dysfunctional family.

在2000年的&肥老妈&中，马丁。劳伦斯饰演了一个&大&角色，一个善于伪装的FBI探员，为了诱捕凶恶的银行大盗，劳伦斯冒充一个人人皆知的七十多岁超级肥胖的&肥老妈&。这次劳伦斯在续集中将更加粗壮，肥胖和恶搞，为了国家的安危拯救苍生，他不的不再次伪装成&肥老妈&到嫌疑犯残缺不全的家里当保姆。

Then she interposed a stout arm, and the line halted, with six men on the steps.

然后，她伸出一只粗壮的手臂拦住后面的人，队伍停了下来。

Then she interposed a stout arm, and the line halt ed, with six men on the steps.

然后，她伸出一只粗壮的手臂拦住后面的人，队伍停了下来。

Branches robust and brittle, yellow when old; pith broad; lenticels orbicular to elliptic.

分枝粗壮和脆，黄的老时；髓宽；皮孔圆形到椭圆形。

Therefore, the dogs in the lowlands had shorter legs and heavier bodies.

所以这一地带的狗普遍拥有较短的腿和粗壮的身材。

Robert always spent the hunting season at Audley Court; not that he was distinguished as a Nimrod, for he would quietly trot to covert upon a mild-tempered, stout-limbed, bay hack, and keep at a very respectful distance from the hard riders; his horse knowing quite as well as he did, that nothing was further from his thoughts than any desire to be in at the death.

罗伯特·奥德利总是在奥德利庄院的府邸里度过狩猎季节的；倒不是他以宁录①闻名，因为他总是骑一匹性情温和、四肢粗壮的栗色乘马，静静地向树丛跑去，跟凶猛的骑师保持一段敬而远之的距离；他的马儿跟他一样的心里明白：他最不想亲眼目睹的便是打死猎物的结局了。

After a few years of praying that their dreams would come true, a group of woodsmen came upon the trees. When one came to the first tree he said,"This looks like a strong tree, I think I should be able to sell the wood to a carpenter"... and he began cutting it down.

几年过去了，梦想成真了，一些伐木工人来到了这三颗树底下，一个伐木工人来到第一棵树底下说：&它看起来很粗壮，我想它能卖给木匠做成宝箱&。。。

We have no common name for a mime of Sophron or Xenarchus and a Socratic Conversation; and we should still be without one even if the imitation in the two instances were in trimeters or elegiacs or some other kind of verse--though it is the way with people to tack on 'poet' to the name of a metre, and talk of elegiac-poets and epic-poets, thinking that they call them poets not by reason of the imitative nature of their work, but indiscriminately by reason of the metre they write in.

索夫农 、森那库斯和苏格拉底式的对话采用的模仿没有一个公共的名称；三音步诗、挽歌体或其他类型的诗的模仿也没有——人们把&诗人&这一名词和格律名称结合到一起，称之为挽歌体诗人或者史诗诗人，他们被称为诗人，似乎只是因为遵守格律写作，而非他们作品的模仿本质。

The relationship between communicative competence and grammar teaching should be that of the ends and the means.

交际能力和语法的关系应该是目标与途径的关系。