粗俗的

His past life, his first fault, his long expiation, his external brutishness, his internal hardness, his dismissal to liberty, rejoicing in manifold plans of vengeance, what had happened to him at the Bishop's, the last thing that he had done, that theft of forty sous from a child, a crime all the more cowardly, and all the more monstrous since it had come after the Bishop's pardon,--all this recurred to his mind and appeared clearly to him, but with a clearness which he had never hitherto witnessed.

他已往的生活，最初的过失，长期的赎罪，外貌的粗俗，内心的顽强，准备在出狱后痛痛快快报复一番的种种打算，例如在主教家里干的事，他最后干的事，抢了那孩子的四十个苏的那一次罪行，并且这次罪行是犯在获得主教的宥免以后，那就更加无耻，更加丑恶；凡此种种都回到了他脑子里，清清楚楚地显现出来，那种光的明亮是他生平从未见过的。

We will show how the ridiculousness of actions is born from the likening of the best to the worst and vice versa, from arousing surprise through deceit, from the impossible, from violation of the laws of nature, from the irrelevant and the inconsequent, from the debasing of the characters, from the use of comical and vulgar pantomime, from disharmony, from the choice of the least worthy things.

我们将举例证明，行为的可笑来自把最好的比作最坏的，反之亦然。它还来自以欺瞒而产生的惊愕之感；来自不可能发生的情况；来自违背自然法则；来自无关宏旨与不合情理的因素；来自对人物的贬低；来自滑稽的运用与动作的粗俗；来自不和谐的因素及选择最无价值的事物。

Han, a high school dropout, has built a franchise by tweaking his elders, once stating,"No matter how rude and immature they are, how unskillfully they write, the future literary world belongs to the post-'80s generation. They must be more arrogant. A writer must be arrogant." Yet despite his youthful bravado, Han, who has published 14 books and anthologies, generally stays away from sensitive issues such as democracy and human rights. His calculated rebelliousness, says Lydia Liu, a professor of Chinese and Comparative Literature at Columbia University, exemplifies the unspoken compact his generation has forged with the ruling Communist Party: Leave us alone to have fun and we won't challenge your right to run the country.

韩寒，一个高中退学生，借力于他对老一辈作家的讽刺，他曾指出："不管他们写的多么粗俗，多么幼稚，多么烂，中国文坛的未来是属于80后的，他们必须更加清高，一个作家，就必须清高"尽管他年轻高傲，却已经出版了14本书和精选集，这些书一般都远离敏感的问题，比如民主和人权，哥伦比亚大学汉语比较学的教授Lydia Liu评价他这种游刃有余的反叛性，例证了他在共产党的当言则不当隐--给我足够的自由做我喜欢的事情，我则不会对你的政权构成任何的威胁。

Here I am thinking not so much of the probable increase in "illicit" discourses, that is, discourses of infraction that crudely named sex by way of insult or mockery of the new code of decency ; the tightening up of the rules of decorum likely did produce, as a counter effect, a valorization and intensification of indecent speech.

这里，我指的不是"犯禁"话语的可能增多，这些违禁话语粗鲁地凌辱或者嘲讽性，赋予它以新的羞耻。礼仪规范日益严厉，很可能导致相反的结果，使得不得体的话语得到了加强。我所提及的不是那些以粗俗为名的、被侮辱与被新礼仪规范所嘲笑的"违禁"的性话语的可能、甚至增多。礼仪规范的日益严厉，很可能导致相反的结果——不得体话语的稳定与增强。

Here, it is true, were none of the appliances which popular merriment would so readily have found in the England of Elizabeth's time, or that of James- no rude shows of a theatrical kind; no minstrel, with his harp legendary ballad, nor gleeman, with an ape dancing to his music; no juggler, with his tricks of mimic witchcraft; no Merry Andrew, to stir up the multitude with jests, perhaps hundreds of years old, 8ttt8.com still effective, by their appeals to the very broadest sources of mirthful sympathy.

诚然，这里没有伊丽莎白时代或詹姆斯时代在英国比比皆是的通俗娱乐设施，没有演剧之类的粗俗表演，没有弹着竖琴唱传奇歌谣的游吟诗人，没有奏着音乐耍猴的走江湖的人，没有变戏法的民间艺人，也没有逗得大家哄堂大笑的&快乐的安德鲁&①说那些由于 www.ddd§tt.com 笑料选出、虽已流传上百年、仍让人百听不厌的笑话。

Here, it is true, were none of the appliances which popular merriment would so readily have found in the England of Elizabeth's time, or that of James- no rude shows of a theatrical kind; no minstrel, with his harp and legendary ballad, nor gleeman, with an ape dancing to his music; no juggler, with his tricks of mimic witchcraft; no Merry Andrew, to stir up the multitude with jests, perhaps hundreds of years old, but still effective, by their appeals to the very broadest sources of mirthful sympathy.

诚然，这里没有伊丽莎白时代或詹姆斯时代在英国比比皆是的通俗娱乐设施，没有演剧之类的粗俗表演，没有弹着竖琴唱传奇歌谣的游吟诗人，没有奏着音乐耍猴的走江湖的人，没有变戏法的民间艺人，也没有逗得大家哄堂大笑的&快乐的安德鲁&①说那些由于笑料选出、虽已流传上百年、仍让人百听不厌的笑话。

As the greatest British playwright, William Shakespeare had written 37 famous plays throughout his life. It is believed that a lot of readers would become deeply impressed by the jesters in Shakespeare's plays, who may have ugly semblance and strange attire and their quick-witted and coarse language as well.

作为英国最伟大的作家，莎士比亚一生写了37部著名的戏剧，相信看过莎士比亚戏剧的读者都会对戏剧中小丑这一角色有很深的印象，这些小丑有着丑陋的外表，奇怪的装束，但最让人难忘的是他们的语言，即机智幽默又粗俗难听。

As the greatest British playwright, William Shakespeare had written 37 famous plays throughout his life. It is believed that a lot of readers would become deeply impressed by the jesters in Shakespeare's plays, who may have ugly semblance and strange attire and their quick-witted and coarse language as well.

摘要作为英国最伟大的作家，莎士比亚一生写了37部著名的戏剧，相信看过莎士比亚戏剧的读者都会对戏剧中小丑这一角色有很深的印象，这些小丑有着丑陋的外表，奇怪的装束，但最让人难忘的是他们的语言，即机智幽默又粗俗难听。

As the greatest British playwright, William Shakespeare had written 37 famous plays throughout his life. It is believed that a lot of readers would become deeply impressed by the jesters in Shakespeare's plays, who may have ugly semblance and strange attire and their quick-witted and coarse language as well.

作为英国最伟大的作家，莎士比亚1生写了37部著名的戏剧，相信看过莎士比亚戏剧的读者都会对戏剧中小丑这1角色有很深的印象，这些小丑有着丑陋的外表，奇怪的装束，但最让人难忘的是他们的语言，即机智幽默又粗俗难听。

Anyone who still had enough sense of humour to listen objectively to the ensuing dialogue would be staggered by the vast number of commonplaces,misapplied truisms, cliches from newspapers and novels, shop soiled platitudes of every description interspersed with vulgar abuse and brain-splitting lack of logic.

任何还有足够幽默感去客观地聆听这随后谈话的人，会被来自报纸和小说以及用缺乏逻辑的粗俗滥用和大脑分裂点缀的形形色色的老生常谈污染的行话连篇的废话、滥用的自明之理和陈词滥调弄崩溃。

In the negative and interrogative forms, of course, this is identical to the non-emphatic forms.

。但是，在否定句或疑问句里，这种带有"do"的方法表达的效果却没有什么强调的意思。

Go down on one's knees;kneel down

屈膝跪下。。。下跪祈祷