篇幅

Two new books go a long way toward explicating the last two categories.

两本新书用很长的篇幅阐述了后两个方面。

It goes without saying that this is not a typical book review, either. Based on the fact that more than one third of the book is filled up with footnotes and bibliography and therefore almost every page is divided into upper and lower columns, what I would like to do is to take Huang's practice of footnoting under serious scrutiny. In doing so, the paper is divided into three parts.

笔者只是不由自主地注意到黄书一个有趣的特徵－这是一本全书没有一页下方没有注脚以致於几乎每页都分成上下两栏的书，注脚加上书目占据了全书超过三分之一强的篇幅－因而忍不住对於书中这个特殊文本现象加以一番认真考虑。

If you're writing a novel with a contemporary setting there need to be long passages where nothing happens save for TV watching: Later, George watched Grand Designs while eating HobNobs.

如果你在写一个设置在现代的小说，那么就需要长篇累牍地写那些无所事事看电视的篇幅：然后，乔治在吃HobNobs时看《大方针》Grand Design。

Dong Fang's style does tend to be lengthier than mine, and I often suggest a considerable shortening of his text.

东方写的东西倾向于比我写的东西长，而我也经常叫他缩短其文章篇幅。

The counsel for the defence had spoken tolerably well, in that provincial tongue which has long constituted the eloquence of the bar, which was formerly employed by all advocates, at Paris as well as at Romorantin or at Montbrison, which to-day, having become classic, is no longer spoken except by the official orators of magistracy, to whom it is suited on account of its grave sonorousness its majestic stride; a tongue in which a husband is called a consort, a woman a spouse; Paris, the centre of art civilization; the king, the monarch; Monseigneur the Bishop, a sainted pontiff; the district-attorney, the eloquent interpreter of public prosecution; the arguments, the accents which we have my.ssbbww.com listened to; the age of Louis XIV., the grand age; a theatre, the temple of Melpomene; the reigning family, the august blood of our kings; a concert, a musical solemnity; the General Commandant of the province, the illustrious warrior, who, etc.; the pupils in the seminary, these tender levities; errors imputed to newspapers, the imposture which distills its venom through the columns of those organs; etc.

那个辩护士谈得相当好，他那种外省的语句，从前无论在巴黎也好，在罗莫朗坦或蒙勃里松也好，凡是律师都习惯采用，早已成为律师们的词藻，但今天这种语句已成古典的了，它那种持重的声调、庄严的气派，正适合公堂上的那些公家发言人，所以8ttt8现在 dd dtt。 com 只有他们还偶然用用；譬如称丈夫为&良人&，妻子为&内助&，巴黎为&艺术和文化的中心&，国王为&元首&，主教先生为&元圣&，检察官为&辩才无碍的锄奸大士&，律师的辩词称&刚才洗耳恭听过的高论&，路易十四的世纪为&大世纪&，剧场为&墨尔波墨涅殿&，在朝的王室为&我先王的圣血&，音乐会为&雍和大典&，统辖一省的将军为&驰名的壮士某&，教士培养所里的小徒弟为&娇僧&，责令某报该负责的错误为&在刊物篇幅中散布毒素的花言巧语&等等。

In the process he sheds considerable light on more than half a century of South Africa's difficult history.

在此过程中，作者还用了大量篇幅，阐明了南非在过去半个多世纪以来走过的崎岖道路。

The contrary words expand language's extension, the contrast of narrating provides an effect of twists and turns in a limited space and his departure from daily experience renders his poem with more reflective senses and philosophic coloring.

语词的矛盾可使诗的语言扩大张力，叙述的反差使得诗歌在短小的篇幅中有一波三折的效果，而对日常经验感知的偏离又使徐玉诺的诗带有更多的思索意义和哲学色彩。

This thesis consists of three chapters .In chapter one , the distributions of the last exit time and the corresponding results of Brownian motion in Markov process are introduced ,and previous remarkable achievements on the excursion of Brownian motion are numerated too ,also ,we introduce the main results and the history of elliptic diffusion process; In chapter two ,we summarily describe the excursion in Markov process and the result of the first hitting time of the elliptic diffusion process ; In last chapter ,we study estimates for the distributions of above three maximum excursions and minimum excursion in the elliptic diffusion process on R (d≥3), which leads the excursion of Brownian motion on ball on R (d≥3) to become a particular case .

全文共分三章，第一章介绍对称Markov过程中布朗运动的未离时分布及相关研究结果，列举了前人对布朗运动的游程问题的研究成果，并用较多篇幅介绍了一类特殊且非常重要的扩散过程——一致椭圆扩散过程的研究历史和本文的主要研究结果；第二章介绍Markov过程有关停时及游程的概念，叙述了一致椭圆扩散过程的定义，并给出了一致椭圆扩散过程有关首中时的结果；第三章是本文的核心部分，详细讨论了暂留一致椭圆扩散过程关于R~d(d≥3)上球的三类极大游程和极小游程的分布估计，使得布朗运动关于球的游程问题成为特例。

Based on prose texts and prose theories in the past one hundred years and on an analysis of some representative views on prose nature and category during the recent twenty years, this paper opines that prose can be defined as the writing in which the writer elaborates on various pertinent topics to expresses his or her subjective personality, emotions and opinions freely and artistically in a limited space.

论文以近百年的散文文本和散文理论为依据，尤其是对近二十年关于散文本质与类型的代表性观点进行辨析后，认为凡创作主体运用与自己相关的种种题材，直接将自我的个性、情怀、观点等，以散体文句在较短篇幅中自由而又艺术地表达出来，进行多重真实主体的情思互动，且试图传达或改变现实精神结构者，都是散文。

We know Phil hates Kobe to the point that his entire book contained more Kobe-related potshots than an entire year of Peter Vescey columns.

科比：我们都知道科比恨禅师，我们也知道禅师恨科比恨到在他书里头乱枪攻击科比的篇幅比Peter Vescey一整年专栏里谈到科比的内容还要多

We have no common name for a mime of Sophron or Xenarchus and a Socratic Conversation; and we should still be without one even if the imitation in the two instances were in trimeters or elegiacs or some other kind of verse--though it is the way with people to tack on 'poet' to the name of a metre, and talk of elegiac-poets and epic-poets, thinking that they call them poets not by reason of the imitative nature of their work, but indiscriminately by reason of the metre they write in.

索夫农 、森那库斯和苏格拉底式的对话采用的模仿没有一个公共的名称；三音步诗、挽歌体或其他类型的诗的模仿也没有——人们把&诗人&这一名词和格律名称结合到一起，称之为挽歌体诗人或者史诗诗人，他们被称为诗人，似乎只是因为遵守格律写作，而非他们作品的模仿本质。

The relationship between communicative competence and grammar teaching should be that of the ends and the means.

交际能力和语法的关系应该是目标与途径的关系。