篇幅

In the last chapter, a discussion is made of resources for Mao Duns literary creation.

但如果要综合论述必定会篇幅冗长，故在&茅盾与中国现代作家&一章中，本文选择了与茅盾有密切关系的鲁迅、瞿秋白和郑振铎三人，分别代表了思想性、政治性和文学性，构成了一种立体的现代文学状态，将茅盾置身其中，考察茅盾与现代文学的深刻关系。

As for the effects from the society,the flourishment of Late-tang Style poety was the necessary choice, because the living surroundings of the great poet group had been deteriorated.

姚合也&吟苦&，他的很多篇幅用于描写和反映以他为代表的社会中下层民众的贫病苦愁等生活的艰难。

It takes four chapters to discuss the realization and performance of actual system. These prove the rationality and efficiency of the forenamed technique.

本文用了四章的篇幅介绍了系统的实现和性能，验证了文中相关技术的合理性和有效性。

Another volume treats of "Laws": several folio volumes are devoted to treatises which do indeed belong to morals, but which are inseparably connected with other strictly dogmatic questions about God and His attributes, viz.,"De gratia divina"; they are today assigned everywhere to dogma proper; a third series gives the entire doctrine of the sacraments (with the exception of matrimony) from their dogmatic and moral side.

另一种体积待人的&法律&：几个页码册的篇幅来讨论论文，其中确实属于道德的国家，但它们是相辅相成，与其他严格教条化的问题，对上帝和他的属性，即，&德特惠divina &，他们是今天派往各地的教条适当；第三个系列，让整个学说的圣礼，从他们的教条化和道德方面。

This study reflects on its abundant thoughts of arts and music through classifying the music pieces according to their literary works and discussing the thoughts of ancient lute from the splendid resourse of Dao,recounts the theme of living in seclusion and roaming, and seeks to describe the inner characters of Cinese music of ancient lute which was so light,so serene,and had brought so many free feelings to ancient knowledged people.

从其文字内容着手，通过对琴曲的题材进行分类，分析其中的占了极大篇幅的道家题材的琴曲思想，揭示了其中的隐居与道游的主题。同时也对中国古琴音乐的内在品格与特点进行分析，对古琴清淡超逸的音乐风格进行阐述，揭示了古琴与文人的密切关系。

There are rare books that have described such activity so detailedly and so lengthily in Chinese fictions.

摘要］《金瓶梅词话》中有很多描述尼姑宣卷活动的情形，其详细程度及所占篇幅，在我国小说作品中属仅有的一个现象。

We can find the "compound sound"structure in Castle,the lenthy dialogue between the main character and the other characters makes up more than one half of the whole lenth.

在《城堡》里我们发现类似陀思妥耶夫斯基小说的&复调&结构特征，主人公与其他人物之间的冗长的对话约占小说整个篇幅的一半以上。

A certain excess which was, as it were, kept under check in previous history, perceived as a localizable perversion, as an excess, a deviation, is in capitalism elevated into the very principle of social life, in the speculative movement of money begetting more money, of a system which can survive only by constantly revolutionizing its own conditions-that is to say, in which the thing can survive only as its own excess, constantly exceeding its own "normal" constraints.

限于时间和篇幅，只拿第一段说事吧。资本主义并不仅仅是一个历史阶段。从某种程度上说，曾经红极一时、今天却已少有人提起的福山的论断是正确的：全球资本主义是&历史的终结&。资本主义必须不断解放其自身的条件，才能获得生存，也就是说，它只有作为自身的&超溢&，不断超越自身的&正常&限制，才能获得生存。在资本主义钱生钱的投机运动中，超溢成为了其社会生活的重要原则。

For the purpose of realizing the LITVF technique in the visible region of the spectrum, BaCl was selected as the seeding molecula, and the spectrum feature of the BaCl in the premixed laminar flame were investigated experimentally.

在对激光诱导热助振动荧光光谱理论分析的基础上，本文以较大的篇幅讨论了稳定预混层流火焰中BaCl分子的热助振动荧光光谱的实验研究结果和具体实验装置。

Because length place is restricted, this print cannot carry Benciao meeting natant contest beforehand, all achievement and section grade publish finals entirely, but labor takes part in the match athlete match matchs fast, affirm those who conduce to natant grade level to rise.

因篇幅所限，本刊不能将本次奥运会游泳赛预、决赛所有成绩及分段成绩全部刊载，但具体分析参赛运动员比赛配速，肯定有助于游泳成绩水平的提高。

We have no common name for a mime of Sophron or Xenarchus and a Socratic Conversation; and we should still be without one even if the imitation in the two instances were in trimeters or elegiacs or some other kind of verse--though it is the way with people to tack on 'poet' to the name of a metre, and talk of elegiac-poets and epic-poets, thinking that they call them poets not by reason of the imitative nature of their work, but indiscriminately by reason of the metre they write in.

索夫农 、森那库斯和苏格拉底式的对话采用的模仿没有一个公共的名称；三音步诗、挽歌体或其他类型的诗的模仿也没有——人们把&诗人&这一名词和格律名称结合到一起，称之为挽歌体诗人或者史诗诗人，他们被称为诗人，似乎只是因为遵守格律写作，而非他们作品的模仿本质。

The relationship between communicative competence and grammar teaching should be that of the ends and the means.

交际能力和语法的关系应该是目标与途径的关系。