篇幅

It is here that Wesley goes to great lengths to describe his views on Christian perfection.

正是在这里，韦斯利去很大的篇幅描述了他的看法基督教的完善。

This novel is like a white dwarf, all mass and density.

这部小说像一个白矮星，通篇篇幅大却又缜密。

Winton, 2002,"Financial Intermediation", in Handbook of the Economics of Finance, edited by G.

由于篇幅限制，具体的变量定义表没有在附录中列出，但感兴趣的读者可以向作者索取。

This book offers a distillation of Wittgenstein's thought in a mere 50 pages.

这本书在不过五十页的篇幅里向人们提供了维特根斯坦思想的精髓。

The story takes half its word count to set up the situation and provide background.

故事用一半的篇幅来设置形势和背景。

In its article "Disintegrating Communist Culture", Falun Gong denounced antitheism advocated by CCP by chapter and verse, saying:"there are gods and spirit right above your head". They even quoted ancient Chinese fables such as "Pan Gu Creating the universe".

法轮功在其近期大作&解体党文化&里用大量篇幅攻击中共的无神论，引经据典地说明&头上三尺有神灵&，甚至把中国古代&盘古开天地&的神话、封建帝王&君权神授&的说法也用于其攻击无神论的佐证。

As you might expect, any discussion of the user interface of daemonic applications is necessarily short.

因为后台应用在后台运行，因此关于后台应用的用户界面的讨论，其篇幅必然很短。

When I first wrote about my relationship with Pranada Dasi, I understated the length and seriousness of it.

当我首次描述自己与帕南达·达茜间的关系时，我明白文章的篇幅会较为冗长，问题也将变得相当严重。

On the role of women, for example, he has two fine chapters (the first he calls "Le Malheur d' tre femme", a clever allusion to Germaine de Sta l's novel,"Delphine", and to the French translation of Mary Wollstonecraft's "The Wrongs of Woman").

譬如，他用了两章的篇幅对女性角色的问题做了细致到位的分析：第一章题为&作为女人的不幸&，此处他非常聪明的暗指了斯塔尔夫人的小说《黛尔芬》以及玛丽·伍斯托克拉夫所著的《妇女之苦》法文译本。

On the role of women, for example, he has two fine chapters (the first he calls "Le Malheur d'être femme", a clever allusion to Germaine de Stal's novel,"Delphine", and to the French translation of Mary Wollstonecraft's "The Wrongs of Woman").

譬如，他用了两章的篇幅对女性角色的问题做了细致到位的分析：第一章题为&作为女人的不幸&，此处他非常聪明的暗指了斯塔尔夫人的小说《黛尔芬》以及玛丽伍斯托克拉夫所著的《妇女之苦》法文译本。

We have no common name for a mime of Sophron or Xenarchus and a Socratic Conversation; and we should still be without one even if the imitation in the two instances were in trimeters or elegiacs or some other kind of verse--though it is the way with people to tack on 'poet' to the name of a metre, and talk of elegiac-poets and epic-poets, thinking that they call them poets not by reason of the imitative nature of their work, but indiscriminately by reason of the metre they write in.

索夫农 、森那库斯和苏格拉底式的对话采用的模仿没有一个公共的名称；三音步诗、挽歌体或其他类型的诗的模仿也没有——人们把&诗人&这一名词和格律名称结合到一起，称之为挽歌体诗人或者史诗诗人，他们被称为诗人，似乎只是因为遵守格律写作，而非他们作品的模仿本质。

The relationship between communicative competence and grammar teaching should be that of the ends and the means.

交际能力和语法的关系应该是目标与途径的关系。