篇幅

In Luo Zhong-rong"s modern compositions, the pitch organization and the form of it"s structure hold the prominent position and issue significant function in music context, and the researches of these aspects in this dissertation occupied referentially also a more wide space. The first three chapters introduced three kinds of pitch organization used in these compositions: serial set, twelve-tone tonality and pentatonic aggregate.

音高的组织与结构方式在罗忠铬的现代音乐创作中有着十分突出的作用，论文在这方面的研究也相应占据了较大的篇幅，前三章分别介绍了作曲家在这些创作中使用的三种音高组织："序列"、"十二音调式体系"以及"五声性十二音集合"。

With this understanding of Strauss's rhetoric in mind, I will show, in the rest of this section, how three of Strauss's criticisms of Weber that seem to be refutations of Weber serve the unpolemical purpose of clarifying Weber's thesis.

带着对施特劳斯修辞术的这种理解，我在这一部分的余下篇幅将表明，施特劳斯对韦伯的三个批评如何看似是对韦伯的拒斥而实际上意在澄清韦伯的论题。

So I'm using this space as an attempt to remedy the problem.

因此我利用这里的篇幅，作为解决这个问题的一种尝试。

Actually, What I called the fundamental rhythmical unit refers to a period of repeated sound or sound combination.

本文在综述了新诗格律探索对节奏所涉诸问题层面的一般性观点之后，便以核心篇幅分析了新诗格律在上述两个方面的主要理论收获。

The counsel for the defence had spoken tolerably well, in that provincial tongue which has long constituted the eloquence of the bar, which was formerly employed by all advocates, at Paris as well as at Romorantin or at Montbrison, which to-day, having become classic, is no longer spoken except by the official orators of magistracy, to whom it is suited on account of its grave sonorousness its majestic stride; a tongue in which a husband is called a consort, a woman a spouse; Paris, the centre of art civilization; the king, the monarch; Monseigneur the Bishop, a sainted pontiff; the district-attorney, the eloquent interpreter of public prosecution; the arguments, the accents which we have my.ssbbww.com listened to; the age of Louis XIV., the grand age; a theatre, the temple of Melpomene; the reigning family, the august blood of our kings; a concert, a musical solemnity; the General Commandant of the province, the illustrious warrior, who, etc.; the pupils in the seminary, these tender levities; errors imputed to newspapers, the imposture which distills its venom through the columns of those organs; etc.

那个辩护士谈得相当好，他那种外省的语句，从前无论在巴黎也好，在罗莫朗坦或蒙勃里松也好，凡是律师都习惯采用，早已成为律师们的词藻，但今天这种语句已成古典的了，它那种持重的声调、庄严的气派，正适合公堂上的那些公家发言人，所以8ttt8现在 dd dtt。 com 只有他们还偶然用用；譬如称丈夫为"良人"，妻子为"内助"，巴黎为"艺术和文化的中心"，国王为"元首"，主教先生为"元圣"，检察官为"辩才无碍的锄奸大士"，律师的辩词称"刚才洗耳恭听过的高论"，路易十四的世纪为"大世纪"，剧场为"墨尔波墨涅殿"，在朝的王室为"我先王的圣血"，音乐会为"雍和大典"，统辖一省的将军为"驰名的壮士某"，教士培养所里的小徒弟为"娇僧"，责令某报该负责的错误为"在刊物篇幅中散布毒素的花言巧语"等等。

Finally, I or decision offer the Twitter version that has 140 character only below (Twitter of miniature rich guest can let you with short-short everything what in depicting the life, happen, the length of every information does not exceed 140 character, still include blank space and punctuation mark) among them

最后，我还是决定提供以下只有140个字符的Twitter版本微型博客Twitter可以让你以超短篇幅描述生活中发生的一切，每条信息的长度不超过140个字符，其中还包括空格和标点符号

According to this, this text is at expert scholar the leading of the cultural heritage work under, as to it's the night song give musical performance technique to carry on superficial analysis, but because of the restriction of space, the writer is in the text with it created in early days of several head 《night song 》for discuss creations and gave musical performance technique point to be attended to, hoped can be piano fancier and in the days to come others study originally the topic provide to draw lessons from just some little.

基于此，本文在专家学者文献著作的引导下，对其夜曲演奏技巧进行粗浅的分析，但因篇幅的限制，笔者在文中以其早期创作的几首《夜曲》为论述创作与演奏技巧着眼点，希望可以为钢琴爱好者及日后他人研究本课题提供些许借鉴。

Because of the limited space, the writer discusses the connection between the administrative punishment and the criminal punishment from two sides: the kinds of punishment and the responsibility of different degrees, such as the connection between the property punishment fine and confiscation of property, the connection between the ability punishment and qualification punishment, the connection between the custody and the fixed term imprisonment.

由于篇幅所限，笔者主要从处罚种类与责任轻重的衔接这两方面，论述了行政处罚和刑事处罚这两种处罚方式的衔接问题，即财产罚与罚金及没收刑、能力罚与资格刑、人身罚与自由刑的衔接。

Author on the basis of fully occupy the document materialsing, carry on the new textual criticism to Su life( give birth to soldier annual, native place,etc.) who Shun Shunqin, the problem of clarifying some of going over inaccurate or speciously; Then at main spaces concrete to expound the fact Su Shun Shunqin the thought content and art characteristic s of poem deep.

作者在充分占有文献资料的基础上，对苏舜钦的生平进行了新的考证，澄清了过去一些不准确或似是而非的问题；然后以主要篇幅具体深入地论述了苏舜钦诗的思想内容和艺术特征。

The avowed aim of this paper is to have a research on Zhou"s features of administration.A systematic study is done on Zhou"s statesmanship by the internal logics.

笔者基于占有材料的有限、自身研究能力的单薄以及硕士学位论文篇幅的限制等方面的综合考虑，选取了周恩来的行政管理风格作为自己的研究标的。

We have no common name for a mime of Sophron or Xenarchus and a Socratic Conversation; and we should still be without one even if the imitation in the two instances were in trimeters or elegiacs or some other kind of verse--though it is the way with people to tack on 'poet' to the name of a metre, and talk of elegiac-poets and epic-poets, thinking that they call them poets not by reason of the imitative nature of their work, but indiscriminately by reason of the metre they write in.

索夫农 、森那库斯和苏格拉底式的对话采用的模仿没有一个公共的名称；三音步诗、挽歌体或其他类型的诗的模仿也没有——人们把&诗人&这一名词和格律名称结合到一起，称之为挽歌体诗人或者史诗诗人，他们被称为诗人，似乎只是因为遵守格律写作，而非他们作品的模仿本质。

The relationship between communicative competence and grammar teaching should be that of the ends and the means.

交际能力和语法的关系应该是目标与途径的关系。