篇

One will be a book review, another will be a comparison of two books, and the last will be a discussion of a historiographical theme.

一篇为书评，一篇为两本书籍的比较，最后一篇则自选一历史学专题加以讨论。

DATA EXTRACTION: Altogether 136 articles directly related to acute traumatic brain injury and neuronal apoptosis were collected, among which 19 met the inclusion criteria with the other 117 removed for repetition or irrelevancy.

资料提炼：共收集到136篇关于急性颅脑损伤和神经元凋亡有直接关系的文章，其中有19篇符合标准，排除117篇。

DATA EXTRACTION: Totally 122 literatures about the cellular oncosis were collected, and 26 of them were reviews, There were 26 literatures concerned to the cardiovarcular disease; other literatures studied the detection and identification of cellular oncosis in non-cardiovascular system.

资料提炼：共收集到122篇关于细胞胀亡的研究文章，其中26篇为综述类文章，与心血管疾病关系密切的文献也有26篇，其他文献主要体现了细胞胀亡在心血管外的系统的发现和鉴别，并且文献中区分细胞胀亡和细胞凋亡的方法多重复。

The paper is composed of three main parts."Part of Drama" focuses on analyzing contents and artistic features of Shakespere"s drama "Othello";"Part of Opera" aims at illuminating contents and artistic features of Verdi"s opera-"Otello";"Part of Comparision"is the key part of the essay. The author tries to explore differences and causes by comparing Verdis opera with the original on the point of artistic features and contents.

全文分为三部分，第一部分&戏剧篇&意在分析莎士比亚戏剧《奥瑟罗》的主题内容和艺术特点；第二部分&歌剧篇&旨在阐明威尔第歌剧《奥瑟罗》的主题内容和艺术特点；第三部分&比较篇&是本文的研究重点，笔者致力于歌剧与原著在艺术特点和艺术内涵上的比较研究，探讨二者之异同及其原因。

The Apology is Socrates' defense speech, and the Crito and Phaedo take place in prison after the conviction.

申辩篇》是苏格拉底的辩护发言，《克利托篇》与《斐多篇》也发生在定罪之后的狱中。

Other dialogues, such as the Phaedo, Symposium, and Parmenides, do suggest that such conversations were faithfully recalled and transmitted by Socrates' followers.

有些对话，像《斐多篇》、《会饮篇》和《巴门尼德篇》的确表明了，这些对话是苏格拉底的追随者进行的如实的回忆与传达。

This thesis is intended to construct a framework for rhetorical analysis of political speech discourse from the perspective of Kenneth Burkes new rhetoric.

以肯尼斯·伯克的新修辞学理论为基础，本文试图构建一个解读政治演说语篇的分析框架，旨在揭示政治演说语篇的修辞过程及隐藏在语篇中的修辞动机。

So while you're chitchatting over salads, your entrées will be languishing under the heat lamp while the dishwasher is spraying industrial-strength, carcinogenic cleaning solvents in their immediate vicinity.

当你正在就色拉东拉西扯时，前菜可能在温暖的灯光下变味了，洗碗机里工业用的洗涤剂则正泡沫四溅上一篇：惊爆0day漏洞，IE应该是去还是留下一篇：没有，这是最后一篇！

Takelesson plans, for instance. A proper lesson plan is supposed to include an"anticipatory set", a purpose statement, a diagnostic check,"input"(lecture, filmstrip, etc.), monitoring ("Johnny, now thatI've explained how to organize a five-paragraph essay, please remind the class whatyour first paragraph should accomplish"), modeling (reading the class a fiveparagrapherthat got an A), guided practice (everyone begins essaying while youstroll around and answer questions), and independent practice (they finish the essaythat night instead of watching the sparrows on the windowsill).

以教学计划为例，合适的教学计划应该包括一个&课程预览&，目的陈述，诊断性检查（提问几个问题，了解多少人已经知道如何组织一篇五段的文章，或者其他内容），&输入&，监督（&Johnny，现在我已经解释了如何组织一篇五段的文章，请你来告诉大家你的第一段应该表述什么内容&），建模（读一篇优秀的五段文章给同学们听），指导实践（每个人开始写文章，这时老师巡视并回答问题）和独立实践（让他们用晚上的时间去完成文章而不是观察窗台上的麻雀）。

The whole meeting was composed of three parts: the impression part, the story part and the Intercommunicating part.

整个交流会由三个篇章组成，分别为&创新杯&之印象篇、&创新杯&之故事篇、&创新杯&之互动篇。

We have no common name for a mime of Sophron or Xenarchus and a Socratic Conversation; and we should still be without one even if the imitation in the two instances were in trimeters or elegiacs or some other kind of verse--though it is the way with people to tack on 'poet' to the name of a metre, and talk of elegiac-poets and epic-poets, thinking that they call them poets not by reason of the imitative nature of their work, but indiscriminately by reason of the metre they write in.

索夫农 、森那库斯和苏格拉底式的对话采用的模仿没有一个公共的名称；三音步诗、挽歌体或其他类型的诗的模仿也没有——人们把&诗人&这一名词和格律名称结合到一起，称之为挽歌体诗人或者史诗诗人，他们被称为诗人，似乎只是因为遵守格律写作，而非他们作品的模仿本质。

The relationship between communicative competence and grammar teaching should be that of the ends and the means.

交际能力和语法的关系应该是目标与途径的关系。