篇

From the first verse of Psalm 22, it is clearly evident that this is a Messianic prophecy.

从诗篇廿二篇第一节来看，显然，这是一篇有关弥赛亚的预言。

Things often come in pairs. It's said that the translator of 'the New Testament' James Mophead had 3 desks in his study room too. Manuscript of the being translated Bible on the 1st desk, manuscript of an article on the 2nd desk, a half-finished whodunit was put on the 3rd desk.

无独有偶。据说，《新约圣经》的翻译者詹姆斯·莫法特的书房里也有3张桌子：第一张摆着他正在翻译的《圣经》译稿；第二张摆的是他的一篇论文的原稿；在第三张桌子上是他正在写的一篇侦探小说。

In 1952, Turing published his theory in a landmark paper entitled "On the Chemical Basis of Morphogenesis."

在1952年，图灵在一篇里程碑的论文中发表了自己的理论。这篇文章叫做："关于形态的化学基础"。

At the heart of the book are three magnificent essays, about the Hatfield train crash of 2000; the sinking of the Titanic and the film "Titanic"(a wonderful meditation on hysteria and myth-making); and the lost cinemas of Farnworth, Mr Jack's home town, which is also a circuitous epitaph for a lost brother.

这本书的核心有三篇华丽的文章，哈特菲尔德火车相撞事故；泰坦尼克号的沉没和影片"泰坦尼克号"（关于歇斯底里和创造神话，这是一篇令人惊叹的沉思录）；以及法恩沃思——那里是杰克的家乡——落寞的电影院，同时也是为一位失踪的兄弟间接撰写墓志铭。

They argue that a name is nothing but a code to distinguish one from another.

数量大约5到10篇，也就是每种类型一到两篇。

"There are certain cultural norms that are inherent in Africa," Napier said.

上一篇文章：上一篇：初创企业为何需要一份商业计划书？

Earlier this week I did a quickie phone interview with Nettie Hartsock, who quoted me in an article titled, Setting Up a Software Development Business.

前几天我和Nettie Hartsock通了个电话，他在一篇文章里面引用了我的一些话，这篇文章叫作《建立软件开发业务》。

Linguistic representation in news reports, as in any other type of discourse, is a constructive practice in that events and ideas are not communicated neutrally, in their natural structure.

最后两章是本文的核心，我们在这两章中把前几章所阐述的理论应用于具体语篇，尤其是非文学语篇的分析。

This dissertation argues that advertising discourse, like any discourse in general, is never an instrument neutrally conveying information, but ideologically invested.

本论文主张广告语篇像其它普通语篇一样，绝不只是一个不偏不倚的传递信息的工具，而是赋予意识形态意义的。

The {node}.nid to which this comment is a reply.

node}。nid 是这篇回应的一篇回覆。

We have no common name for a mime of Sophron or Xenarchus and a Socratic Conversation; and we should still be without one even if the imitation in the two instances were in trimeters or elegiacs or some other kind of verse--though it is the way with people to tack on 'poet' to the name of a metre, and talk of elegiac-poets and epic-poets, thinking that they call them poets not by reason of the imitative nature of their work, but indiscriminately by reason of the metre they write in.

索夫农 、森那库斯和苏格拉底式的对话采用的模仿没有一个公共的名称；三音步诗、挽歌体或其他类型的诗的模仿也没有——人们把&诗人&这一名词和格律名称结合到一起，称之为挽歌体诗人或者史诗诗人，他们被称为诗人，似乎只是因为遵守格律写作，而非他们作品的模仿本质。

The relationship between communicative competence and grammar teaching should be that of the ends and the means.

交际能力和语法的关系应该是目标与途径的关系。