简化型

The documents searched indicated that the research on the subject was made on the assumption that the flow was two or one dimension erenow.

资料表明，在此之前关于L型机头的研究则要将流道内物料的流动简化为一维或二维流动。

Methods: Thirty patients with malignant hemopathy were detected using modified technique of R-banding, and the caryotype of the cases was studied. Acridine orange solution was substituted with 10% Giemsa, the composition of the reagents was readjusted and the procedures of the experiment were simplified.

用改良的染色体R显带方法对30例各种类型的染色体进行显带，并对显带的染色体核型进行研究；将传统R显带技术中用10%吉姆萨染液取代吖啶橙工作液，调整欧氏液各种试剂成分和简化试验步骤。

From parasternal long axis, LVDd and LVDs were measure by M-mode;From apex four chanmber view, EDV and ESV were measure by simplified Simpson method, LVEF was calculated, and by the pulse doppler of mitral and aortic valves, mitral valve diasolic flow E wave, A wave, ICT, IRT,and ET were measured.

AMI患者74例入院后行超声心动图检查，在胸骨旁长轴用M型测量LVDs，LVDd，心尖长轴切面用简化Simpson氏法测量EDV，ESV，并计算LVEF，多谱勒超声心动图采集测量二尖瓣和主动脉瓣血流频谱，测量二尖瓣舒张期血流E峰，A峰，ICT，IRT和ET，按公式计算Tei指教=/ET。

This paper therefore examines the development of "the folklore Pai-Chang of Peking opera aria in Tainan city" through literature review depth-interview oral history and participant observation The concept frame is culture organism as the vertical axle and elements of a folklore activity as the transverse axle There are several significant findings about the general picture of this subject: During the late period of Japanese colonial era Tainan local people who played Peguan music learned Peking opera aria and tried to bring Peking opera aria into the folklore Pai-Chang which was one kind performance and traditional custom of Peguan music Some people who came from other places and played Peking opera aria had also known or learned "Pai-Chang" with touching Tainan local amateurs "Pai-Chang" used to be performed by amateurs for worship of god or goddess or for seasoning and wedding celebration without rewards Amateurs volunteered to perform "Pai-Chang" only for their duty temples and fraternity of Peking opera aria The majority of the audience is people who perform or like "Pai-Chang" or who live nearby There is a fixed pattern of the performance including the repertoire and the arrangement of the band The main meaning of this performace is to pray God's blessings therefore the procedure of "Ban-Hsian" is the most essential and ahead of Peking opera aria singing With time goes by the number of the amateurs has dropped; yet the demand for the worship ceremony remains; hence some of the amateurs have been trained to become professional performers Besides although the idea and the meaning of "Pai-Chang" remains the pattern of the performance has become simplified and rigid which is because of the performers' number decreasing and market adapting Nowadays the whole ecosystem of the folklore Pai-Chang of Peking opera aria in Tainan city keep changing which is mainly influenced by the transition of the society(such as the time and space of the industrial and commercial society being compressed and most people's pursuing of specialization and utilitarianism etc ) According to the findings in this paper the phenomenon can be regarded as the subject matter both of Peking opera and folklore studies For the studies of the Taiwanese culture however the subject not only enriches the subject matters of the Taiwanese culture(signifies the localization of Peking opera and a new pattern of Taiwanese folklore) but also reflects the characters of diversification integration adaptation and compromise of Taiwanese culture which used to be influenced by different regimes and the historical contexts Facing such a multicultural context this paper thus suggests researchers should show an open-minded attitude toward the complex of the Taiwanese culture studies and then important phenomenon would not be ignored or misunderstood

代表了什麼意义？对於上述疑惑，查既有研究成果，不消没有论述者，具体提即「京调排场」现象的可说没有，基於此，有必要对台南市及其周边之民俗性京调排场，不管是语汇来由或者其现象本身，做一番研究。本研究透过文献、访谈、口述史、参与观察等方法，以文化有机体之纵的发展概念为经，以民俗表演之横切面各主客要素为纬，试图先对此文化现象调查并推论出一概貌：台南市民俗性京调排场的形成，是在京调传入台南，台南本地北管子弟改习或兼习京调后，结合北管音乐文化所固有的排场表演型态及民俗演出传统，融合而成，形成时间至迟在日治晚期。而一些不同时期的外来京调人士(如原本生长於其他地区、后移住台湾的票友，和中国大陆琴师等等)，也曾透过与当地子弟的接触，而习得或知晓「排场」语汇以及本地京调排场习俗者。此项音乐民俗表演在过往多由业余子弟於神诞或民众婚俗做寿时，对其有义务或交陪的庙宇及子弟间做酬酢性的演出，不收报酬；聆赏者多是京调同好与邻近民众，也有少数路过者；演出模式包括节目安排、乐队编制皆有一定；表演意涵上以「扮仙」祈求神明赐福人间最为重要，因此排仙必不可少，且一定先於京调演唱。随著时间推移，京调排场表演活动的各要素都有变动，惟变迁速度不一，大体而言，业余表演者锐减，人们对酬神娱神节目的需求仍在，因此一些过往的业余表演者遂逐渐转型为职业表演者。此外，虽然表演意涵不变，但在职业表演人员少、又要适应市场的情况下，表演模式亦逐渐流於简化、僵化。目前京调排场整体生态仍在转变的过程中，而这种变化应与工商社会时间空间的被压缩、事事追求专业化与尼Q化等因素有关。再者，据此概貌，在结论部分厘清其意义、定位以及其对台湾文化研究之启示。台南市及其周边之民俗性京调排场现象，可视为京剧研究与民俗研究的一环，然而对於台湾文化研究，除了其题材本身标志了京剧的本土化与台湾民俗活动之新类型，进一步扩充整体台湾文化研究的内容外，更重要的是现象背后所反映的台湾文化的多元融合与妥协适应取向。台湾的海岛地理位置与长期被不同文化背景政权所殖民的历史，其文化自然容易随社会环境改变而弹性适应变迁，呈现多元纷呈、多重覆叠的特色，因此展望未来，从事台湾文化研究应秉除单一观点，保持一定程度之开放与客观胸襟，方不忽视或误识更多重要的文化现象。

The optimal controller and prefilter are designed on the basis of LQ specifications.

根据最优跟随器的线性二次型性能指标得出最优调节器和前置滤波器，结合实际目标的机动性和系统的限制对滤波器进行必要的简化。

Governing equations of nonprimatic channel unsteady flow are simplifiedly analyzed with the expressed form of channel parabolic cross section by variation of distance,and applied with dam sudden release problem in nonuniform wetted perimeter cross section on neglecting friction and slope effects.

利用明渠沿程抛物型断面的概化关系式，对棱柱体明渠非恒定流的控制方程进行简化分析，并应用于忽略底坡和摩阻影响的非单一湿周断面明渠瞬时全溃问题。

Based on the results of FEM simulation, the multibody model which includes steering system, simplified vehicle body and Hybrid Ⅲ dummy is set up. The dynamic response and injury criteria of the dummy during the impact are calculated.

在此基础上，进一步建立了该车转向系、简化的车体和混三型假人的多刚体系统，通过应用多刚体动力学技术模拟了发生碰撞时假人的动态响应并得到了其损伤指标。

Relationship between the measured capacitances and the permittivities of the porous media was derived by an appropriate simplification. A three-point calibration method was presented.

该文针对通道型多孔介质的结构，经适当简化，导出了测量电容与被测物质介电常数的标定关系式，根据该关系式提出一种三点标定法。

To satisfy the peoples demand for the special shoes of themselves and solve this contradiction, on the basis of Reverse Engineering, a method to design the shoe-tree, which based on feature and restriction, is proposed. The content of this paper places emphasis on constructing the feature-based model of foot, predigesting the data of feet, reconstructing the new model of the special feet and developing the prototype system.

针对人们对个性化鞋的需求，本文在逆向工程的基础上，在鞋楦的设计过程中首次提出了一种基于特征和约束的新思路来进行脚模的制取，并侧重于脚模特征模型的建立、脚型数据的简化和脚模曲面的重建等内容的研究，开发了用于重建脚模曲面的原型系统。

Based on the 1T15M-2 reversible sleeve air spring made by Firestone Corp., an air spring with auxiliary chamber was built. The character of the air spring in vertical direction was described as a linear spring damper element. Using the method of free vibration with damping, the changing rules of the stiffness and damping under different pressure in the air spring with the change of throttle orifice diameter have been studied experimentally.

以美国凡士通公司的IT15M-2型膜式空气弹簧为基础，构建带附加空气室的空气弹簧，将带附加空气室空气弹簧简化为由并联线性弹性和线性阻尼组成的垂直弹性元件，采用单质点自由衰减振动的方法，试验研究不同空气压力下弹簧垂直刚度和阻尼随节流孔孔径变化的规律。

Plunder melds and run with this jewel!

掠夺melds和运行与此宝石！

My dream is to be a crazy growing tree and extend at the edge between the city and the forest.

此刻，也许正是在通往天国的路上，我体验着这白色的晕旋。