筝

Zheng is generally made of candlenut wood, has an oblong sound box with a curved top and strings with individual fret s which can be moved right and left to modulate the notes.

筝一般用梧桐木制成，长方形音箱，弧形面板，面上张弦，每弦一柱，左右移动柱码可调节音高。

Zheng is generally made of candlenut wood, has an oblong sound box with a curved top and strings with individual frets which can be moved right and left to modulate the notes.

筝一般用梧桐木制成，长方形音箱，弧形面板，面上张弦，每弦一柱，左右移动柱码可调节音高。

There is not much variety of scenery cither.

没有多少不同的风景筝。

Results: It showed that (1) the main motivating factors were "to acquire experience in the sport","to relax and socialize","to satisfy curiosity", and "to kill time amid excitement";(2) the ten most popular sporting activities included walking, scuba diving, swimming, banana boat riding, hot spring, beach games, SPA, cycling, mountain climbing and car racing;(3) the sport tourism experiences sought were geared towards "natural environmental challenge" and "artificial environmental challenge" rather than "interpersonal contest" or "interpersonal combat". In terms of tourism resources consumed,"natural coastal experience" and "natural landscape experience were more favourable when compared to "manmade cultural/entertainment experience"."Manmade historic experience was not mentioned at all. Conclusion: The survey provided support that sport tourism environment and activity forms evoke different motivating factors.

结果：(1)游客主要的运动观光参与动机依序为「运动体验」、「解压与社交」、「满足新奇」与「消磨与刺激」筝四因素；(2)游客参与运动观光活动的类型前十项，依序为散步、浮潜、游泳、香蕉船、泡温泉、海滩游戏、水疗、自行车、登山、赛车，前五项活动合计已占全部运动观光活动八成以上；(3)运动观光客的运动经验以「天然环境的挑战」、「人工环境的挑战」为主，「竞技式人之挑战」及「技击式人之挑战」较少，而其使用的观光资源经」验主要为「自然海岸经验」与「自然风景经验」，其次为「人造文化娱乐经验」，而「人造历史经验」在此地区则未出现。

It is a descendant of the old Egyptian harp, and is related to the psaltery, dulcimer and zither.

Kanun是近东国家地区的传统弦乐器，演变自古埃及的竖琴，与古代的弦琴、德西马琴及筝有关。

In addition to the guzheng art innovation, they also created an unprecedented new system Cheng's playing techniques and teaching methods, the new system created a koto repertoire and teaching repertoire.

除了对古筝艺术的创新外，他们还创立了前所未有的新筝的系统演奏技法，教学方法，创作了系统的新筝演奏曲目和教学曲目。

In addition to the guzheng art innovation, they also created an unprecedented new system Chengs playing techniques and teaching methods, the new system created a koto repertoire and teaching repertoire.

除了对古筝艺术的创新外，他们还创立了前所未有的新筝的系统演奏技法，教学方法，创作了系统的新筝演奏曲目和教学曲目。

The instrument Komiya plays in this CD is a 25 stringed "Sou", a modern solo instrument recreated from the traditional 13 stringed Sou.

小宫瑞代在这张CD中演奏的是二十五弦筝，是从传统的十三弦筝改进的现代独奏乐器。

In chapter 1, the paper overviewed the feature of Chaozhou guzheng, introducing other representatives of Chaozhou guzheng. In chapter 2, the paper studies Chaozhou guzheng melody formulated by Mr Xu, summing up its spectrum surface characteristics. In chapter 3, combined with the author's personal experience of learning with Mr Xu, in three different spectral mode of Chaozhou guzheng set by Mr Xu, From Playing by the right hand and composing by the left hand, specifying the actual performance characteristics.

在第一章中，文章概述了潮州筝派的特点，对许守诚先生同属潮州筝派的其他代表人物做了介绍；第二章中，以许守诚先生订谱的潮州筝曲谱本为研究对象，归纳总结出许先生订谱的潮州筝曲的谱面特点；第三章，作者结合跟随许先生学习的亲身体会，分别对许先生订谱的三种不同调式的潮州筝曲，从右手弹奏和左手作韵两方面，具体阐述实际演奏的特点。

The guzheng is tuned to a pentatonic scale, the 16-string zheng is tuned to give three complete octaves, while the 21-string zheng has four complete octaves.

古筝是调整以五声音阶，16弦筝的调整，以使三个完整的八度，而二十一弦筝有四个完整的八度。

The absorption and distribution of chromium were studied in ryeusing nutrient culture technique and pot experiment.

采用不同浓度K2CrO4(0，0.4，0.8和1.2 mmol/L)的Hoagland营养液处理黑麦幼苗，测定铬在黑麦体内的亚细胞分布、铬化学形态及不同部位的积累。

By analyzing theory foundation of mathematical morphology in the digital image processing, researching morphology arithmetic of the binary Image, discussing two basic forms for the least structure element: dilation and erosion.

通过分析数学形态学在图像中的理论基础，研究二值图像的形态分析算法，探讨最小结构元素的两种基本形态：膨胀和腐蚀；分析了数学形态学复杂算法的基本原理，把数学形态学的部分并行处理理念引入到家实际应用中。