筋疲力尽

Films as diverse as Hiroshima, Mon Amour and Hatari, Breathless and Blow-Up, The Savage Innocents and Fahrenheit 451, 2001: A Space Odyssey and Playtime, Contempt and The Rise of Louis XIV were virtually defined by their multinational elements and sentiments; and for the first time since the 20s--barring perhaps only the impact of Italian neorealism in the 40s-Hollywood styles of filmmaking were fundamentally overturned by new developments from abroad.

电影五花八门：《广岛之恋》和《哈泰利》、《筋疲力尽》和《放大》、《雪海冰上人》和《华氏451》、《2001：太空漫游》和《玩乐时间》、《轻蔑》和《路易十四的崛起》，事实上都是依据它们所包含的多国元素和情感来进行阐释；就第一时期，从20年代起始--40年代所受到的可能也是唯一的意大利新现实主义影响除外--好莱坞电影制作形式基本上被国外的新发展所颠覆。

Their number follows ,such as partridges,have a like power of strong propulsion,but sooner tire.you may pick them up in utter exhaustion,if wind over the sea drive them to a long distance.the swallows share the virtues of both schools,it tires not ,nore does it boast of its power.it belong to the air.travelling it may be six thousand miles to and from the northern nesting home.

如果海风驱使它们飞行很长距离，你可以捡到一些因筋疲力尽而摔下来的鹧鸪。燕子充分兼有这两类鸟的长处，它既不疲劳，也不炫耀自己的飞翔力；在空中十分自如，可以飞行6，000英里，可以飞往北方做窝的老家，再从老家飞回；一边飞一边喂养会飞的雏燕，甚至在顶风时也能在气流中滑翔，似乎气流在帮它前进。

I feel so tired when I am off from work.

每天下了班，我都筋疲力尽。

I have been on the run all.

我忙了一天，筋疲力尽了。

Eg: I have been on the run all day and I am exhausted.

我已经跑了一天，筋疲力尽。

Haunting and beautiful, Ondaatje''s award-winning novel tells the story of four war-damaged souls living in an Italian monastery at the end of WWII, and the love story between two of them, the exhausted nurse Hana, and the severely burned unnamed English patient.

感人至深、充用对不起我爱你做首诗满魅力，翁达杰这部屡获殊荣的小说讲评了二战竣事后，意大利休养院里四个被战争所伤的灵魂的故事，而其中筋疲力尽的护士哈娜和重度烧伤的无名英国病人发生了一段令人难以忘怀的爱情故事。

And I suppose I liked that part of it. But over the long haul it wore me out.

我想我喜欢这样，只是长期下来，这让我筋疲力尽了。

Go crazy. Feeling stressed out? Go parasailing!

疯狂一把。感觉筋疲力尽？

He was so fagged out that his limbs were limp and his tongue and throat parch ed with thirst.

他已筋疲力尽，踉跄地走着。嘴里口干舌燥。

Father Pestalozzi, as he became known to the children, was so zealous in his development of a new method that he chanted his lessons, boxed ears right and left, and became hoarse and exhausted by 10 o'clock in the morning.

裴斯泰洛齐爸爸，孩子们这样称呼他，他是那样渴望建立一种新的教学方法：单调地、不停地讲，灌儿童的耳朵，每天早上到10点钟的时候，他就声音嘶哑、筋疲力尽。

We have no common name for a mime of Sophron or Xenarchus and a Socratic Conversation; and we should still be without one even if the imitation in the two instances were in trimeters or elegiacs or some other kind of verse--though it is the way with people to tack on 'poet' to the name of a metre, and talk of elegiac-poets and epic-poets, thinking that they call them poets not by reason of the imitative nature of their work, but indiscriminately by reason of the metre they write in.

索夫农 、森那库斯和苏格拉底式的对话采用的模仿没有一个公共的名称；三音步诗、挽歌体或其他类型的诗的模仿也没有——人们把&诗人&这一名词和格律名称结合到一起，称之为挽歌体诗人或者史诗诗人，他们被称为诗人，似乎只是因为遵守格律写作，而非他们作品的模仿本质。

The relationship between communicative competence and grammar teaching should be that of the ends and the means.

交际能力和语法的关系应该是目标与途径的关系。