第十的

Then there was Clay Watson getting Bradley Morton to ground out on a 3-2 pitch with the bases loaded in the 10th.

然后有粘土沃森越来越布拉德利莫顿至地面上的3月2日沥青与基地装货，在第十。

But it's true that at one moment henearly overtook me, going off line in the hairpin, in turn ten.

第十圈的时候，我在发夹弯驶离了赛车线，他差点超越我。

But it's true that at one moment he nearly overtook me, going off line in the hairpin, in turn ten.

第十圈的时候，我在发夹弯驶离了赛车线，他差点超越我。

"Elements of a Successful Joint Fact Finding," Chapter 17, pp.

共同事实发现成功的元素〉，第十七章，页 177-186

On stage, he appeared in plays like The Seagull, Twelfth Night, and Trojan Women.

在舞台上，他参加出演的戏剧包括《海鸥》、《第十二夜》和《特洛伊女人》。

And, by the by, with the exception of the fine extravaganza on the subject in Twelfth Night

顺便提一下，除掉《第十二夜》中谈这个题目的那段精彩言论之外…

Asked why he came to do Twelfth Night, he said that he felt a sort of responsibility to introduce Shakespeare's plays to Chinese audience.

当他被问到为什么来演出《第十二夜》时，他说他感到有责任把莎士比亚的剧作介绍给中国观众。

Asked why he came to do Twelfth Night, he said that he felt a sort of responsibility to introduce Shakespeare's pays to Chinese audiences.

当他被问到为什么来演出《第十二夜》时，他说他感到有责任把莎士比亚的剧作介绍给中国观众。

A regular performer with South Africa's State Theatre, he also played leading roles in "Savages","Twelfth Night" and "Hamlet".

定期演员与南非的国家剧院，他也扮演领导角色，在&野蛮人&，&第十二夜&和&哈姆雷特&。

"Happy","Twelfth Night" in the pursuit of those who love the freedom of young people through all kinds of hardships and married.

皆大欢喜》、《第十二夜》中那些追求爱情自由的年轻人历经磨难，终成眷属。

We have no common name for a mime of Sophron or Xenarchus and a Socratic Conversation; and we should still be without one even if the imitation in the two instances were in trimeters or elegiacs or some other kind of verse--though it is the way with people to tack on 'poet' to the name of a metre, and talk of elegiac-poets and epic-poets, thinking that they call them poets not by reason of the imitative nature of their work, but indiscriminately by reason of the metre they write in.

索夫农 、森那库斯和苏格拉底式的对话采用的模仿没有一个公共的名称；三音步诗、挽歌体或其他类型的诗的模仿也没有——人们把&诗人&这一名词和格律名称结合到一起，称之为挽歌体诗人或者史诗诗人，他们被称为诗人，似乎只是因为遵守格律写作，而非他们作品的模仿本质。

The relationship between communicative competence and grammar teaching should be that of the ends and the means.

交际能力和语法的关系应该是目标与途径的关系。