第十二

Article 42 The self-regulating trade organizations shall actively serve the small and medium-sized enterprises.

第四十二条行业的自律性组织应当积极为中小企业服务。

Article 42 Industrial self-regulatory organizations shall actively serve small and medium-sized enterprises.

第四十二条行业的自律性组织应当积极为中小企业服务。

Article 82 A check is an instrument issued by a drawer, at the sight of which the check deposit bank or other financial institutions unconditionally pay the fixed amount to the payee or holder.

第八十二条支票是出票人签发的，委托办理支票存款业务的银行或者其他金融机构在见票时无条件支付确定的金额给收款人或者持票人的票据。

Libra and Scopio. This time of year is also known as the Light Snow...

射手：黄道十二宫的第九宫，每年11月22日前后太阳到这一宫。

The electronic digital stored-program computer marks the convergence of two essentially independent lines of development tracing back to the early nineteenth-century, namely the design of mechanical calculators capable of automatic operation and the development of mathematical logic.

被储存的电子的数传-计画计算机本质上为二的集中作标记发展追踪的独立线回到早人第十九世纪的，即机械计算者的设计能够自动操作和数学逻辑的发展。

The 52nd one is me, and the name entered is my Dharma name in Tang Tantra

第五十二位是我，而所写入的名字是我唐密的法名。

Chapter V from the three forms of work to look at the evolution of Krenek twelve-tone techniques to develop ideas and concepts.

第五章从三首作品表现形式到演变过程看克热内克对十二音技法拓展的思路和观念。

The fourth chapter in the twelve-tone technique, based on the three works in harmony, music, polyphonic, orchestration, Texture, rhythm and other characteristics for general grooming.

第四章在十二音技法基础上对三首作品在和声、曲式、复调、配器、织体、节奏等方面的特点作概括性梳理。

Chapter II of the Seventh String Quartet in general on the background, with pitch-class set theory analysis of three replacement sound relationship between the unified group of pitch throughout the whole idea of music, as well as the theme of fragment replacement pitch twelve-tone theme with a free form.

第二章大致阐述第七弦乐四重奏创作背景，用音级集合理论分析出三音组音高置换关系统一贯穿全曲的思路，以及主题片段音高置换与自由十二音主题形态。

Rick mentioned that he also had two on the front sheet at 13th and 22nd from the Evans lines.

里克同时也提到他还有两只伊万斯血统的鸽子获得了第十三名和第二十二名。

We have no common name for a mime of Sophron or Xenarchus and a Socratic Conversation; and we should still be without one even if the imitation in the two instances were in trimeters or elegiacs or some other kind of verse--though it is the way with people to tack on 'poet' to the name of a metre, and talk of elegiac-poets and epic-poets, thinking that they call them poets not by reason of the imitative nature of their work, but indiscriminately by reason of the metre they write in.

索夫农 、森那库斯和苏格拉底式的对话采用的模仿没有一个公共的名称；三音步诗、挽歌体或其他类型的诗的模仿也没有——人们把&诗人&这一名词和格律名称结合到一起，称之为挽歌体诗人或者史诗诗人，他们被称为诗人，似乎只是因为遵守格律写作，而非他们作品的模仿本质。

The relationship between communicative competence and grammar teaching should be that of the ends and the means.

交际能力和语法的关系应该是目标与途径的关系。