第十二

However, the Laudian or Carolinian divines must not be supposed to have ever succeeded in driving out their Calvinistic rivals, so powerful when the Thirty-Nine Articles were drawn up, and known from Shakespeare's time as Puritans (see Malvolio in "Twelfth Night").

不过， laudian或carolinian divines绝不能假定有以往任何时候都成功地驾驶自己的calvinistic的对手，如此强大时， 39条制定的，和已知从莎士比亚的时间作为清教徒（见马伏里奥在&第十二夜&）。

In 1740–1741 Arne composed music for the Drury Lane productions of Shakespeare 's The Tempest , As You Like It , Twelfth Night and The Merchant of Venice , including songs such as "Where the bee sucks","When Daisies Pied" and "Under the greenwood tree" which are still performed in concerts and recitals today.

在1740至1741年阿恩组成的特鲁里街的莎士比亚氏如你所愿的暴风雨，制作音乐，第十二夜和威尼斯的商人，包括诸如&如果蜜蜂吸&一首歌，&当雏菊斑&和&根据绿林树&，仍留在今天的音乐会及演奏表演。

Merging art and science,the Royal Shakespeare Companyhas engaged a psychotherapist to explain the "science of love"to actors rehearsing new productions of Twelfth Night and A Midsummer Night's Dream.

为了将艺术和科学结合起来，皇家莎士比亚剧团请了一位精神治疗师，为新排的《第十二夜》和《仲夏夜之梦》的演员讲解&爱的科学&。

The wit and wordplay of Much Ado About Nothing,[79] the charming rural setting of As You Like It, and the lively merrymaking of Twelfth Night complete Shakespeare's sequence of great comedies.

风趣俏皮的《无事生非》，充满乡村风情的《皆大欢喜》，以及生动展现狂欢场面的《第十二夜》，共同构成了莎士比亚成功的喜剧系列。

Article 12 An arbitration tribunal may be composed of either one or three arbitrators.

第十二条仲裁庭可以由一名或者三名仲裁员组成。

The management and use of confidential archives, changes in their security classes, and the declassification of such archives must be effected according to the provisions of the security laws and administrative rules and regulations of the state regarding security.

第十二条博物馆、图书馆、纪念馆等单位保存的文物，图书资料同时是档案的，可以按照法律和行政法规的规定，由上述单位的自行管理。

Captain: You're the twelfth in a long line of governesses, who have come to look after my children since their mother died.

上校：自从孩子们的母亲去世以后，你是来照看他们的第十二位女家庭教师。

Captain: You are the twelfth in a long line of governesses who have come to look after my children since their mother died.

上校：自孩子们的妈妈死后，我已经雇了很多位家庭教师，你是第十二个。

Captain:You're the twelfth in a long line of governesses, who have come to look after my children since their mother died.

上校：自从孩子的母亲去世以后，你是第十二位来照看我孩子的女家庭教师。

C: You're the twelfth in a long line of governesses, who have come to look after my children since their mother died.

上校：自从孩子的母亲去世以后，你是来照看我孩子的第十二位女家庭教师。

We have no common name for a mime of Sophron or Xenarchus and a Socratic Conversation; and we should still be without one even if the imitation in the two instances were in trimeters or elegiacs or some other kind of verse--though it is the way with people to tack on 'poet' to the name of a metre, and talk of elegiac-poets and epic-poets, thinking that they call them poets not by reason of the imitative nature of their work, but indiscriminately by reason of the metre they write in.

索夫农 、森那库斯和苏格拉底式的对话采用的模仿没有一个公共的名称；三音步诗、挽歌体或其他类型的诗的模仿也没有——人们把&诗人&这一名词和格律名称结合到一起，称之为挽歌体诗人或者史诗诗人，他们被称为诗人，似乎只是因为遵守格律写作，而非他们作品的模仿本质。

The relationship between communicative competence and grammar teaching should be that of the ends and the means.

交际能力和语法的关系应该是目标与途径的关系。