第十二

Asked why he came to do Twelfth Night, he said that he felt a sort of responsibility to introduce Shakespeare's plays to Chinese audience.

当他被问到为什么来演出《第十二夜》时，他说他感到有责任把莎士比亚的剧作介绍给中国观众。

Asked why he came to do Twelfth Night, he said that he felt a sort of responsibility to introduce Shakespeare's pays to Chinese audiences.

当他被问到为什么来演出《第十二夜》时，他说他感到有责任把莎士比亚的剧作介绍给中国观众。

In New Orleans, Carnival season begins on Twelfth Night, and there are parades, masquerade balls, and parties nearly every day.

在新奥尔良，在第十二夜时会举办嘉年华活动，有游行，化装舞会，几乎每天都有。

A regular performer with South Africa's State Theatre, he also played leading roles in "Savages","Twelfth Night" and "Hamlet".

定期演员与南非的国家剧院，他也扮演领导角色，在&野蛮人&，&第十二夜&和&哈姆雷特&。

All three share a dark, bitter wit and an unpleasant view of human relation s that contrasts sharply with earlier, sunnier comedies like Twelfth Night and As You Like It.

所有这三个共用一个黑暗的，痛苦的智慧和一种不愉快的人认为这与县鲜明的对照比较，像阳光喜剧第十二夜和作为你喜欢它。

Four comedies:"A Midsummer Night's Dream","happy","Twelfth Night" and "The Merchant of Venice."

四大喜剧：《仲夏夜之梦》、《皆大欢喜》、《第十二夜》和《威尼斯商人》。

"Happy","Twelfth Night" in the pursuit of those who love the freedom of young people through all kinds of hardships and married.

皆大欢喜》、《第十二夜》中那些追求爱情自由的年轻人历经磨难，终成眷属。

Given the playwright's obsession with twins – several of his plays, including The Comedy of Errors and Twelfth Night, feature them – it's interesting to observe that Shakespeare fathered them in real life.

双胞胎总是在这位剧作家的戏里发挥搅乱乾坤的作用——他的好几个戏，包括《错误的喜剧》《第十二夜》，都重点描绘了双胞胎——我们发现很有趣的是，莎士比亚在现实生活里也确实有一对双胞胎。

Once in Hamlet, once in Henry V and most blatantly of all in Twelfth Night, where the character Malvolio actually spells the word out.

一处是在《哈姆雷特》，一处是在《亨利八世》，还有一处，也是笔墨最多的就是在《第十二夜》中了，马伏里奥几乎都要把那个单词，一个字一个字拼出来了。

The comedy of this period include the poetic creation of "Midsummer Night's Dream"(1596), promote good punishing evil,"The Merchant of Venice"(1597), reflecting the customs and life of the people's "The Merry Wives of Windsor"(1598), to promote chastity Love's "Much Ado About Nothing"(1599) and the ode to love another human study,"Twelfth Night"(1600), etc.

这一时期创作的喜剧包括诗意盎然的《仲夏夜之梦》（1596）、扬善惩恶的《威尼斯商人》（1597）、反映市民生活风俗的《温莎的风流娘儿们》（1598）、宣扬贞洁爱情的《无事生非》（1599）和歌颂爱情又探讨人性的《第十二夜》（1600）等10部。

We have no common name for a mime of Sophron or Xenarchus and a Socratic Conversation; and we should still be without one even if the imitation in the two instances were in trimeters or elegiacs or some other kind of verse--though it is the way with people to tack on 'poet' to the name of a metre, and talk of elegiac-poets and epic-poets, thinking that they call them poets not by reason of the imitative nature of their work, but indiscriminately by reason of the metre they write in.

索夫农 、森那库斯和苏格拉底式的对话采用的模仿没有一个公共的名称；三音步诗、挽歌体或其他类型的诗的模仿也没有——人们把&诗人&这一名词和格律名称结合到一起，称之为挽歌体诗人或者史诗诗人，他们被称为诗人，似乎只是因为遵守格律写作，而非他们作品的模仿本质。

The relationship between communicative competence and grammar teaching should be that of the ends and the means.

交际能力和语法的关系应该是目标与途径的关系。