第十二

A major text of early Kabbala was the 12th-century Sefer ha-bahir ("Book of Brightness"), whose influence on the development of Jewish esoteric mysticism and on Judaism in general was profound and lasting.

早期卡巴拉主要文本是第十二世纪Sefer ha-bahir，在犹太人深奥神秘主义及犹太教总体上的发展影响是深刻和持久的。

He had spent eleven days happily with his friends after he had come from Lemnos, but on the twelfth heaven again delivered him into the hands of Achilles, who was to send him to the house of Hades sorely against his will.

然而，到了第十二天，神明又把他丢进阿基琉斯手中――这一回，后者将强违他的意愿，把他送入死神的家府。

Article 12 A loaner shall set up the concrete responsible department and posts so as to make all-around risk evaluation of fixed asset loans and form risk evaluation reports.

第十二条贷款人应落实具体的责任部门和岗位，对固定资产贷款进行全面的风险评价，并形成风险评价报告。

Lesson Twelve You look a little pale. What's wrong with you?

第十二课你的脸色不太好，不舒服吗？

The twelfth Imam is known as the Mahdi.

第十二伊玛目，是被称为马赫迪。

The Babis emerged in a period of great millenarian expectations, for the year 1844 was to mark the 1000th anniversary of the disappearance of the twelfth Imam.

该Babis出现了一段伟大的千禧年的期望，为一年1844年是纪念1000周年之际失踪的第十二伊玛目。

Rule No. 12: Smoking does not make you look cool. It makes you look moronic.

第十二条：抽烟不会使你看起来样子很酷，抽烟只让你看起来像白痴似。

To solve these problems, the contract template in the twelfth article of the deposit paid and non-return made expressly agreed.

要解决这些问题，合同范本在第十二条中的存款支付和非返回作出明确约定。

Article 12 Electric reliability evaluation shall be conducted by following the principles of objectiveness, fairness and equity.

第十二条电力可靠性评价应当遵循客观、公平、公正的原则。

Orsino''= refers to the Count Orsino in Twelfth Night.

：《第十二夜》中奥西诺公爵。

We have no common name for a mime of Sophron or Xenarchus and a Socratic Conversation; and we should still be without one even if the imitation in the two instances were in trimeters or elegiacs or some other kind of verse--though it is the way with people to tack on 'poet' to the name of a metre, and talk of elegiac-poets and epic-poets, thinking that they call them poets not by reason of the imitative nature of their work, but indiscriminately by reason of the metre they write in.

索夫农 、森那库斯和苏格拉底式的对话采用的模仿没有一个公共的名称；三音步诗、挽歌体或其他类型的诗的模仿也没有——人们把&诗人&这一名词和格律名称结合到一起，称之为挽歌体诗人或者史诗诗人，他们被称为诗人，似乎只是因为遵守格律写作，而非他们作品的模仿本质。

The relationship between communicative competence and grammar teaching should be that of the ends and the means.

交际能力和语法的关系应该是目标与途径的关系。