第十七

This dissertation has 7 chapters. Chapter One introduces the tradition of historical narration in Chinese literature, discusses the relationship between fiction and historical narration, and the historical view of humanism in traditional novels. Chapter Two analyzes the historical view in contemporary red narrative, the origin of red historical compilation, hypo-realism in red novels of officers, and the features of taking personal narrative as revolutionary narrative etc. the song of youth is taken as an example to illustrate the secret of changing little burgesses narrative into revolutionary narrative. Chapter Three focuses on re-emergence and changes of enlightenment historical narrative and the historical sense of enlightenment. Tibet, implied times and the family of red corn are taken as examples to illustrate the features of changing from enlightenment historicism to new historicism. Chapter Four examines the phenomena and characteristics of new historicism narrative. The following chapter concerns the historical narrative by Yu Hua and Mo Yan, and historical sense of quasi-new historicism in Wang Anyi's Changhenge.

正文共分七章，第一章是对&中国文学中的历史叙事传统&的追溯：探讨了中国文学中&小说&这一文类与&历史叙事&之间的渊源关系，传统小说中的人本主义与生命本体论的历史观、其悲剧本质的历史诗学与美学理念、其循环论与非主流的历史伦理：第二章是对&当代红色叙事中的历史观&的分析：探讨了其&红色历史编纂学&的由来，红色官史小说中的&伪现实主义&、&把个人叙事装饰为革命叙事&的特点、其&革命&外表下装裹着的&旧式&的叙事模型等等，还以《青春之歌》为例分析了由小布尔乔亚叙事改装为革命叙事的奥秘：第三章是对&启蒙历史叙事的重现与转型&的梳理：分析了寻根文学中所包含的启蒙历史主义意识一一从最早的民俗学趣味、到寻根诗歌中&文化民族主义&的突然高涨、还有寻根小说中所包含的各种新型的历史思想，还以稍后的扎西达娃的《西藏，隐秘岁月》和莫言的《红高粱家族》为例，探讨了其由启蒙历史主义向新历史主义过渡的特点：第四章是对&新历史主义叙事的现象与特征&的分析，先是梳理了新历史主义文学思潮从八十年代后期到九十年代末期所出现的大量现象和演变的轨迹，而后分析了各种类型的新历史主义叙事的特征，其基本尺度、还有&新&与&旧&的关系等等；此后第五、六、七章分别就余华和莫言的历史叙事、还有王安忆的《长恨歌》中的类似新历史主义的历史意识进行了分析。

The infringements listed in Article 47 of the Copyright Law, which damage the public interests at the same time

著作权法第四十七条列举的侵权行为，同时损害公共利益的

If the circumstances are serious, any person directly responsible shall be prosecuted, for his criminal liability, by applying mutatis mutandis Article 127 of the Criminal Law.

假冒他人专利的，依照本法第六十条的规定处理；情节严重的，对直接责任人员比照刑法第一百二十七条的规定追究刑事责任。

Judicial review is not the proper forum for debating whether the Authority (or the paper of the AMO placed before the Authority) got it wrong in the value judgment that the Pier does not possess the requisite historical, archaeological or palaeontological significance for it to be declared as a monument.

重点在第三十七段：「司法覆核并非争论当局（或古迹办呈交当局的文件）认为『该码头未有充分的历史学、考古学或古生物学价值，是以未符合宣布为古迹的条件』的决定是否正确的适当场所。

The peloton passes a vineyard March 12 during the 157 km fifth stage run between Pernes-les-Fontaines and Aix-en-Provence in southern France.

传递的珀莱东3月12日在一百五十七公里第五阶段之间佩尔内斯运行莱方丹和艾克斯在法国南部普罗旺斯的葡萄园。

In the fourth year, and it was completed in all particulars, exactly according to plan, in the month of Bul, the eighth month, in the eleventh year.

第十一年，＂步耳＂月上主的殿各部分全依照计划完成﹔建殿的工作共费时七年。

Article 97 Amount of charges levied by airlines are to be determined by CAA.

第九十七条公共航空运输企业的营业收费项目，由国务院民用航空主管部门确定。

Article 37 The people's court may, upon the application of the parties concerned, arrange for them to exchange evidences prior to holding a session of court hearing.

第三十七条经当事人申请，人民法院可以组织当事人在开庭审理前交换证据。

The ninth day before the ides of a month; in the ancient Roman calendar, the seventh day of March, May, July, or October and the fifth day of the other months.

古罗马历中自三、五、七、十各月的十五日起算的前第九日即三、五、七、十各月的第七日；其它各月的第五日

Another step in papal assumption was taken, when, in the eleventh century, Pope Gregory VII proclaimed the perfection of the Roman Church.

在第十一世纪，教皇贵钩利七世宣布教会是完全的，这是教皇又进一步的僭越举动。

We have no common name for a mime of Sophron or Xenarchus and a Socratic Conversation; and we should still be without one even if the imitation in the two instances were in trimeters or elegiacs or some other kind of verse--though it is the way with people to tack on 'poet' to the name of a metre, and talk of elegiac-poets and epic-poets, thinking that they call them poets not by reason of the imitative nature of their work, but indiscriminately by reason of the metre they write in.

索夫农 、森那库斯和苏格拉底式的对话采用的模仿没有一个公共的名称；三音步诗、挽歌体或其他类型的诗的模仿也没有——人们把&诗人&这一名词和格律名称结合到一起，称之为挽歌体诗人或者史诗诗人，他们被称为诗人，似乎只是因为遵守格律写作，而非他们作品的模仿本质。

The relationship between communicative competence and grammar teaching should be that of the ends and the means.

交际能力和语法的关系应该是目标与途径的关系。