第十

At the end of his work we find this protestation perfectly parallel with that of his testament: All whatsoever I have affirmed on these various and difficult points, not according to my own sentiment, but according to that of the holy Doctor, I submit to the judgment and sentence of the Apostolic See and the Roman Church, my mother, to be henceforth adhered to if she judges that it must be adhered to, to retract if she so wishes, to condemn and anathematize it if she decrees that it should be condemned and anathematized.

"在结束其工作（三，第十， epilogus omnium ），我们觉得这是完全平行的抗议与他的遗嘱："所有的事，我肯定对这些不同和难点，而不是根据我自己的情绪，但据指出，罗马教廷的医生，我向判决和判刑的使徒见和罗马教会，我的母亲，从此坚持，如果她的法官认为，必须坚持，收回，如果她愿意，谴责和anathematize如果她的法令，它应该受到谴责和anathematized 。

Article 12 Copyright in a work derived from adaptation, translation, annotation or arrangement of a preexistent work shall vest in the adapter, translator, annotator or arranger, the exercise of which, however, may not infringe the copyright in the preexistent work.

第十二条改编、翻译、注释、整理已有作品而产生的作品，其著作权由改编、翻译、注释、整理人享有，但行使著作权时不得侵犯原作品的著作权。

Article 12 Where a work is created by adaptation, translation, annotation or arrangement of a pre-existing work, the copyright in the work thus created shall be enjoyed by the adapter, translator, annotator or arranger, provided that the copyright in the original work is not infringed upon.

第十二条改编、翻译、注释、整理已有作品而产生的作品，其著作权由改编、翻译、注释、整理人享有，但行使著作权时不得侵犯原作品的著作权。

Article 12 Copyright in a work derived from adaptation, translation, annotation or arrangement of a preexistent work shall vest in the adapter, translator, annotator or arranger, the exercise of which, however, may not infringe the copyright in the preexi

第十二条改编、翻译、注释、整理已有作品而产生的作品，其著作权由改编、翻译、注释、整理人享有，但行使著作权时不得侵犯原作品的著作权。

Where a work is created by adaptation, translation, annotation or arrangement of a pre-existing work, the copyright in the work thus created shall be enjoyed by the adapter translator, annotator or arranger, provided that the copyright in the original work.

第十二条改编、翻译、注释、整理已有作品而产生的作品，其著作权由改编、翻译、注释、整理人享有，但行使著作权时，不得侵犯原作品的著作权。

In North Africa in January 1943, the intelligence officer of the 10th Panzer Division reported on a "new American antitank weapon."

一九四三年一月，驻北非的第十装甲师的情报官报告了"美国的一种新式反坦克武器"。

Article 12 A permit for operation shall be composed of the text part and the appendices.

第十二条经营许可证由正文部分和附件部分组成。

The instrument appointing a proxy shall be in writing in any usual common form,or such other form as may be approved by the Directors,and shall be signed by the appointer or his attorney,duly authorized in writing,or if the appointer is a corporation shall be either under its Common Seal or under the hand of an officer or attorney so authorized.

第十一条代理文书应按通常格式或按董事会可能赞同的其他格式作成书面文书，并由指定人或其经书面正式授权的律师签字，如果指定人是法人，则应盖上法人的普通印鉴或由一高级职员或一授权签字的律师签署。

These two types of Aquarian can be seen in the two types of 11th house people.

这两类水瓶可以反映於这两类第十一宫强的人。

In the fourteenth centry there were three Spanish provinces: that of Portugal, that of Castile, and that of Aragon.

第十四世纪有三个西班牙省份：即葡萄牙，即卡斯蒂利亚和阿拉贡。

We have no common name for a mime of Sophron or Xenarchus and a Socratic Conversation; and we should still be without one even if the imitation in the two instances were in trimeters or elegiacs or some other kind of verse--though it is the way with people to tack on 'poet' to the name of a metre, and talk of elegiac-poets and epic-poets, thinking that they call them poets not by reason of the imitative nature of their work, but indiscriminately by reason of the metre they write in.

索夫农 、森那库斯和苏格拉底式的对话采用的模仿没有一个公共的名称；三音步诗、挽歌体或其他类型的诗的模仿也没有——人们把&诗人&这一名词和格律名称结合到一起，称之为挽歌体诗人或者史诗诗人，他们被称为诗人，似乎只是因为遵守格律写作，而非他们作品的模仿本质。

The relationship between communicative competence and grammar teaching should be that of the ends and the means.

交际能力和语法的关系应该是目标与途径的关系。