第十

She is reading her 11th book this month.

她正在读这个月的第十一本书。

You might expect, then, that the 11th house person would have many friends.

你可以预计到第十一宫强的人有很多朋友。

B:Thanks for the kind words. But this is the 12th time I've failed.

乙：谢谢你的安慰，但这已是我第十二次失败了。

Of course I love you, which was 12th on the list.

位居第十二位的是"我当然爱你"。

On the 12th, it looks like there's even more romance in store for you.

在第十二天，好像为你准备着更多的浪漫。

Article 16 A joint venture is a limited liability company.

第十六条合营企业为有限责任公司。

We may also assign to the influence of Mysticism the ontological systems of Malebranche and of the Ontologists of the eighteenth and nineteenth centuries.

我们也可能指派给的影响，神秘主义的本体论系统和马勒伯朗士的ontologists的第十八和十九世纪。

Chapter 14 The Two Prisoners A YEAR AFTER Louis XVIII's restoration, a visit was made by the inspector-general of prisons.

第十四章两犯人路易十八复位后一年左右，监狱巡查员到伊夫堡来作了一次视察。

The tenth General Council, the Second General Council of the Lateran, took place only fifteen years after that just described.

大会第十届理事会，第二次总理事会的lateran ，发生了，只有十五年后，刚才所描述的。

Turning our attention to difficult sentences, we felt that 'Lombroso and Ferrero, to whom criminal men were biologically less evolved, saw women as being less evolved than men and closer to primitive types and argued that natural selection had bred out their criminal tendencies' (third paragraph on page 16 of the reading) was rather complex and a possible stumbling block.

把我们的注意力转向困难语句，我们认为&龙波舒和费立诺，认为那些犯罪的男性在生物学上进化较少，认为女性比男性进化更少，接近于原始类型，认为自然选择剔除了他们的犯罪倾向。&（阅读材料第十六页第三段）相当复杂，是一个可能的障碍。

We have no common name for a mime of Sophron or Xenarchus and a Socratic Conversation; and we should still be without one even if the imitation in the two instances were in trimeters or elegiacs or some other kind of verse--though it is the way with people to tack on 'poet' to the name of a metre, and talk of elegiac-poets and epic-poets, thinking that they call them poets not by reason of the imitative nature of their work, but indiscriminately by reason of the metre they write in.

索夫农 、森那库斯和苏格拉底式的对话采用的模仿没有一个公共的名称；三音步诗、挽歌体或其他类型的诗的模仿也没有——人们把&诗人&这一名词和格律名称结合到一起，称之为挽歌体诗人或者史诗诗人，他们被称为诗人，似乎只是因为遵守格律写作，而非他们作品的模仿本质。

The relationship between communicative competence and grammar teaching should be that of the ends and the means.

交际能力和语法的关系应该是目标与途径的关系。