第五的

Brady probably could have made a case for the Pro Bowl based solely on his performances in the second quarter, when he threw 20 TD passes only 12 quarterbacks had more on the whole season

Brady也许仅凭赛季第五至第八这四场比赛中的表现就能进入全明星赛。在这期间，他传出20次达阵（只有12个四分卫全赛季传出的达阵比这更多

Article 22 shall be changed into Article 23, of which item (1) of paragraph 1 shall be modified as "demanding that the banking institutions deposit the reserve fund at a required ratio"; and item (3) thereof shall be modified as "handling rediscounting for the banking institutions, which have opened accounts in the PBC"; and item (5) thereof shall be modified as "dealing in treasury bonds, other government bonds, financial bonds and foreign exchange on the open market".

九、第二十二条改为第二十三条，第一款第一项修改为：&要求银行业金融机构按照规定的比例交存存款准备金&；第三项修改为：&为在中国人民银行开立账户的银行业金融机构办理再贴现&；第五项修改为：&在公开市场上买卖国债、其他政府债券和金融债券及外汇&。

IX. Article 22 shall be changed into Article 23, of which item (1) of paragraph 1 shall be modified as "demanding that the banking institutions deposit the reserve fund at a required ratio"; and item (3) thereof shall be modified as "handling rediscounting for the banking institutions, which have opened accounts in the PBC"; and item (5) thereof shall be modified as "dealing in treasury bonds, other government bonds, financial bonds and foreign exchange on the open market".

九、第二十二条改为第二十三条，第一款第一项修改为：&要求银行业金融机构按照规定的比例交存存款准备金&；第三项修改为：&为在中国人民银行开立账户的银行业金融机构办理再贴现&；第五项修改为：&在公开市场上买卖国债、其他政府债券和金融债券及外汇&。

It was there that he wrote both the Fifth and the Sixth Symphonies.

他的第五和第六交响曲都是在那里写的。

Article 83The time limit for making up the shortage in tax payment or pursuing tax payment or surcharge on tax in arrears as prescribed in Article 52 of the Law on the Administration of Tax Collection starts from the day when the taxpayer or tax withholding agent fails to pay the due tax or underpays tax, or fails to remit the due tax or remits less tax.

第八十三条税收征管法第五十二条规定的补缴和追征税款、滞纳金的期限，自纳税人、扣缴义务人应缴未缴或者少缴税款之日起计算。

This chapter is one of the innovations in this paper.

第四、第五章是论文的核心内容，也是主要的创新之处。

His fourth album "White Paper" was released in 1997 and his fifth,"Revolution" in 1998. This was his first for Sony Music in Hong Kong and sold more than a hundred thousand copies in its first week.

力宏的第四张专辑《白纸》于1997年发行，第五张《公转自转》则于1998年推出，这同时也是香港新力音乐为他在当地发行的第一张，上市第一周就勇破十万张销量。

One favourite method is by periods; the Ante-Nicene Fathers till 325; the Great Fathers of the fourth century and half the fifth (325-451); and the later Fathers.

一个最爱的方法是由期限；前厅nicene父亲到325个；伟大父亲的第四个半世纪以来第五次（ 325-451 ），以及后来父亲。

In chapter one, it compared letters with pictures and showed the importance of observation. In chapter two, it introduced the structure of human eyes and the course of vision. Chapter three introduced the basic key element of vision and the main theories of studying in vision aesthesia. In chapter four, it analyzed the principle of understanding the meaning of a figure according to the theory before, and analyzed the law of aesthetic. Then it explained how people feel the three-dimensional form and the movement, which have offered the theoretical foundation for creating more vivid image. It expounded the purpose and meaning of judging a visual figure in the fifth chapter, and introduced three general standards. It showed a method of judging the figure from different points of view in an example. Summarize to the full text finally, it point out the correct observation of vision image is one of the main ways for people's study, proposed the weak point of this text.

本文在第一章对文字与形象两类视觉信息进行了比较，提出了掌握形象观察方法的重要性；接着在第二章简单介绍了人眼的构造和视觉成像的过程；第三章分别介绍了视觉感知的基本要素和目前研究视觉的主要理论；在第四章，根据感知理论重点分析了人们识别、理解图形意义的原则，并由此归纳总结了形式美感产生的规律，提出了创造生动的视觉形象和构筑立体形象的规则和方法；第五章则阐述了对视觉形象进行评价的目的和意义，介绍了评价的三大普遍标准，针对人工形象提出了一套评价系统，并通过一个实例来说明评价系统的使用过程；最后对全文做出总结，指出正确的认识视觉形象是人们学习的主要途径之一，并提出了本文的不足之处。

This dissertation has 7 chapters. Chapter One introduces the tradition of historical narration in Chinese literature, discusses the relationship between fiction and historical narration, and the historical view of humanism in traditional novels. Chapter Two analyzes the historical view in contemporary red narrative, the origin of red historical compilation, hypo-realism in red novels of officers, and the features of taking personal narrative as revolutionary narrative etc. the song of youth is taken as an example to illustrate the secret of changing little burgesses narrative into revolutionary narrative. Chapter Three focuses on re-emergence and changes of enlightenment historical narrative and the historical sense of enlightenment. Tibet, implied times and the family of red corn are taken as examples to illustrate the features of changing from enlightenment historicism to new historicism. Chapter Four examines the phenomena and characteristics of new historicism narrative. The following chapter concerns the historical narrative by Yu Hua and Mo Yan, and historical sense of quasi-new historicism in Wang Anyi's Changhenge.

正文共分七章，第一章是对&中国文学中的历史叙事传统&的追溯：探讨了中国文学中&小说&这一文类与&历史叙事&之间的渊源关系，传统小说中的人本主义与生命本体论的历史观、其悲剧本质的历史诗学与美学理念、其循环论与非主流的历史伦理：第二章是对&当代红色叙事中的历史观&的分析：探讨了其&红色历史编纂学&的由来，红色官史小说中的&伪现实主义&、&把个人叙事装饰为革命叙事&的特点、其&革命&外表下装裹着的&旧式&的叙事模型等等，还以《青春之歌》为例分析了由小布尔乔亚叙事改装为革命叙事的奥秘：第三章是对&启蒙历史叙事的重现与转型&的梳理：分析了寻根文学中所包含的启蒙历史主义意识一一从最早的民俗学趣味、到寻根诗歌中&文化民族主义&的突然高涨、还有寻根小说中所包含的各种新型的历史思想，还以稍后的扎西达娃的《西藏，隐秘岁月》和莫言的《红高粱家族》为例，探讨了其由启蒙历史主义向新历史主义过渡的特点：第四章是对&新历史主义叙事的现象与特征&的分析，先是梳理了新历史主义文学思潮从八十年代后期到九十年代末期所出现的大量现象和演变的轨迹，而后分析了各种类型的新历史主义叙事的特征，其基本尺度、还有&新&与&旧&的关系等等；此后第五、六、七章分别就余华和莫言的历史叙事、还有王安忆的《长恨歌》中的类似新历史主义的历史意识进行了分析。

The split between the two groups can hardly be papered over.

这两个团体间的分歧难以掩饰。

This approach not only encourages a greater number of responses, but minimizes the likelihood of stale groupthink.

这种做法不仅鼓励了更多的反应，而且减少跟风的可能性。