第五

It points out the topic, meaning and creative; introducing the consist and principle of the intelligent vehicle navigate system in chapter 2; analyzing the method of GPS-oriented and the error origin in chapter 3; analyzing briefly the principle and merged method of interspaced diversity and resist multi-decline in chapter 4; introducing the hardware and software realization of ambulant station of intelligent vehicle navigate /dispatcher system based on multi-GPS antenna in detail in chapter 5; giving the debugging and simple trial result of ambulant station in chapter 6; The lasted propose solving tactics to problem that exist in studying, draws a conclusion of this thesis and plans the future researching works.

指出本课题的研究的主题、意义及创新点；第二章概括性介绍了智能车辆定位导航系统的组成与原理；第三章分析了GPS定位的方法和误差来源；第四章重点分析了空间分集抗多经衰落的原理和信号合并方法；第五章详细介绍了多GPS天线智能车辆导航/调度系统车载台的软硬件实现；第六章给出了车载台的调试和简单试验结果。最后对研究中存在的问题提出了解决策略及下一步的研究方向。

The author raises experience to the level of theory by generalizing and approaches the construction of digital library.

本文对数字图书馆建设做了深入地探讨，论文共分六个部分：第一部分，对数字图书馆进行概要性地分析，主要阐述了数字图书馆的概念、特点和功能；第二部分，讨探了数字图书馆的资源体系建设；第三部分，分析了数字图书馆的技术体系，包括数字图书馆的技术组成和技术标准；第四部分，对数字图书馆的服务体系作了分析；第五部分，分析了数字图书馆的管理体系建设；第六部分，讨探了数字图书馆与知识产权保护的有关问题。

In the first chapter, we introduce the research background and the basic task of this project.

论文第一章主要介绍了课题的研究背景与意义以及基本任务；第二章分析了当前COD测量技术与仪器的现状与特点，并提出了紫外扫描式多光谱COD测量技术；第三章详细介绍了系统的整体结构、光路扫描系统与硬件控制系统；第四章介绍了嵌入式系统的概念、特点，以及软件设计的流程、功能模块与调试分析；第五章介绍了神经网络的概念、建模与实验数据分析；第六章对课题进行了总结与展望，提出了改进的意见。

The second chapter probes into the way and feature of spreading on Gesar" s music, and the development and the changes of the music spreading since the involving of modern intermedium, by introducing the psalmodies in different categories. The third chapter analyses the types of Gesar" s lyrics and the patterns they could change. The forth chapter illustrates the principles of Gesar" s creating and several majority tone patterns are showed here. In the fifth chapter, the tones of Gesar are classified based on three aspects, that is, the tone" s name, utilization and the localstyles. In the sixth chapter, the feature of Gesar s tones is analyzed from the aspect of the characteristics of melody, the rhythm and time, the tone patterns and the music structure and so on. The last chapter discusses the forms of music performance and the methods that the psalmodies take to sing.

本文第一章从史诗《格萨尔》说唱结合艺术形式的产生与发展开始，对它的这种艺术形式中的说与唱分别做了介绍；第二章通过对《格萨尔》音乐创作主体——艺人的分类介绍，探讨了史诗音乐的传播方式、传播特点以及在现代传播媒介的介入下它的传播方式的发展与变化；第三章是对唱词体裁的分析和它的变化类型；第四章论述了音乐唱腔的创作原则以及几种最主要的唱腔类型；第五章从曲调的名称、曲调的运用以及地域风格特点三方面对《格萨尔》唱腔进行了分类；第六章结合谱例从旋律特征、节奏节拍、调式以及音乐结构等方面分析了《格萨尔》音乐唱腔的特点；第七章是对《格萨尔》音乐表演形式及艺人演唱方法的探讨。

In the second court are incompetent doctors and dishonest agents; in the third, forgers, liars, gossips, and corrupt government officials; in the fifth, murderers, sex offenders and atheists; in the sixth, the sacrilegious and blasphemers; in the eighth, those guilty of filial disrespect; in the ninth, arsonists and accident victims.

第二殿是惩罚不及格的医生和不诚实的代理人；第三殿是伪造者、说谎者、闲谈者和贪污的政府官员；第五殿是谋杀者、性犯罪者和无神论者；第六殿是冒渎者和亵渎者；第八殿是不孝者；第九殿是纵火犯人和意外事故的受害者。

The first ECM held in 1998 focused solely on exhibiting made-in-Malaysia Products. Realizing the changing economic trends, from the second ECM in 1999, the expo gradually assumed an international character by having invited visitors or buyers from neighbouring ASEAN countries solicited through overseas roadshows. In the third ECM in year 2000, the scope was further widened to cover Japan, Korea and China, besides ASEAN countries. Parallel with globalization and liberalization in trade, the fourth ECM in 2002, the fifth ECM in 2004, the sixth ECM in 2006 and the seventh ECM in 2008, these ECMs have expanded further with wider international participation.

由1998年的第一届纯国货展销会；1999年第二届开始到东盟各国进行巡回促销；2000年第三届更扩大涵盖东盟、中国、日本、韩国，通过海外巡回广邀各国商家组团前来参观采购；配合经贸自由化和全球化，2002年第四届开始增设国际馆，欢迎世界各国的商家参展及参观采购。2004年第五届、2006年第六届及2008年第七届进一步获得海外商家参与，向国际展迈进。

Chapter three analyzes one of his works—Good-bye Kinmen, whereas chapter four gives analysis on his other work Sunset red tile house.

本文章节安排分别为：第一章为绪论，叙述本文的研究动机、目的与方法；第二章为作者介绍，透过本章了解陈启淦在儿童文学创作上的想法与活动历程，并透过整理，了解陈启淦累计至目前的创作成就；第三章为《再见金门》作品分析、第四章为《日落红瓦厝》作品分析、第五章为短篇小说作品分析，各章分别就「题材选取与情节铺陈」、「主题探析」与「人物刻画」等各种面向，为作者的少年小说作品进行深入剖析，并透过第六章依据创作形式与内容两部份，分别整理、归纳陈启淦少年小说的创作特色，并提出笔者的个人评价；第七章则为本文结论，并提出笔者的意见，做为后进研究者的研究参考。

Chapter 2 analyzes the traditional self-farming and farming-employed farming methods of the two main features; Chapter 3 is that about when the employer has been artificially cultivated after the elimination, only the self-farming; Chapter 4 is the traditional family smallholder farming production period on the way; Chapter 5 is a special historical period, the period of economic collectivization, In this paper, the period of collective farming as a total cultivated; Chapter 6 is still in accordance with the time and context with it. When the collective total cultivated end, after the family returned to farming, only this time, in family farming with the traditional small family farming periods vary. Chapter 7 is about modern machinery which widely practiced in another way when a new concept of farming and farming methods.

第二章主要分析的是传统社会自耕和雇耕两种耕作方式的主要特点；第三章介绍的是当雇耕被人为的消灭之后，只剩下自耕时的情况；第四章则是到了传统的家庭小农生产时期的耕作方式的介绍；第五章是一个特殊的历史时期，即集体化的经济时期，本文将这个时期的耕作方式称之为集体共耕；第六章仍旧是依照时间脉络顺之而下，当集体共耕结束后，重又回归到家庭耕作的方式，只是这时候的家庭耕作又与传统的小农家庭耕作时期有所不同；到第七章则是现代化机器广泛实行时的又一种全新的耕作理念和耕作方式。

The sixth chapter studies the relationship between MMs and stylistic feature, taking a dynamic perspective to study style, with the second section of this chapter analyzing the usages of MMs in report text and comment text of news style, the third comparing the different usage of three Chinese translations of Uncle Toms Cabin, the fourth analyzing the usage of MMs in three kinds of modern Chinese text , the fifth comparing the usage of MMs in three disciplines academic text and The sixth discussing the interactional rehtorical model, including the establishment of self-identity of speaker/writer, the expectation to reader/hearer, and the intertextuality interaction.

第六章讨论元话语和各语体语篇语体特征的关系，认为从元话语的角度来分析语体是从动态的角度来探讨言语行为和语体类型之间的关系，第二节讨论了报道体和时评体语篇中元话语使用情况，第三节比较了Uncle Tom's Cabin的文言文、古代白话和现代汉语三个译本中元话语标记使用的差异，第四节比较现代汉语三种语体文本中元话语标记使用情况，第五节讨论三个专业的学术论文中元话语标记的使用差异；第六节讨论元话语与语篇的互动修辞，讨论了语篇中表达者自我身份的确立、语篇对接受者的期待和呼吁和语篇的互动模式，说明元话语研究对探讨语篇的修辞互动模式和结构具有重要的意义。

The first ...... no I do not care; second ...... No, It does not matter; the third ...... not me, a little nervous; fourth, there is no me, and anxiety; fifth place ...... not me, live in fear ; sixth, there is no me, burning with impatience; seventh ...... U Thant - All of a sudden, I like to vent a gas balloon.

第一名……没有我，不在意；第二名……没有，没关系；第三名……没有我，有些紧张；第四名，没有我，焦虑不安；第五名……没有我，惶恐不安；第六名，没有我，心急如焚；第七名……吴丹——顿时我像泄了气的皮球。

With Death guitarist Schuldiner adopting vocal duties, the band made a major impact on the scene.

随着死亡的吉他手Schuldiner接受主唱的职务，乐队在现实中树立了重要的影响。

But he could still end up breakfasting on Swiss-government issue muesli because all six are accused of nicking around 45 million pounds they should have paid to FIFA.

不过他最后仍有可能沦为瑞士政府&议事餐桌&上的一道早餐，因为这所有六个人都被指控把本应支付给国际足联的大约4500万英镑骗了个精光。