第九十

Rock Around The Clock One, two, three o'clock, four o'clock, rock Five, six, seven o'clock, eight o'clock, rock Nine, ten, eleven o'clock, twelve o'clock, rock We're gonna rock around the clock tonight Put your glad rags on and join me, hon We'll have some fun when the clock strikes one We're gonna rock around the clock tonight We're gonna rock, rock, rock,'til broad daylight We're gonna rock, gonna rock, around the clock tonight When the clock strikes two, three and four If the band slows down we'll yell for more We're gonna rock around the clock tonight We're gonna rock, rock, rock,'til broad daylight We're gonna rock, gonna rock, around the clock tonight When the chimes ring five, six and seven We'll be right in seventh heaven We're gonna rock around the clock tonight We're gonna rock, rock, rock,'til broad daylight We're gonna rock, gonna rock, around the clock tonight When it's eight, nine, ten, eleven too I'll be goin' strong and so will you We're gonna rock around the clock tonight We're gonna rock, rock, rock,'til broad daylight We're gonna rock, gonna rock, around the clock tonight When the clock strikes twelve, we'll cool off then Start a rockin' round the clock again We're gonna rock around the clock tonight We're gonna rock, rock, rock,'til broad daylight We're gonna rock, gonna rock, around the clock tonight

罗克 Around 钟一，二，三点钟，四点钟，岩石五，六，七点钟，八点钟，岩石九，十，十一点钟，十二点钟，岩石我们正去向昼夜不停今晚的岩石穿上你的最好的衣服和加入我，亲爱的我们将获得乐趣中的一些当钟用击打我们正去今晚昼夜不停摇动的的时候，我们正去岩石，岩石，岩石，鼻音化符号大白天我们正去向去昼夜不停今晚的岩石的岩石当钟响了二，三和四下，如果乐队让生活松弛些的时候，我们将为我们正去今晚昼夜不停摇动的更多对叫嚷我们是去岩石，岩石，岩石，鼻音化符号大白天我们正去去的岩石向昼夜不停今晚的岩石当排钟正确在第七天堂中按五，我们将是的六和七叫的时候，我们正去向昼夜不停今晚的岩石我们正去岩石，岩石，岩石，鼻音化符号大白天我们正去向去昼夜不停今晚的岩石的岩石当它也是八，九，十，十一的时候，我将强有力地是 goin 和那样你希望我们是去昼夜不停今晚的岩石我们正去岩石，岩石，岩石，鼻音化符号大白天我们正去向去昼夜不停今晚的岩石的岩石当钟给予十二我们将使冷下来的时候，那时再次以开始一 rockin' 昼夜不停我们是去昼夜不停今晚的岩石我们正去岩石，岩石，岩石'，鼻音化符号大白天我们正去向去昼夜不停今晚的岩石的岩石

During the 19th and 20th centuries there were huge achievements on philosophy literature art and music; a variety of activities were also booming at that time Richard Strauss(1864-1949) born at that era when the social phenomena influenced his music learning process combined the classical and romantic music styles and further developed his unique composing style There were 5 chapters in the dissertation The research motivation purposes methodology and the literature review were included in Chapter One Chapter 2 focused on understanding how the history background and personal attitude influenced Richard Strauss' composing style Through the study of the romantic musicians like Franz Schubert1797-1828 Robert Schumann(1810-1856 Johannes Brahms(1833-1897) Hugo Wolf(1860-1903) Gustav Mahler(1860-1911) and etc I attempted to get a complete picture of musical evolution in Chapter 3 In addition Richard's classic compositions were categorized and organized in order to gain a deep understanding of his music From the study and the analysis of Strauss'"Vier letzte Lieder" the features styles the format and the life of the two poets Hermann Hesse1877-1962）and Joseph von Eichendorff(1788-1857 were explored and the relationship between the music of this composition and the poetry were also discussed Chapter 5 summarized the main arguments to give a short account of Strauss' lifetime rich experiences and thinking in his eighties

横跨十九、二十世纪的理察·史特劳斯（Richard Strauss，1864-1949）正是欧洲人文发展空前灿烂的年代，无论在哲学思想、文学、美术以及音乐方面，都有辉煌的成就。在他音乐学习历程中，结合了古典时期及浪漫时期两种音乐风格，发展出独特的作曲风格。本论文分成五章：第一章绪论包括研究动机、研究目的、研究方法及步骤以及文献探讨；第二章则从对理查史特劳斯生平的详实记载中，了解他创作作品的时代背景和心情；第三章则就浪漫时期艺术歌曲作家舒伯特（Franz Schubert1797-1828）、舒曼（Robert Schumann1810-1856）、布拉姆斯（Johannes Brahms1833-1897）、沃尔夫（Hugo Wolf1860-1903）及马勒（Gustav Mahler1860-1911）等，以诗人、旋律、伴奏型态及曲式和声，稍加整理并说明，以便了解艺术歌曲在此时期之演变过程。并将理查史特劳斯艺术歌曲作品分类统整，藉此对他的艺术歌曲能有更深一步的了解。第四章《四首最后的歌》之音乐探究与分析，则探讨此部作品诗人赫塞（Hermann Hesse 1877 - 1962）及艾辛朵夫（Joseph von Eichendorff﹐1788-1857）的生平和作品特色，以及诗的结构与格式，和此部作品音乐与诗的关系。第五章结语说明史特劳斯一生丰富经历与晚年想法，创作出一组宁静感人又深刻的终曲。

Following this context and along different viewpoints of personality-character arrangement and music interpretation for love and death, this research is trying to explore: firstly, comparing the characters of Jago Otello and Desdemona separately in original text with them in opera text, the specific aesthetic viewpoints of conflict and evil in nineteenth century would in this way be clarified. Hence, basing on the ending of the act IV in the opera, the representation of different viewpoints of death in nineteenth century from that in the era of Shakespeare will be musically interpreted.

对此，本研究没要从人物性格的设计以及音乐里如例诠释爱与死的看法两方面进行探讨：首先比较原著与歌剧文本在Jago、Otello、Desdemona三人情格刻划方面的差异，藉此突显属於十九世纪时代的对立冲突性以及恶的美学观；尔后，再以歌剧中第四幕的结束场景为出发点，探究音乐手法如何同样地反映出十九世纪有别於莎士比亚时代的死亡观。

The second part discusses the relationship between "the Nineteen Ancient Poems" and the trend of aesthetics thought in the last years of Eastern Han dynasty, firstly, analyzes the reasons of the trend of aesthetics thought in the last years of Eastern Han dynasty from five aspects, the decline of Confucianism , the reviviscence of Lao.

第二部分论述《古诗十九首》与汉末美学思潮之关系。第一，从经学的衰颓、老庄思想的复归、社会政治、经济、楚骚美学和汉代文学五个方面对汉末美学思潮的形成原因进行分析，并指出在这些原因的共同作用下，形成汉末"个人自我之觉醒"的美学思潮；第二，从"贵真"思想的复萌、"感伤主义"的出现及美学意识对人生各个方面的渗透几个侧面，分析了汉末美学思潮的特点：第三，探讨了《古诗十九首》与汉末美学思潮的关系。

Christian - Bible, John chapter 39 referred to the nineteenth:"and Nicodemus, that is, before the see of Jesus with myrrh and Aquilaria one about to come to help them."

基督教－圣经约翰福音第十九章三十九节提到：「又有尼哥底母，就是前见耶稣的带着没药和沉香约一百斤前来」。

According to the ICD 10th Revision, when the morbid condition is classifiable under Chapter XIX as injury, poisoning and certain

根据第十次修订本，死亡个案的死因属於第十九章「损伤、中毒和外因的某些其他后果」，则应以第二十章

Reductionistic naturalism, which predominated during the 17th, 18th, and 19th centuries, holds that all natural objects are reducible to objects as characterized by physical science.

reductionistic自然，这为主，在第十七，第十八，十九世纪，认为所有自然物体还原到物体的特点是物理科学。

In the process of immigration of eastern Sichuan and western Hubei, at least three issues are worthy of noting: one, the settlers had a difficult trip, life was unstable and crafts was extremely difficult in the mountain region in early time; two, Land disputes are more common in initial time of immigration, occupying boundary, subleasing, reselling and looting land often caused fights even murder, which shows early highly complex relation of immigration in community; three, immigrants plays a very important role in the development of local economy. If the local economic development can be divided into four stages, the fourth period (that is, from the middle of the 18th century to the 19th century) is the most important period for immigration, is the period of fastest development of economy and is the period of the local economic development the largest impacted by immigrants.

初期移民社会至少有三个问题引起本文注意，首先、移民们行程艰难，到达深山地区初期的生活很不稳定，劳作极其艰辛；其次、土地纠纷是初期移民社会较为普遍的现象，蒙混占界、转租转卖、抢占土地往往引起群殴甚至酿成命案，初期移民社会围绕土地争夺而展开的各种关系极为复杂；三、移民给当地社会经济带来了较大的变化，如果可以将唐宋至十九世纪末当地经济的发展分为四个时期，那么，第三个时期(即十八世纪中叶到十九世纪)是移民的重要时期也是当地经济发展最快的时期，移民对经济发展变化的影响是很大的。

Article 3. For the purpose of these Regulations, the term Yangtze River Waterway shall mean the main waterway extending from the line joining Liuheiwu (31 Degree 30 52 N, 121 Degree 18 54 E) at the lower reaches of the Estuary of the Liu River, and the signal post (31 Degree 37 34 N, 121 Degree 22 30 E) at the lower reaches of the Estuary of the Shiqiao River, Congming Island, and upwards to the upper boundary of Zhangjiagang (a line joining point 31 Degree 59 35 N, 120 Degree 20 00 E and point 31 Degree 57 13 N, 120 Degree 20 00 E).

第三条 本规定所说的长江水域，是指自浏河口下游的浏黑屋（北纬三十一度三十分五十二秒、东经一百二十一度十八分五十四秒）与崇明岛施翘河口下游的施信杆（北纬三十一度三十七分三十四秒、东经一百二十一度二十二分三十秒）联线沿长江向上至张家港上界（北纬三十一度五十九分三十五秒、东经一百二十度二十分与北纬三十一度五十七分十三秒、东经一百二十度二十分联线）之间的干线水域。

A point on the Primum Mobile (the Zodiac for practical purposes) which, in the horoscope of an individual, is occupied by a certain planet, manifests its influence depending on the properties of this planet, and acts on the individual as long as he lives.

第十层天（第十层天：古希腊天文学家托勒密的天动学说中的宇宙的第十层和最外层天体，该天体24小时绕地球自东向西旋转，据信该天体引起其它的九个天体与之一同旋转）上的一点，位于个体的诞生盘上，被某颗行星占据，该行星的特性决定了其影响力，从个体出生开始，就一直在起作用。

I can still vividly recall the impressive scenes you gave. You were among my friends and relatives who accompanied me from my house to the seaport and when the porters were slow to show up, you obligingly carried my suitcase for me.

你对我的种种感人情意，使我记忆犹新，那天你随着我的亲友从家里送我上轮船，搬运工迟迟不来，你毅然替我提着皮箱上船。

St. Nicholas became the patron saint of Russia, where he was famous for his red cape, flowing white beard, and bishop's mitre.

圣尼古拉成了俄罗斯人的守护神，在那里，他以身披红斗篷，留着飘逸的白胡须，戴着主教法冠而闻名。