第九

Sixty-first Semiannual General Conference of the Church, Monday, October 6, 1890, Salt Lake City, Utah. Reported in Deseret Evening News, October

第六十一届教会半年总会教友大会，一八九零年十月六日星期一，盐湖城，记载於 Deseret 晚报，一八九零年十月十一日第二版

I think and think for months ,for years ;ninety-nine times the conclusion false,but the hundredth time I am right.

我思考，再思考，经过几个月，几年；九十九次的结论都是错的，可是到第一百次，我是对的。

Rock Around The Clock One, two, three o'clock, four o'clock, rock Five, six, seven o'clock, eight o'clock, rock Nine, ten, eleven o'clock, twelve o'clock, rock We're gonna rock around the clock tonight Put your glad rags on and join me, hon We'll have some fun when the clock strikes one We're gonna rock around the clock tonight We're gonna rock, rock, rock,'til broad daylight We're gonna rock, gonna rock, around the clock tonight When the clock strikes two, three and four If the band slows down we'll yell for more We're gonna rock around the clock tonight We're gonna rock, rock, rock,'til broad daylight We're gonna rock, gonna rock, around the clock tonight When the chimes ring five, six and seven We'll be right in seventh heaven We're gonna rock around the clock tonight We're gonna rock, rock, rock,'til broad daylight We're gonna rock, gonna rock, around the clock tonight When it's eight, nine, ten, eleven too I'll be goin' strong and so will you We're gonna rock around the clock tonight We're gonna rock, rock, rock,'til broad daylight We're gonna rock, gonna rock, around the clock tonight When the clock strikes twelve, we'll cool off then Start a rockin' round the clock again We're gonna rock around the clock tonight We're gonna rock, rock, rock,'til broad daylight We're gonna rock, gonna rock, around the clock tonight

罗克 Around 钟一，二，三点钟，四点钟，岩石五，六，七点钟，八点钟，岩石九，十，十一点钟，十二点钟，岩石我们正去向昼夜不停今晚的岩石穿上你的最好的衣服和加入我，亲爱的我们将获得乐趣中的一些当钟用击打我们正去今晚昼夜不停摇动的的时候，我们正去岩石，岩石，岩石，鼻音化符号大白天我们正去向去昼夜不停今晚的岩石的岩石当钟响了二，三和四下，如果乐队让生活松弛些的时候，我们将为我们正去今晚昼夜不停摇动的更多对叫嚷我们是去岩石，岩石，岩石，鼻音化符号大白天我们正去去的岩石向昼夜不停今晚的岩石当排钟正确在第七天堂中按五，我们将是的六和七叫的时候，我们正去向昼夜不停今晚的岩石我们正去岩石，岩石，岩石，鼻音化符号大白天我们正去向去昼夜不停今晚的岩石的岩石当它也是八，九，十，十一的时候，我将强有力地是 goin 和那样你希望我们是去昼夜不停今晚的岩石我们正去岩石，岩石，岩石，鼻音化符号大白天我们正去向去昼夜不停今晚的岩石的岩石当钟给予十二我们将使冷下来的时候，那时再次以开始一 rockin' 昼夜不停我们是去昼夜不停今晚的岩石我们正去岩石，岩石，岩石'，鼻音化符号大白天我们正去向去昼夜不停今晚的岩石的岩石

Following this context and along different viewpoints of personality-character arrangement and music interpretation for love and death, this research is trying to explore: firstly, comparing the characters of Jago Otello and Desdemona separately in original text with them in opera text, the specific aesthetic viewpoints of conflict and evil in nineteenth century would in this way be clarified. Hence, basing on the ending of the act IV in the opera, the representation of different viewpoints of death in nineteenth century from that in the era of Shakespeare will be musically interpreted.

对此，本研究没要从人物性格的设计以及音乐里如例诠释爱与死的看法两方面进行探讨：首先比较原著与歌剧文本在Jago、Otello、Desdemona三人情格刻划方面的差异，藉此突显属於十九世纪时代的对立冲突性以及恶的美学观；尔后，再以歌剧中第四幕的结束场景为出发点，探究音乐手法如何同样地反映出十九世纪有别於莎士比亚时代的死亡观。

The Hong Kong Baptist University Symphony Orchestra presented its first Annual Gala Concert on 1 May 2009 in the Concert Hall of City Hall. Conducted by Music Director Professor Johnny Poon, the 90-strong orchestra performed Tchaikovsky's Symphony No. 6 in B minor, Pathétique, Op. 74 and Wagner's Overture to Die Meistersinger von Nürnberg.

香港浸会大学交响乐团於二零零九年五月一日在香港大会堂音乐厅举行「周年汇演2009」，由音乐总监潘明伦教授指挥约九十位团员，演奏柴科夫斯基的「第6 号交响曲B小调，悲怆，作品74」和瓦格纳的「纽仑堡名歌手序曲」。

He was a frequent guest at the influential gatherings held at the Pugwash home of the industrialist Cyrus Eaton and a leading figure of both the Empire Club and the Granite Club.

"1889"被翻译成了"一九八九"，不是一般的粗心。P17，第二段第三行他既是"帕格沃什会议"的热心参与者，又是帝国俱乐部和花岗石俱乐部的领导人物。

The second part discusses the relationship between "the Nineteen Ancient Poems" and the trend of aesthetics thought in the last years of Eastern Han dynasty, firstly, analyzes the reasons of the trend of aesthetics thought in the last years of Eastern Han dynasty from five aspects, the decline of Confucianism , the reviviscence of Lao.

第二部分论述《古诗十九首》与汉末美学思潮之关系。第一，从经学的衰颓、老庄思想的复归、社会政治、经济、楚骚美学和汉代文学五个方面对汉末美学思潮的形成原因进行分析，并指出在这些原因的共同作用下，形成汉末"个人自我之觉醒"的美学思潮；第二，从"贵真"思想的复萌、"感伤主义"的出现及美学意识对人生各个方面的渗透几个侧面，分析了汉末美学思潮的特点：第三，探讨了《古诗十九首》与汉末美学思潮的关系。

Christian - Bible, John chapter 39 referred to the nineteenth:"and Nicodemus, that is, before the see of Jesus with myrrh and Aquilaria one about to come to help them."

基督教－圣经约翰福音第十九章三十九节提到：「又有尼哥底母，就是前见耶稣的带着没药和沉香约一百斤前来」。

Therefore I want to analyze the characters of the composing techchnique of poly-phony in Bruckner"s "The 3rd Mass in this article,researching the sit-uation of compo-sing the western sacred music in 19~ century, emphasizing on the situ-ation and the rel-ationship of the creating technique between sacred music and polypho-ny music after 19~ century, and demonstrating the western polyphonous composing te-chnique help in developing the sacred music and the influence of sacred music on the western polypho-nous composing technique .

因此，笔者希望通过本文对布鲁克纳在其第三弥撒曲中的复调创作手法特征的论述，初探十九世纪西方宗教音乐的创作状态，并着重讨论十九世纪及其后的宗教音乐与复调创作手法之间的状况和联系，以期论证西方复调技法对其宗教音乐的发展，以及宗教音乐对复调技法创作的影响。

This is my third time to assist SoCO to organise exhibition -"Our Life in West Kowloon II".

引言今次活在西九之西九楼计色，已是我第三度协助香港社区组织协会策划展览。

They weren't aggressive, but I yelled and threw a rock in their direction to get them off the trail and away from me, just in case.

他们没有侵略性，但我大喊，并在他们的方向扔石头让他们过的线索，远离我，以防万一。

In slot 2 in your bag put wrapping paper, quantity does not matter in this case.

在你的书包里槽2把包装纸、数量无关紧要。