第七音

His performance on all these tracks, typically over a backdrop of gauzy major-seventh string pads, provides a lesson in long-form jamming against a steady, sensuous backbeat, with octave passages and a buoyant rhythm feel that echo Wes Montgomery.

他的演奏贯穿所有单曲，其典型特征是以薄纱般的第七弦乐键盘大调作为背景，借助于模仿Wes Montgomery的八度音小节和轻快节奏的感觉，提供了一个如何给稳定的、优美的基调强节奏以较长结构的人为干扰的经验。

Aluminum frame, the sandwichcone of Non-woven carbon fiber+Cell+Non-woven carbon fiber, 75mm (3) copper clad aluminum voice coil with flat wire,the special magnet system with Faraday ring and demodulation coil, 170mm×22mm Y30 Ferrite magnet.

铝合金框架， sandwichcone非织造碳纤维+细胞+无纺布碳纤维， 75毫米（ 3 ）铜包铝线音圈与扁线，特别磁体系统与法拉第环和解调线圈，一百七十〇毫米× 22毫米Y30铁氧体磁铁。

The seventh tone in the scale of C major or the second tone in the relative minor scale.

b 音， b 调c大调音阶中的第七个音或c 小调音阶中的第二个音

The flamenco version of this mode contains two frequent alterations in the 7th and, even more often, the 3rd degree of the scale: if the scale is played in E Phrygian for example, G and D can be sharp.

这种调式的弗拉门戈包含在音阶第七度、更经常是在第三度上的两种频繁的变音：例如，如果音阶是在弗利基亚 E 调式上，那么 G 和 D 就是升调。

The dominant seventh chord, in the key of C, is built on G. The chord notes would then be G- B - D - F. The sub dominant chord, in the key of C, is built on the fourth note of the scale, or F.

C调的属七和弦，它的根音就是G，构成这个和弦的音是G-B-D-F.C调的下属和弦，它的根音是F，是音阶上的第四个音。

A chord consisting of a root with its third, seventh, and ninth.

九和弦由第三、第七和第九三个基础音组成的和弦

Krenek created a total of eight String Quartet, one of the sixth, the seventh, the eighth String Quartet are written by twelve-tone technique.

克热内克一共创作了八首弦乐四重奏，其中第六、第七、第八三首弦乐四重奏均采用十二音技法写作而成。

Chapter II of the Seventh String Quartet in general on the background, with pitch-class set theory analysis of three replacement sound relationship between the unified group of pitch throughout the whole idea of music, as well as the theme of fragment replacement pitch twelve-tone theme with a free form.

第二章大致阐述第七弦乐四重奏创作背景，用音级集合理论分析出三音组音高置换关系统一贯穿全曲的思路，以及主题片段音高置换与自由十二音主题形态。

Greenhorns write of syncopation now as if it were a new way of giving the utmost impetus to a musical measure; but the rowdiest jazz sounds like the Maiden's Prayer after Beethoven's third Leonora overture; and certainly no negro corobbery that I ever heard could inspire the blackest dancer with such diable au corps as the last movement of the Seventh Symphony. And no other composer has ever melted his hearers into complete sentimentality by the tender beauty of his music, and then suddenly turned on them and mocked them with derisive trumpet blasts for being such fools.

毛头小伙子们现在一提起切分音就好象是一种使音乐节奏成为最强而有力的新方法；但是在听过第三里昂诺拉前奏曲之后，最狂热的爵士乐听起来也象&少女的祈祷&那样温和了，可以肯定地说我听过的任何黑人的集体狂欢都不会象贝多芬的第七交响乐最后的乐章那样可以引起最黑最黑的舞蹈家拼了命地跳下去，而也没有另外哪一个作曲家可以先以他的乐曲的阴柔之美使得听众完全溶化在缠绵悱恻的境界里，而后突然以铜号的猛烈声音吹向他们；带着嘲讽似地使他们觉得自己是真傻。

Left ring finger, middle finger, index finger, respectively, by section I of the stomach opening and closing means, fourth, fifth, sixth音孔Hole, thumb at the bottom of the seventh音孔Hole.

左手无名指、中指、食指用第一节指肚分别开闭，第四、第五、第六音孔，拇指开开位于主管前下方的第七音孔。

We have no common name for a mime of Sophron or Xenarchus and a Socratic Conversation; and we should still be without one even if the imitation in the two instances were in trimeters or elegiacs or some other kind of verse--though it is the way with people to tack on 'poet' to the name of a metre, and talk of elegiac-poets and epic-poets, thinking that they call them poets not by reason of the imitative nature of their work, but indiscriminately by reason of the metre they write in.

索夫农 、森那库斯和苏格拉底式的对话采用的模仿没有一个公共的名称；三音步诗、挽歌体或其他类型的诗的模仿也没有——人们把&诗人&这一名词和格律名称结合到一起，称之为挽歌体诗人或者史诗诗人，他们被称为诗人，似乎只是因为遵守格律写作，而非他们作品的模仿本质。

The relationship between communicative competence and grammar teaching should be that of the ends and the means.

交际能力和语法的关系应该是目标与途径的关系。