第七十

The two most famous antinomian controversies in Christian history occurred in the sixteenth and seventeenth centuries, and involved Martin Luther and Anne Hutchinson, respectively.

两个最有名的antinomian争议，在基督教历史事件发生在第十六和第十七世纪，和所涉及的马丁路德和安妮哈钦森，分别。

Thus, with a few exceptions and changes (Pê, the seventeenth, precedes Ayin the sixteenth letter), the Hebrew alphabet is formed from the initial letters of the separate verses.

因此，除少数例外情况和变化（体育，第十七，先Ayin第十六信），希伯来字母组成的首字母的单独的诗句。

Article 4 After January 1, 2008, the distribution of the equity investment gains such as dividend and bonus from the accumulative undistributed profits in 2007 and previous years among resident enterprises shall be handled according to Article 26 of the Enterprise Income Tax Law and Article 17 and 83 of the Implementing Regulations.

四、2008年1月1日以后，居民企业之间分配属于2007年度及以前年度的累积未分配利润而形成的股息、红利等权益性投资收益，均应按照企业所得税法第二十六条及实施条例第十七条、第八十三条的规定处理。

I-xxi; Kuenen, Konig, Reuss, Renan, Westphal ascribe to DN, iv, 45-9, and v-xxvi; a third class of critics reduce D1 to xii, 1-xxvi, 19, allowing it a double edition: according to Wellhausen, the first edition contained i, 1-iv, 44; xii-xxvi; xxvii, while the second comprised iv, 45-xi, 39; xii-xxvi; xxviii-xxx; both editions were combined by the redactor who inserted Deuteronomy into the Hexateuch.

一至二十一； Kuenen ，柯尼格， Reuss ，雷南维，韦斯特法赋予的DN ，四， 45-9 ，和V - 26 ；第三类批评减少D1至十二， 1 - 26 ， 19 ，允许其双重版本：据威尔浩，第一版载一， 1至四， 44 ； 12 - 26 ；二十七，而第二个组成四， 45喜， 39岁； 12 - 26 ；二十八，三十；两种版本合并的redactor谁申命记插入到

Chapter 4 ----the theory of literature influence, exclusively discusses about the influence picaresque novel has on the European literature in 17th and 18th century, and the influence picaresque novel has on the American-European literature in 19th and 20th century.

第四章《文学影响论》，通过对历代欧美文学的检视与梳理，分别论述了流浪汉小说对十七与十八世纪欧洲文学的影响，流浪汉小说对十九与二十世纪欧美文学的影响。

These rhymes occur at the ends of lines and in caesural pauses.

二，第十三条，二十七，三十，丽芙，吕， cxlii等（二，十二，二十六，二十九， liii ，丽芙， cxli等）；这些儿歌发生在两端线和在caesural停顿。

From chapters 14 and 17 of Stalata Negat: The Stone Unheld: A Commentary on the Roll of Years, by Shaper Erden.

摘自&Stalata Negat：未坚持住的石头：一段关于年代交替的报道&的第十四篇和第十七篇，作者雕塑师Erden。

Article 17 In case an Internet news information service provider as prescribed in Item 1 or Item 2 of Paragraph 1 of Article 5 of the present Rules republishes any news information, it shall conclude a written agreement with the news entity of the Central Government or the news entity directly under the people's government of a province, autonomous region, or municipality directly under the Central Government.

第十七条本规定第五条第一款第项、第项规定的互联网新闻信息服务单位转载新闻信息，应当与中央新闻单位或者省、自治区、直辖市直属新闻单位签订书面协议。

Against the shallow and destructive efforts of Rationalism, which made its appearance among the Socinians about the end of the sixteenth century and later received a mighty impulse from English Deism, the German "Enlightenment", and French Encyclopedism, a salutary reaction was produced by the Pietists during the seventeenth and eighteenth centuries.

对浅层和破坏性的努力，理性，这使得它的出现之间的苏西尼约年底十六世纪，后来收到了一支强大的冲动，从英语自然神论，德国的&启示&，和法语encyclopedism ，一个有益的反应所产生的虔诚主义者在第十七和第十八世纪。

G. Johnston on the events of the past, or fixtures for the actual, years, entitled If Brian Boru could but come back and see old Dublin now , commissioned by Michael Gunn, lessee of the Gaiety Theatre, 46, 47, 48, 49 South King street, and to be introduced into the sixth scene, the valley of diamonds, of the second edition (30 January 1893) of the grand annual Christmas pantomime Sinbad the Sailor produced by R Shelton 26 December 1892, written by Greenleaf Whittier, scenery by George A.

勃鲁如今回来看到了老都柏林》的主题歌（并由R.G。约翰逊配乐）的呢？那本是坐落于南国王街门牌四十六、四十七、四十八、四十九号的欢乐剧场的承租人迈克尔。冈恩约他编写的。该歌原来预定插在照例于圣诞节期间公演的大型哑剧《水手辛伯达》第六场《钻石谷》（一八九三年第二版，作者：格林利夫。惠蒂尔，舞台装置：乔治。A。杰克逊和塞西尔。希克斯；服装：惠兰太太与惠兰小姐；导演：R。

We have no common name for a mime of Sophron or Xenarchus and a Socratic Conversation; and we should still be without one even if the imitation in the two instances were in trimeters or elegiacs or some other kind of verse--though it is the way with people to tack on 'poet' to the name of a metre, and talk of elegiac-poets and epic-poets, thinking that they call them poets not by reason of the imitative nature of their work, but indiscriminately by reason of the metre they write in.

索夫农 、森那库斯和苏格拉底式的对话采用的模仿没有一个公共的名称；三音步诗、挽歌体或其他类型的诗的模仿也没有——人们把&诗人&这一名词和格律名称结合到一起，称之为挽歌体诗人或者史诗诗人，他们被称为诗人，似乎只是因为遵守格律写作，而非他们作品的模仿本质。

The relationship between communicative competence and grammar teaching should be that of the ends and the means.

交际能力和语法的关系应该是目标与途径的关系。