符号表现

The trick to figuring out this dream is to try to find the symbology that will point to your 'performance in life' and then you will be able to correlate the stage with any items you see on it and the actions of the actors as they role play in order to receive the intended message.

伎俩，以搞清楚这个梦想是要设法寻找符号将指向您的表现在生活』，然后你将能够关联的阶段，与任何物品您所看到的资讯科技及行动的行动者，因为他们的作用发挥，以接收打算讯息。

Ness, cheer, brightness, enthusiasm and sincereness, the batiks show the images of conceptiveness and abstract signs; flowers, birds, insects and fish metaphoric of love and reproduction, full of life, intense maternal love;"wotuo" patterns of ancestral worship and thinking of their ancestors deduced "langjicao" which saved people from famine.

二 丹寨蜡染带着苗女活泼、欢快、明朗、热情、稚拙的情感，表现具有概念意义的形象和抽象符号：隐喻恋爱生殖的花鸟虫鱼、充沛的生命、激越的母爱；祭祖、念祖的&窝妥&纹演释出充当灾荒饥民救命草的&郎鸡草&。

Meanwhile, the "lines" acquire their meanings in their evolution from prototype imitation through geometrical decorative patterns to abstract symbols in their natural historical development from crudity to delicateness, from simplicity to complicatedness , till the splendid sight of rich vocabulary of lines.

同时，中国古代艺术之&线&从粗糙到精致，从简单到复杂，直至形成蔚为大观的线条语汇，经历了一个自然的历史发展过程，是从原型模仿到几何纹饰，最后演变成抽象符号，表现为一种&有意味的形式&的。

For ArcGIS 9.0 have been have display three-dimensional symbols, continue following traditional method is painfully and discommodiously to integrate with the function of GIS effectively.

因为在ArcGIS9.0以后已具备表现三维符号的功能，仍然利用这种方法显得费时费力，不便和地理信息系统的功能融为一体。

On the other hand, the influence of Absurd drama manifested mainly in the perspective of observing the world in later plays. Absurd drama reveals the uncertainty of the world by the skill of"simile way". Contemporary playwrights draw extensively and broadened the use of"simile way", and create the new simile symbols: anti-classic simile, anti-system simile and anti-meaning simile. At the same time they use a comprehensive simile to create a kind of sensual drama.Absurd drama also destroys the language function of traditional drama by rupture and desegregation, also tends to use "the language of no meaning," to reflect the world's essence. The contemporary generation create a physical theatre to expulse of the role of language. Another extreme is to strengthen language function thus creating a language game.

另一方面，荒诞派戏剧的影响力主要体现在后世剧作对客观世界的认知上：荒诞派通过&直喻&的手法来表现世界不确定性的本质，被后世剧作家广泛借鉴并且拓宽了直喻手法的使用，出现了反经典、反系统和反深度的直喻符号，同时另一个极端则是用剧场性的全面直喻创造了具有震撼力的感官戏剧；荒诞派通过破裂与解体的方法化解了传统戏剧的语言功能，更倾向于用&无义的语言&表达来体现世界的无义，后世剧作家在此基础上索性彻底驱逐了语言的作用从而创造了肢体戏剧，另一个极端则是强化语言功能创造了&语言游戏&。

Great comic artists assume that truth may bear all lights, and thus they seek to accentuate contradictions in social action, not gloss over (gloss over: v.掩盖) or transcend them by appeals to extrasocial symbols of divine ends, cosmic purpose, or laws of nature.

伟大的喜剧艺术家们认为，真理可呈现出各种不同的表现形态，故而他们力图强调社会行为中的对立矛盾，而不是通过诉诸于那些代表着神圣目标、字宙目的、或自然法则的超社会象片符号去掩饰或超越它们。

Hanying is created as a mankind "heroine", a "revolutionist" who has revolutionary awareness, noble thoughts, wisdom, impavidity, maturity and all fine qualities that an outstanding revolutionist should have, a "fisherman"s daughter who is the conveyor of rich national characteristics, distinctive local favor and special music style.

韩英是一个&女英雄&，但她又是一个被淡化了性别的女英雄，一个被男性化了的女性形象；韩英是一个&革命者&，具有革命的自觉意识和崇高的思想境界，她智勇双全，干练稳重，临危不惧、视死如归；韩英是一个&渔家女&，歌剧《洪湖赤卫队》具有浓郁民族特点和鲜明地方特色的表现形式和音乐风格都成为这个&渔家女&的文化符号。

You see, if the body of human beings without something of essence of life-----it just is called God----,which can innerly dictates its operation, it is just the material of non-life that can be provided to people for study in field of science and if you study from the angle of art appreciation------just as the works of art exhibited after the bodies having been processed in German---- the material has shown a special value, and here what I specially emphasize on is the body without life is still the indication of civilization and culture of human bengs, but it is like a pile of clothings, and its spirit has already left from under the clothings as the most important and essent existence, and what the appearance of body without life can only bring us the symbols hidden under the body.

你看，人体如果没有生命本质-----这就是神----的东西在其体内指挥其运转时，它们只是科学领域内可以供人研究的物质而在艺术欣赏角度-----正如德国的那些对于尸体加工之后作为艺术品展出的作品----看来，那些物质又具有了一种特殊的价值的存在，而特别强调的是，没有生命的人体仍然是一种人的文化文明的表现，只不过那只是象一堆衣服，其灵魂已经作为这堆衣服下作为人最重要最本质的存在而离开了，而由这无生命的人体的表象所能带给我们的仅是这人体所蕴藏着的符号，最多给我们观察到他们的人们以提示：那曾经是一个被代号**所称呼的人的存在，而他们不再能言语，他们也就没有文化文明了。

The exploration of the metaleptic reality, of the Platonic metaxy, as well as the articulation of the exploratory action through language symbols, in Plato's case of his Myths, are the central concern of the philosopher's efforts.

这种由言辞开启的对现实世界的探索，（柏拉图式的言辞转喻，译注：&言辞转喻的实在&即所谓的idea，即&理念&，而言辞转喻即理念的辨证运动，此后都翻译为&理念&），也可以称为一种借助语言符号而达到对世界清晰理解的探索行为（表现在柏拉图的虚构对话中），关乎着哲学家最核心的努力。

The text was divided into five parts: The basic conception of narratology applicability of narrative theory in television advertisiment research was explained in the first chapter; television advertisiment was researched on four aspects: the entity of narratory、the display mode of storied advertisiment、the analysis of live broadcast and word of narrative advertisiment in the second chapter; narrative research on the symbol mode of television advertisiment such as montages and voices et cetera was made in the third chapter; television advertisiment was analyzed by signifier and signified of advertisiment as well as narrative technique in desire and implementation in the fourth chapter; the relationship of narrative prototype and adoption in television advertisiment was discussed on several aspects such as circumstances prototype、ideological prototype and person prototype et cetera in the fifth chapter.

本文正文共分五个部分展开：第一章阐释叙事学的基本概念以及叙事理论对电视广告研究的适用性；第二章从叙事的本质、广告故事化的表现形式、广告叙事的时况和话语分析四个方面研究电视广告并尝试建构一个电视广告叙事学的研究模式；第三章对电视广告中的画面和声音等符号形式进行叙事学研究；第四章从广告中的能指和所指、愿望和实现的叙事技巧对电视广告进行分析；第五章从情节原型、意识形态原型、人物原型等方面探讨电视广告中叙事原型与叙事接受的关系，同时探讨电视广告的陌生化表达方式。

They weren't aggressive, but I yelled and threw a rock in their direction to get them off the trail and away from me, just in case.

他们没有侵略性，但我大喊，并在他们的方向扔石头让他们过的线索，远离我，以防万一。

In slot 2 in your bag put wrapping paper, quantity does not matter in this case.

在你的书包里槽2把包装纸、数量无关紧要。