符号表现

In his opinion: freedom in modern society is a kind of inter-control relationship between human and objects, that is an illusion of freedom; personality is the outcome of the batch production of consumer system; it is a kind of self-shoot, a shadowy self-comfort and satisfaction; the aesthetic distance formed the lonely state of modern human, this makes favor and identity be important motivity of consumption; nature here has been changed to naturety, it is a consumable symbol opposes to real nature; art and artworks gradually turns into sign; as the container and carrier of spirit, body has been changed to a separate object, a kind of capital that needs to be managed and operated; the inimitably expansion of image in mass media make human immerse in the aspiration of itself, which makes human fowardly go into the matrix of consumption.Abundant objects and information are accumulated in supermarkets and mass media, which give people an image of rich. At the same time, commodity appears in series to rise people's desire. The difference between kinds of commodity has gradually been erased, replacing the utility as object.

他认为：当代的自由实际上是人与物的相互操控关系，是人的自由幻觉；个性是消费系统中批量生产的产物，是一种自恋性的投射，一种虚幻的自我安慰和满足；审美距离则造成了当代人的孤独，这使得关切和身份认同成为消费的重要动力；自然已经变成自然性，成为对立于真正自然的可消费的文化符号；文艺复兴以来的艺术和艺术品逐渐由模仿转为表现再转为符号。

With respect to phonetics, Distinctive Features for the phonetic syncopation of spatial information are extracted based on Bertin's retinal variables. The importance of geographic reality, cognitive laws and geometric laws in the syncopation is pointed out following the thorough inspection of the physical characteristics of spatial information and a phonetic hierarchy of phoneme、 phoneme combination is proposed after the summarization of different methods of syncopation in Psychology, Pattern Recognition, Mathematic Morphology and Cartography, which provides linguistic interpretation for cartographic symbol design and understanding. With respect to the property that map symbol is represented as the combination of attribute and geometry in digital form of spatial information, suprasegmental phoneme as unit is proposed which deals with the high level phonetic units and their structure with the bend of curve and the simple area of complex area as primitive.

在语音结构方面，基于Bertin的视觉变量，提取了产生空间信息语音切分的区别特征；对空间信息的物理特征进行了详尽分析，指出了地理真实、认知规律和几何规律在语音切分中的重要作用；在总结心理学、模式识别、数学形态学和地图学等相关切分理论的基础上，提出了空间信息音位系统以及音位组合规律，为地图符号设计与理解提供了语言学解释；针对地图符号通常在空间信息中表现为属性和形态相结合的特点，提出在超音段音位层次上重点关注以线切分单元——弯曲和复杂面切分单元——弯曲构成的简单面为基本元素的语音高级层次及其结构。

Therefore, producers may focus on the symbolic differentia of general appearance during product process to emphasize its characteristics.

要从画面符号摄取阶段，就注意把握并表现出二者在画面符号表达上的差别。

Cy Twombly uses a combination of charcoal, colored pencils, chalk and oil paint in his works; sometimes he also incorporates wavy, flowing, scribbled text. But Ye Yongqing uses an "eyebrow pencil" to portray abstract lines and points to form a poetic visual language. His latest paintings further expand on this. He created seven abstract paintings of an identical composition, method, symbol and style entitled Broken - Heart. These paintings vary in either background color or color of the lines.

汤布里在绘画中并用炭笔、彩色铅笔、粉笔和油画颜料，还借用文字抽搐涂抹飞动书写，而叶永青的绘画则用"眉笔"一点一划描绘出抽象的线条，构成了诗意的视觉语言，尤其是他最近的绘画把这样的观念性做了进一步延伸，他完成了七幅同一构图、同一方法、同一符号、同一风格的抽象绘画《伤·心》，它们的不同表现为：要么每一幅画中的底色不同，要么每一幅画中符号描绘的颜色不同。

But symbols like "five-pointed star,""portrait of leader," and etc. are not standard format of "Cultural Pop," and Huang Gang excluded the most common elements in Chinese Contemporary Art:"persiflage,""mocking,""sarcasm"– these has been seen as flightiness and kitsch in current art world. In contrast, his usage for these symbols as almost "abstract," and with a bare outline and a section of changed and coordinated color could create settled and dignified visual effect.

但"五星"、"领袖像"等符号并非标准的"政治波普"形式，黄钢采取了一种意象化的方式来呈现它们，剔出了1990年代以来中国当代艺术中常见的"戏谑"、"调侃"和"讽刺"——这些方式，在眼下的艺术世界中，已然变得轻浮和媚俗；相反，他对这些符号的表现几乎是"抽象"的，仅仅一个轮廓，一片变化而协调的颜色便能做到，在视觉效果上显得沉稳而凝重。

Because the advertisement designer is concerned with the audience, culture can influence advertisement. The more different in the culture, and the more different in the symbol. The incommutability of symbol in different society will be more clearly.

文化影响广告内容是因广告设计者在乎阅听人的反应，且三个社会的文化内涵差异越大，所表现出来的符号内容就越不同，符号本身的不可替代性就越高。

In chapter 5, stating traditional local habitation characters such as continuity, variation ,integration and beyond present,by summing-up different designing tact such as"outwardly optimizing","abstracting and variation".

分析了白酒坊风情街以及周边的历史和现状，在大量实地调研考察的基础上，做到了白酒坊民俗风情街的景观设计的合理定位：即把江南小巷空间、江南传统民居建筑外装修和内装修的典型特点作为符号，运用到景观设计当中，与整个夫子庙风光带的景观设计达到了和谐统一，本章最后，通过分析白酒坊风情街景观设计的案例，总结出在景观设计的过程可以采取"表层优化"、"抽象变异"等不同的表现手法，来体现传统民居建筑符号的延续、变异、整合与超越。

It illuminated in the light of symbology principle that the folk dress of waterside villages of Southern Yangtze was not only daily consumer goods,but also a symbol system of folkcustom culture.

采用了符号学的原理进行解析江南水乡民间服饰既是人们的日常生活用品，又是一种表现民俗文化的符号系统。

Akkadian scribes wrote the language using cuneiform script, an earlier writing system devised by the Sumerians using wedge-shaped signs pressed in wet clay that in Akkadian could represent either Sumerian logograms (i.e. picture-based characters as in Chinese), Sumerian syllables, Akkadian syllables, and phonetic complements.

阿卡德的抄写员用楔形文字的字体来记录，是一种源自苏美尔人的较早期的书写体系，是把楔形的符号印入湿润的粘土上，这样阿卡德语就可以表现为四者其一：苏美尔语的语标符号（也就是以图画为基础的字符，就像中国文字一样）；苏美尔语的音节；阿卡德语的音节；还有文字的声旁。

As the necessary choice of modern cultural creation, self-conscious symbol design always emerges as a specific cultural creation activity by human dealing with the relation to the outside objective symbolic world under specific historical conditions, which is a functional transcendent activity, a programmed cultural creation activity seeking for concreteness against abstractness, and it is also a cultural creation activity with self-discipline, compatibility, and pre-examination value with the ability of self-reflection, self-criticism, self-transcendence and self-creation, therefore, it is a choice of cultural practice which is helpful for us to guide contemporary human cultural creation according to complex situations and it is also one to further control the future and development trend of our culture.

摘 要：作为现代文化创造之必然选择，自觉符号设计在具体历史条件下总是表现为人处理同外界客观符号世界关系的特定文化创造活动，它既是一种功能性超越活动，又是一种不断寻求具体、反对抽象的程式化文化创造活动，还是一种兼顾自律性、兼容性与预验性价值的文化创造活动。它具备自我反省、自我批判、自我超越、自我创造能力，有助于我们按照复杂情况来引导当代人类文化创造，更好地把握自身文化未来与发展趋势。

They weren't aggressive, but I yelled and threw a rock in their direction to get them off the trail and away from me, just in case.

他们没有侵略性，但我大喊，并在他们的方向扔石头让他们过的线索，远离我，以防万一。

In slot 2 in your bag put wrapping paper, quantity does not matter in this case.

在你的书包里槽2把包装纸、数量无关紧要。